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This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Two running dogs and arrowed target.

The design depicts the Blessed Virgin Mary on the left side and a young boy (Hartley?) on the right. Design is for the lower section of a window in St Mark's, Southport; dedicated to the memory of Sir William Pickles Hartley of the Primitive Methodist Movement. Inscribed: 'What doth the Lord require of thee but to do justly and to love mercy and to walk humbly with thy God?'.

Design for two angels.

Design for St Paul (with staff). Preliminary drawings for one light windows for St Mark's, Southport, set into pairs in the facing North and South walls of the Church. See NMC/282A for replacement face used for St Paul.

Stained glass cartoon, possibly for Hartley Victoria College, Manchester.

Patterned design. Inscribed: 'No.3 Aisle' (pc, t.r).

Stained glass cartoon for a two light memorial window. Inscribed: Our Souls Inspire'. For the church of St Clement and St James, Horsley, near Derby. This window was one of two, two light windows designed for Guthrie and Wells, the Glasgow firm of decorators who began stained glass production in 1884 and won a reputation for first class craftsmanship and always employing excellent designers (beginning in 1887 with Sir James Guthrie). Bell first designed glass for the firm in 1895 when he won the competition for new windows for the Royal Church at Crathie, and he continued to design for them for twenty-three years. In the 1920s he also designed for the City Glass Company, and examples of his work are still in the Glasgow area.

Design of four angels playing musical instruments and a crown.

Design of four angels playing musical instruments, a crown and stars.

Design for two angels and a dove.

Design for Martin Luther (with hammer). Preliminary drawings for one light windows for St Mark's, Southport, set into pairs in the facing North and South walls of the Church.

John Wesley, holding bible (lower half).

Stained glass cartoon, possibly for Hartley Victoria College, Manchester.

Stained glass cartoon for a two light memorial window. Inscribed: 'Come Holy Ghost'. For the church of St Clement and St James, Horsley, near Derby. This window was one of two, two light windows designed for Guthrie and Wells, the Glasgow firm of decorators who began stained glass production in 1884 and won a reputation for first class craftsmanship and always employing excellent designers (beginning in 1887 with Sir James Guthrie). Bell first designed glass for the firm in 1895 when he won the competition for new windows for the Royal Church at Crathie, and he continued to design for them for twenty-three years. In the 1920s he also designed for the City Glass Company, and examples of his work are still in the Glasgow area.

Design of four angels.

Design for two angels.

Design for four angels. Inscribed, 'Forgive them for... know not what they...' Fragment of larger design, now lost.

Design for St John (with bible). Preliminary drawings for one light windows for St Mark's, Southport, set into pairs in the facing North and South walls of the Church.

Design for an angel. Identified as the right side angel at the tracery above the altarpiece six light window depicting the nativity.

Design for embroidered pulpit-fall, 'Be Ye Doers of the word not hearers only.' The words of the design are taken from James, chapter 1, verse 22 in the New Testament. Inscribed upper right: Design for a pulpit fall/J.R. Newbery Centre: "Be Ye Doers of the world not hearers only".

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of full-length female nude.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of seated nude (female) model.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of washerwoman. Verso: Presented to the Glasgow School of Art by Prof. Maurice Greiffenhagen LLD/3rd, April 1930.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study after Titian's 'The Fall of Man', c1570. The Titian original is held in the Prado collection, Madrid.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Abstract design.

Castle in landscape with figures. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Llanilted Vale, North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Two studies of trees; pollard willow and oak. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Two studies of castle towers. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Windmill with labourers in foreground. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Wood scene near Sevenoaks, Kent. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Midday, view of a cornfield. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

View of Battle Abbey with sheep grazing in foreground. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Shepherd and sheep. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. A depiction of the Greek god Pan. One of seven works presented for GSA by the Scottish Arts Council, as a result of the Council's collection being broken up and dispersed across Scotland.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of GSA art students, including Dorothy Ballantyne, Marion Fletcher, Sheila Wilson, Tom Gardner (the artist), Jimmy Spiers, Audrey Scarle, Florence Jamieson, Fay Campbell as well as tutor David Donaldson, his wife Pat and son David, plus a life model who is thought to be a music student from Falkirk who studied at The Atheneum.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Those depicted include Danny Ferguson, Gordon Huntly, Lewis Allan, Eileen Allen, Joan Docherty, Molly Brown and Ishbel Macdonald.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Portrait or artist; standing and wearing waistcoat. This painting was almost certainly exhibited at the Royal Glasgow Institute of the Fine Art in 1964.