- NMC/0470
- Item
- c1910s-1920s
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Lady with violin, sitting at piano.
Anderson, William Smith
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This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Lady with violin, sitting at piano.
Anderson, William Smith
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.
Alison, Henry Young
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.
Alison, Henry Young
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.
Alison, Henry Young
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Country track under snow; possibly near Pinwherry, Ayrshire.
Alison, Henry Young
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Landscape with figure amongst trees, Ayrshire.
Raeburn, Agnes
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Flower study.
Anderson, Daisy McGlashan
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Portrait of a young girl.
Alison, David
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Various repaired vases and drinking vessels (in the possession of the Burrell Collection, Glasgow).
Atherton, Barry
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Figure seated at table.
Nevay, Heather
Museum, The Glasgow School of Art
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This painting of the first-floor museum, looking East, is one of the very earliest artistic depictions of the building's celebrated interior.
Anderson, Elizabeth
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.
Kampmann-Jensen, Trine
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Abstract study of trees.
Robertson, James Downie
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of County Mayo landscape (Ireland). One of seven works presented for GSA by the Scottish Arts Council, as a result of the Council's collection being broken up and dispersed across Scotland.
Armour, William
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. A depiction of the Greek god Pan. One of seven works presented for GSA by the Scottish Arts Council, as a result of the Council's collection being broken up and dispersed across Scotland.
Gibbons, Carole
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Depiction of buildings in Oviedo's main square. One of seven works presented for GSA by the Scottish Arts Council, as a result of the Council's collection being broken up and dispersed across Scotland.
Miller, James
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Self portrait. Two of Hugh Adam Crawford's self portraits were exhibited at the Royal Scottish Academy in 1951 and 1960. Another earlier self portrait is also owned by the Scottish National Portrait Gallery.
Crawford, Hugh Adam
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Portrait of artist's mother and father at the piano.
Ballantine, Lewis Nisbet
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Portrait of the architect-lecturer.
Gallacher, William
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Portrait of architect-lecturer Hugh Ferguson against a backdrop of the Glasgow School of Art.
Laurie, John
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Abstract design.
Low, Bet
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of village with church.
Miller, John
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of wildlife, deer, partridge and birds of prey painted on sculpted card, attached to blue sculpted mount.
*Not available / given
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Kneeling female figure; parrot on porch.
Brown, Neil Dallas
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of singer and microphone.
Brown, Neil Dallas
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.
Brown, Neil Dallas
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Microphones and spotlights.
Brown, Neil Dallas
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Shrouded figure in foreground, striped background.
Brown, Neil Dallas
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Image of bird against abstract background.
Brown, Neil Dallas
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Blue and green abstract design.
Brown, Neil Dallas
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Two running dogs and arrowed target.
Brown, Neil Dallas
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of wolf and arrowed target.
Brown, Neil Dallas
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Shrouded figure foreground, coloured striped background.
Brown, Neil Dallas
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Abstract figure.
Palmer, Joan
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Abstract study of seed head.
Palmer, Joan
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Sitter was donor's late husband's aunt.
Crawford, Hugh Adam
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Biblical study of Christ bearing his cross to calvary. This painting was Milne's diploma submission in 1924.
Milne, Robert
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Landscape with mountains.
Mackie, Thomas Callendar Campbell
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Landscape with mountains.
Mackie, Thomas Callendar Campbell
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.
Dick, Jessie Alexandra
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Landscape of bridge over canal.
Oliver, Cordelia
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Cityscape.
Morrison, James
Portrait of Hugh Adam Crawford
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Portrait of Hugh Adam Crawford, in white tunic, bearded.
Oliver, Cordelia
Portrait of Iain Sweeney/Young Nationalist
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.
Annand, Louise
Suite of 9 works.
Richmond, Cathy
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written draft copies of around 190 articles of 250-1000 word length, by Clare Henry for The Glasgow Herald, January-December 1985, relating to visual art exhibitions in Glasgow, Edinburgh, Aberdeen, Milngavie, Peeblesshire and St Andrews. Also including some reviews of exhibitions in London at The Royal Academy and Serpentine.
A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, Corners Gallery Glasgow, New 57 Gallery, 369 Gallery, Artspace Aberdeen and JD Kelly Gallery, and organisations: Fine Art Society Glasgow, Fine Art Society Edinburgh and Group 81. The reviews cover private galleries: The Third Eye Centre, Compass Gallery, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh (also referred to as Scottish Arts Council Gallery), Mercury Gallery and Talbot Rice, as well as publicly funded galleries: Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, Paisley Museum and Hunterian Gallery Glasgow.
There are also reviews for offsite projects at Cramond Sculpture Park Edinburgh and Saltire House Edinburgh. The exhibitions covered are solo shows, by artists such as June Redfern, Annie Leibovitz and Jacki Parry. Key group exhibitions include New Image Glasgow at The Third Eye Centre featuring Steven Campbell, Ken Currie, Peter Howson, Mario Rossi, Stephen Barclay and others as part of the Hungarian Arts in Glasgow Season and annual exhibitions of painting and printmaking at Royal Scottish Academy. The Glasgow School of Art Postgraduate and Masters Degree shows are also reviewed alongside several reviews for Mayfest Festival Glasgow.
