Glasgow School of Art and Haldane Academy medal (Version 2)
- NMC/0411B/v2
- Part
- 1887
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Glasgow School of Art and Haldane Academy medal (Version 2)
Glasgow School of Art and Haldane Academy medal
Bust of Haldane? (obverse): figure of Minerva (reverse). Awarded to James Brough. The GSA was known as the Glasgow School of Art and Haldane Academy from 1869-1892. Inscribed obverse: "Glasgow School of Art and Haldane Academy"; On rim: "James Brough, Stage 23c".
*Not available / given
Glasgow School of Art and Haldane Academy medal (Version 1)
'The Storage Theatre' plaster cast
'The Storage Theatre': Plaster cast made from exterior of the B listed art deco building at 140 Salkeld Street, Glasgow. One of a set of three.
"The Storage Theatre explores the ways both artists and archaeologists understand the world through the material traces of the past."
Kerr, Lucy
Illuminated manuscript documenting the opening of the first stage of GSA, 20 Dec 1899.
Macbeth, Ann
Illuminated manuscript documenting the opening of the second stage of GSA, 15 December 1909.
Andrews, Edith Lovell
Longmuir, James
Longmuir, James
'Homage to the Studio': Rust-dyed and heat-manipulated crepe satin
Rust-dyed and heat-manipulated crepe satin. Inspired by the 2014 fire in the Mackintosh Building. Stored along with nails (NMC/1962B) and textile (NMC/1962C) in presentation box (NMC/1962A).
McQuarrie, Erin
'Limit': 1 of a set of 5 ceramic pots, wheel thrown with hand-built adjustments.
Artist statement: "Hostile architecture is a phenomenon with rase rise significantly throughout urban design this century. A widely recognised example of this type of design is the 'uncomfortable bench'. Interventions of this kind are now familiar, and can even be a cause of comfort to privileged audiences, but it is important to consider their sociological effects. We have replaced human interaction, nuance and empathy with hard, physical and non-negotiable solutions. Identifying five core aspects of hostile urban design - limit, control, obstruct, impede and deter - I have developed a series of ceramic cups which each embody one of these qualities."
Source: https://drive.google.com/file/d/1Pe53s2N6laNXHxxQ-RrjA5cjvuFNeUPC/view
Gray, Arvinda
Fringed, printed woolen stole with a stylised figure design in shades of mustard, claret, navy blue and pink.
Jack, Joanie
Long silk and linen woven scarf with fringed ends. It has geometric designs and subtle colour changes and blends, achieved through dip dyed warp. Scarf is in shades of green, grey, orange and brown.
Sumsion, Sarah
Large blue ornamental vase with lid
Large and wide white ornamental vase with light and dark blue hand-painted floral patterns. Hand-painted bands of designs along the mouth and the bottom. Has a lid with several hand-painted bands of light and dark blue patterns. '18-24' handwritten in black on bottom of vase and lid. Glaze over the vase and lid. Was given to one of the school's directors as a gift.
*Not available / given
Volume detailing the processes which resulted in a final series of models and publications. These were produced as part of a final year student project, addressing issues of climate change and the relationship between Scotland and the North.
Lord, Gemma
Robert Burns decorative plate (Version 1)
Blue ink sketches of men and women in clothing from the the Tudor period. On the reverse is a pencil sketch of a female nude, as well as a face with head tilted upward.
Gorman, James
Collection of pencil and ink sketches of ancient Greek attire, focussing on specific features such as sleeves, headdresses, and girdling.
Gorman, James
Cream, synthetic velvet full-length dress coat. High neck, fitted bodice with long sleeves gathered on the shoulder and fastened with three double covered buttons at waist level. An open skirt falls in a narrow A line below with simple edge to edge closing on the front and a shaped central back panel to suggest a train. Badly marked by decay of metal sections of the covered buttons. Believed to have been designed and possibly made by either Violet or Daisy Anderson (see DC 022).
The Anderson family
White velvet coat dress (Version 1)
Wedding head dress (Version 2)
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One page of a portfolio of loose sketches, drawings, designs including fashion designs, plants and butterflies, repeat patterns etc.
Anderson, Daisy McGlashan
One page of a portfolio of loose sketches, drawings, designs including fashion designs, plants and butterflies, repeat patterns etc.
Anderson, Daisy McGlashan