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This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.

A carved tribute panel dedicated to Sir James Fleming (Chairman of GSA's Board of Governors). Located on the half landing between the ground and first floors of the Mackintosh Building. Panel unveiled, 17 January 1903.

Ringbound sketchbook (paper covers) comprising 18 pages. Various subject matter.

Ringbound sketchbook (with board covers) comprising 24 pages. Multiple subjects including Glasgow and Paris.

Ringbound sketchbook (with board covers) comprising 76 pages of various sizes. Multiple subjects in a variety of media.

Sketchbook with missing front and back covers. 24 pages + 12 loose designs of various sizes. Multiple subject matter, some dated.

Painting titled 'Death Mask of Tutankhamun' mounted on brown then green card.

Painting in ochres, reds, greens and whites. Large sunshine/star motif at top of painting with geometric design below.

A monochrome photograph of a watercolour painting featuring the distant landscape of Knoydart viewed from the Isle of Skye, Scotland. Annotated "The Knoydart Hill from Skye" on the reverse, but not dated.

A monochrome photograph of a watercolour painting depicting the landscape of the Eildon Hills in Melrose, viewed from Dryburgh, Scotland. Signed "W. Meldrum" on the backing paper, with the annotation "The Eildon Hills. From Dryburgh" on the reverse, but not dated. Presumed to be part of the same series as the identical photograph (DC 120/2/14).

An accompanying photograph of the watercolour landscape painting featuring the mansion in the country. Presumed to be part of the same series as the identical photograph (DC 120/2/12). Signed "W. Meldrum" and dated "1920," assumed to be the year of creation of the painting.

A monochrome photograph of a watercolour landscape painting featuring the Cuillin Hills viewed from Strathaird on the Isle of Skye, Scotland. Annotated "The Cuillin Hills from Strathaird, Loch Bracadale" on the reverse, but not dated.

An accompanying photograph of the watercolour landscape painting depicting the house in the country. Presumed to be part of the same series as the identical photograph (DC 120/2/10). Signed "W. Meldrum," but not dated.

A monochrome photograph of a watercolour painting depicting the landscape of the Eildon Hills in Melrose, Scotland. Signed "W. Meldrum" on the backing paper, with the annotation "Views of the Eildon Hills, Abbotsford" on the reverse, but not dated.

A monochrome photograph of a watercolour painting featuring the river Tweed in Melrose, Scotland. Annotated "The Tweed near Melrose" on the back side of the paper.

A monochrome photograph of a watercolour painting featuring a plain in the country. This work is not dated.

A drawing featuring the landscape view of a mountain peak of Marsco near Glen Sligachan, on the Isle of Skye, Scotland. Includes annotations indicating the location of drawing, "Marsco, Glen Sligachan, Clach Glas, Bheinn," but has no dates.

A drawing of a village view from a small square, featuring possibly Tudor style houses and a distant castle beyond the houses. This work is not dated.

An undated drawing of hands stacked over one another.

A rough sketch of a nude woman sitting with one arm folded. Signed "W.M." but not dated. The paper has been stamped with the embossed letters, "E.S.K. (Examined South Kensington)," indicating the late 19th century art education system in the UK.

A rough sketch featuring a standing woman with drapery, viewed from the back. Signed "W.M." with pencil, but not dated. Embossed letters "E.S.K. (Examined South Kensington)" stamped on the sheet indicate the late 19th-century UK art education system.

A sketch depicting a reclining woman in a white draped dress resembling the classical Himation. Signed "W. Meldrum." and stamped with the embossed letters "E.S.K. (Examined South Kensington)" indicating the late 19th-century UK art education system.

A series of black-and-white photographs of William Meldrum's watercolour landscape drawings, showing diverse views of Scotland. A few items have been signed "W. Meldrum" or dated 1920. Some photographs have two identical versions in this collection.

An undated rough sketch, presumably for one of his drawings in the collection, "Drawing of Marsco (DC 120/1/11)."

A drawing of a nude woman lying down, twisting her upper body while supporting her weight with an elbow, with downcast eyes. This work features shading of the entire background using pencil. Undated.

A drawing of a woman laying down in a twisting pose, while supporting her weight with an elbow and a hand. This work features shading of the entire background using pencil. Not dated.

A sketch depicting a draped classical Himation worn by a standing man. Signed "W.M." and stamped with the embossed letters "E.S.K. (Examined South Kensington)" indicating the late 19th-century UK art education system.

A sketch using pencil and white chalk and featuring a draped classical outfit, seemingly women's Chiton. The sheet has been Signed "W. Meldrum," stamped with "E.S.K. (Examined South Kensington)," and attached to backing paper.

A sketch of a landscape featuring a building with a tower peeking out beyond the trees. Undated.