This file also includes longer feature and perspective articles on: Renoir Retrospective, Bruce McLean in London, Scottish Arts Council Collection on Sale and the Turner Prize win by Howard Hodgkin. Also includes copies of essays by Gerald Laing on Siaka Stevens.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written draft copies of around 170 articles of 350-1100 word length, by Clare Henry for The Glasgow Herald, January-December 1986, Art Review, and her first for The Guardian from August 1986 for visual art exhibitions in Glasgow, Edinburgh, Aberdeen, Milngavie, Peeblesshire and St Andrews. The Guardian listings focus on reviews of exhibitions in London at The Royal Academy and Serpentine.
A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, New 57 Gallery, 369 Gallery, Artspace Aberdeen, Compass Gallery and JD Kelly Gallery as well as a review for the closing of Corners Gallery Glasgow and the 70th Birthday of Cyril Gerber. The reviews also cover private galleries: The Third Eye Centre, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh (also referred to as Scottish Arts Council Gallery), Mercury Gallery and Talbot Rice, as well as publicly funded galleries: Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, Aberdeen Art Gallery and Hunterian Gallery Glasgow.
There are also reviews for offsite projects at Cramond Sculpture Park Edinburgh and Saltire House Edinburgh. The exhibitions covered are solo shows, by artists such as Alfred Loos, John Bellany and Peter Wilson. The Glasgow School of Art Postgraduate and Masters Degree shows are also reviewed alongside several reviews for Mayfest Festival Glasgow and the Edinburgh Festival.
This file also includes longer feature and perspective articles for Art Review and her research for STV when she visited Canada at the invite of Canada Council to Vancouver to Calgary/Ottawa/Toronto/Montreal and New York. Some personal correspondence in also included from Bet Low.
[i]Articles written in this year which are not present in the archive:
Aug Edinburgh Festival, Artists at Work
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written draft copies of around 110 articles of 500-1100 word length, by Clare Henry for The Glasgow Herald, January-December 1989 with weekly Monday and Friday features, Art Review, Time Out, World of Interiors, ALBA, Galleries Magazine and Ikebana Ryussei Magazine Japan covering visual art exhibitions in Glasgow, Edinburgh, Aberdeen, Dundee and Scottish regions.
During the year Henry also covers art in Los Angeles, Amsterdam and Madrid. Some reviews focus on exhibitions in London at Serpentine Gallery and Tate London. A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, New 57 Gallery, 369 Gallery, Scotrail Exhibition Centre and JD Kelly Gallery, including a feature on the opening of Barbizon Gallery Glasgow.
The reviews also cover galleries: The Third Eye Centre, Compass Gallery Edinburgh Printmakers Workshop, Fruitmarket Edinburgh (also referred to as Scottish Arts Council Gallery), Mercury Gallery and Talbot Rice, Graeme Murray Fine Art and the opening of Streetlevel Glasgow, Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, People’s Palace Glasgow and Hunterian Gallery Glasgow and artist led galleries WASPS, Collective Edinburgh and Transmission.
During this period Henry gives more context and opinion on the condition of funding, marketing, government policy and Glasgow’s Galleries in the lead up to Glasgow Capital of Culture 1990. Other feature and perspective pieces include, the cancellation of the Vienna 1960 exhibition by National Galleries of Scotland, the takeover row, funding and leadership of the National Galleries of Scotland, the sale of El Greco by National Gallery of Scotland, the wedding of Peter Howson and Terry Cullen, Soviet Season in Glasgow, Glasgow 1990 Build Up, Graeme Murray Fine Art at Amsterdam Kunstrai with Ian Hamilton Findlay and obituaries for Salvador Dali and William Barns Graham.
The exhibitions covered are solo shows, by artists Alf Lohr, Doug Cocker, Anthony Gormley, Andy Goldsworthy, Andy Warhol and Peter Howson and group shows for Royal Glasgow Institute.
Mayfest and the Edinburgh Festival and problems with funding are covered in detail, as is Soviet Season in Glasgow. Some correspondence proposing future articles with Ray Gard, Arnold Kemp from The Glasgow Herald and Time Out Sarah Kent.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written and typed draft copies of around 140 articles of 500-1500 word length, by Clare Henry for The Glasgow Herald, January-December 1992, with weekly Monday, Friday and some weekend features including a new feature ‘Herald Weekend Out’. Articles also written for Art Review, Conservation Management, Harpers & Queen and Galleries Magazine covering visual art exhibitions in Glasgow, Edinburgh, Kilmarnock, St Andrews, Kirkcudbright, Ayr, Aberdeen, Wick and Kinross. During the year Henry also covers art in Cambridge, Egypt, Amsterdam.
