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A round and commercially available brass clock installed into the Board Room of the Mackintosh Building and linked to the electrical circuit of Mackintosh studio clocks introduced in 1909/10. The brass clock can be seen illustrated in the background of Francis Newbery's painting of the GSA Building Committee meeting in the Board Room which dates from 1909-1914.
*Not available / given
Interior of Hous'hill, Glasgow - entrance porch
Entrance vestibule to the house, looking towards the stairs.
Bedford Lemere & Co
Portrait of Charles Rennie Mackintosh
Portrait of Mackintosh as an old man, sitting side-on.
Ransford, William
Portrait of Charles Rennie Mackintosh
Portrait of Mackintosh as an old man, hand on chin.
Hoppé, Emil Otto
Bedford Lemere & Co
Bedford Lemere & Co
Bedford Lemere & Co
Bedford Lemere & Co
Portrait of Charles Rennie Mackintosh
Portrait of Mackintosh as an old man, smoking a pipe.
Hoppé, Emil Otto
Bedford Lemere & Co
Bedford Lemere & Co
Bedford Lemere & Co
Bedford Lemere & Co
Bedford Lemere & Co
Bedford Lemere & Co
Portrait of Charles Rennie Mackintosh
Portrait of Mackintosh as an old man, wearing a cape and cap.
Hoppé, Emil Otto
Bedford Lemere & Co
Bedford Lemere & Co
Interior of Hous'hill, Glasgow - the music room
The music room looking towards the piano.
Bedford Lemere & Co
Interior of Hous'hill, Glasgow - the blue bedroom
The blue bedroom looking towards the bed.
Bedford Lemere & Co
Interior of Hous'hill, Glasgow - the blue bedroom
The blue bedroom looking towards the fireplace.
Bedford Lemere & Co
Interior of Hous'hill, Glasgow - the music room
The Music Room, with piano by George Walton.
Bedford Lemere & Co
Interior of Hous'hill, Glasgow - the drawing room
The Drawing Room looking towards the Music Room.
Bedford Lemere & Co
Portrait of Charles Rennie Mackintosh
Portrait of Mackintosh as an old man, seated side-on, holding a pipe in his left hand.
Hoppé, Emil Otto
Design for Glasgow School of Art: platform in Animal Room
Architectural drawing of room in basement of Mackintosh Building. Signed: Artot (t.r.).
Mackintosh, Charles Rennie
Design for Glasgow School of Art: additions to South-East wing - lower left
Architectural drawing showing various additions to building. The handwriting suggests that this sketch plan was not drawn by Mackintosh himself, but probably by a draughtsman in his office.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: additions to South-East wing - lower centre
Architectural drawing showing various additions to building. The handwriting suggests that this sketch plan was not drawn by Mackintosh himself, but probably by a draughtsman in his office.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plan of Antique Room, Life Rooms etc
Architectural drawing showing various plans. This sketch shows how accommodation was arranged in the East wing of the GSA before the West wing was added and the building was completed in 1906-09.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plan of ground floor - East wing
This sketch shows how accommodation was arranged in the East wing ground floor before the GSA was completed in 1906-09.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plan of basement floor - East wing
Architectural drawing showing basement plan of building. This sketch, very possibly not in Mackintosh's own hand but drawn by a draughtsman in his office, shows how the accommodation was arranged in the East wing basement before the GSA was completed with the addition of the West wing in 1906-09. The technical studios on the plan were housed in a temporary building which can be seen in the perspective drawing of the unfinished GSA.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: elevation and plan
Architectural drawing showing elevation and plan of building.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plans for drainage
Architectural drawing showing drainage plans for the building.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: section on line C.C/section on line D.D
Architectural drawing showing sections through building.
Mackintosh, Charles Rennie
From The Magazine, Spring 1896. Inscribed: The Tree of Influence, The Tree of Importance, The Sun of Cowardice, Charles Rennie Mackintosh, Jan 1895.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: section on line A.A/section on line D.D
Architectural drawing showing sections through building.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: elevation of Scott Street and Dalhousie Street
Architectural drawing showing east/west elevations of building.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: south elevation
Architectural drawing showing back elevation of building.'Even after his revisions to the first half of the building, and the proposed alterations pencilled on the 1907 elevation, Mackintosh made a few others. This drawing, from a set made in 1910 of the completed building, shows the facade as it is, including the parts that are now virtually invisible' (McLaren Young).
Mackintosh, Charles Rennie
Design for Glasgow School of Art: elevation to Renfrew Street
Architectural drawing showing north elevation of building.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plan of second floor
Architectural drawing showing second floor plan. The addition of this floor in the 1907-09 stage of building did not change the external appearance of Mackintosh's original two storey facade as the set back series of studios are not visible from street level. The plan shows how Mackintosh linked the two ends of the floor, by passing the already built Director's studio with the 'Hen-Run'.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plan of first floor
Architectural drawing showing first floor plan.
Mackintosh, Charles Rennie