Some reviews focus on exhibitions in London at, for example, Flying Colours Gallery, Anderson O’Day Gallery, Mercury Gallery London, ICA London, Victoria Miro London, Jackson Gallery London, Duncan Miller Fine Arts London. A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, New 57 Gallery, 369 Gallery, Aquarium Glasgow, JD Kelly Gallery, Gatehouse Gallery Glasgow. The reviews also cover galleries: The Third Eye Centre, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh, Compass Gallery, Mercury Gallery and Talbot Rice, Graeme Murray Fine Art, Shore Gallery Leith, Nancy Smillie Gallery, Streetlevel Glasgow, McLellan Galleries, Tramway, Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, People’s Palace Glasgow and Hunterian Gallery Glasgow and artist led galleries WASPS, Collective Edinburgh, Project Ability and Transmission. During this period Henry gives more context and opinion on the failed Glasgow bid for Capital of Art 1996, restructure of Glasgow Museums under Julian Spalding, Scottish Art Schools, Pavel Buchler appointment as Head of Fine Art at The Glasgow School of Art, a series on Scottish Art in Private Collections.
Other feature and perspective pieces include: Allan Davie, Richard Demarco appointment as Professor at Kingston Polytechnic London, the theft of Lowry V.E Day painting from Kelvingrove, Tony Jones former director of The Glasgow School of Art appointment at Royal College London, The Burrell Collection Glasgow opening, British American Arts Association conference, Jenny Geddes Memorial by Merlyn Smith at St Giles Edinburgh, a profile on William Hardie, House for an Art Lover by Charles Rennie Mackintosh opening. Obituaries on Francis Bacon, Jon Schueler and Alastair Smart. The exhibitions covered are solo shows, by artists Derek Jarman, Mario Rossi, Joan Eardley, Ian Hamilton Finlay, Elspeth Lamb, William Barns Graham, Ken Currie, Narelle Jubelin, Callum Innes, Alan Ramsay, Anne Redpath, Tony Cragg, Maud Sulter and group shows for The Glasgow School of Art Textiles with Barbara Santos Shaw and Lux Europa by Isabelle Vasseur. Mayfest and the Edinburgh Festival are covered in detail.
Notes on Royal College of Art Degree show. are included, as well as correspondence regarding Herald Art Collection to Harry Reid, correspondence with Caroline Ross, a research questionnaire on art criticism by Goldsmiths undergraduate student, correspondence regarding interview with Jack Lang in Paris, business card collection correspondence. Includes an invitation to Clare Henry’s Birthday, news cuttings of letters to paper on Clare Henry's reviews and copies of Clare Henry’s entry in Debrett’s People of Today and review of her selections in A Critics Choice at Cooling Gallery London. Also included are catalogue essay commissions for RAAB Gallery London Phil Braham, Robbie Duff-Scott, Tony Jones for Chelsea Arts Club.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written and typed draft copies of around 100 articles of 500-1500 word length, by Clare Henry for The Glasgow Herald, January-December 1999, with Monday weekly articles regular book reviews and a ‘Picture of the week’ feature. Articles also written for Galleries Magazine, Sculpture Magazine, Interiors Magazine and Modern Painters, covering visual art exhibitions in Glasgow, Edinburgh, Aberdeen, Dundee, Stirling and Kirkcaldy. Exhibitions in London, Berlin, Antwerp, Brussels and New York also feature.
A number of the Scottish reviews are for exhibitions at former galleries: Compass Gallery, Gatehouse Gallery Glasgow. The reviews also cover private galleries: Edinburgh Printmakers Workshop, Fruitmarket Edinburgh, Talbot Rice, Ingleby Gallery, Inverleith House, Billcliffe Fine Art, Nancy Smillie Gallery, Fiction Gallery Glasgow, Art Exposure Glasgow and Streetlevel Glasgow, as well as publicly funded galleries: McLellan Galleries, Tramway, Kelvingrove (also known as Glasgow Art Gallery), Burrell Collection Glasgow, National Gallery of Modern Art Edinburgh, Royal Scottish Academy and artist led galleries Collective Edinburgh and Transmission.
During this period Henry gives more context and opinion on Robert Adam at National Gallery of Scotland, Kelvingrove redevelopment, Television review of A Tale of Two Cities Glasgow and Chicago on BBC with Tony Jones, Tessa Jackson appointment as Director of Scottish Arts Council, Scotland not at the Venice Biennale, Celebration at Hunterian at George Smith bequest, Glasgow UK City of Architecture and Design 1999 and Tate Turner Prize with New Tate Modern and new Dean Centre at Gallery of Modern Art Edinburgh.
The exhibitions covered are solo shows by Douglas Gordon, Joe Fan, Ashley Cook, Lapland Collective, Callum Innes, Kiki Smith, Kiki Smith, Joseph Beuys, Martin Boyce, Ross Sinclair, Sir Robin Philipson, Scott Kilgour, Felim Egan and an obituary for Patrick Heron. Group shows include The Thistle and the Rose, The Burrell Collection Glasgow and Tongues of Diamond, Collins Gallery Glasgow. Catalogue essays commissioned for Once Seen, Never Forgotten, Chicago and The Illinois New Millennium show also Henry’s speech for Arts and the City Conference, Glasgow Museums: The Way Forward. Other paperwork includes correspondence to Harry Reid, Keith Bruce and Susan Barr at The Herald and John Haldane regarding Modern Painters.
Henry, Clare