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A variety of drawings and graphic designs created by Gerard V. Murphy, a former student at The Glasgow School of Art in the 1930s. The diverse subjects of his drawings include animals, plants, architecture, human anatomy and figures. A subfonds titled 'Teaching examples' features his teaching materials as an art teacher at schools, intended for printmaking techniques and pattern design education.

Most items have been marked with his name or student registration numbers, assuming they were created during his time as a student at GSA. The dominant materials in his works are pencil and watercolour, worked on cartridge paper.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation was completed in 2019.

3 repeats. Cotton. Multiple processes. Tide marks and bleeding. Visible mould. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was undertaken in 2019.

Includes collages of preparatory designs for printed textiles. Sketchbook submitted as part of portfolio to Royal College of Art. Inside leaf with handwritten name and date, label of submission to Royal College of Art. First page with typed memo by James Cosgrove, tutor, outlining the project brief. Following pages include handwritten notes by Fraser Taylor annotating the sketches.

This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018.

Fraser Taylor student sketchbook for student project 'Torn Posters'. Collages of preparatory designs for printed textiles. Sketchbook submitted as part of portfolio to Royal College of Art. Designs in mixed media including; gouache paint, acrylic paint, pencil, pen, printing ink. crayon, spray paint and ink on a variety of medium including newsprint, watercolour paper, cardboard, acetate and tracing photocopy paper. Several pages include designs using butterfly pins, paper clips, string and luggage tags. Black bound sketchbook. 72 pages. Inside leaf with label of submission to Royal College of Art. Following pages include handwritten notes by Fraser Taylor annotating the sketches.

This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018.

Abstract female form painted on white paper using red, blue, yellow and a range of green paints. Collaged and adhered to black paper.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Abstract human form consisting of legs and a torso. Similar design and media to DC 089/1/2/4/25.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Multiple processes, dye and area of pigment. British Museum drawing of an Egyptian Coffin. Some damage tide marks and bleeding. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.

Multiple processes, dyed and discharged with pigment and over printed with paper stencil. No repeat. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.

This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.

This item was partially lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
The upper (shelved) section and 2 lower drawer units remain. Designed for Ladies Common Room at Glasgow School of Art. Mackintosh's version of a traditional dresser/bookcase, making extensive use of the scalloped edging used at the Oak Room in 1907 and at the Glasgow School of Art Library 1907. (Roger Billcliffe).

Contains a collection of textile designs by Sylvia Chalmers. Includes designs for tablemats, tea cosies, kerchiefs, quilts, herb bags, cushions, dressprints and aprons.

Named designs include:

• 'Califonia' [sic]
• 'Niaomi'
• 'Pink cyclamen'
• 'Eglington'
• 'Penang'
• 'Tulip tops'
• 'Hellzapoppin'

Also includes:

• oledon & solesol wat dyes colour chart
• pamphlet on Japanese stencil-dyed paper placemats
• 'Pictorial embroidery by former students of the GSA' poster
• 'GSA exhibition of embroidery & weaving' poster
• 'Fern' wallpaper
• 'Proposed CRM design for new reception room and dining room curtains and panels at Wm teacher's offices, St Enoch's Sq, Glasgow'

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. The items in question have been assessed by a conservator. Some paper conservation was completed in 2019, but unfortunately in some cases no remedial work is possible.

Abstract forms painted in an arrange of colours and many different forms of paint. Layers of water soluble media have been layered over acrylic based media to create a crackled two-tone effect.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Abstract disassembled human form painted in blue and red on white paper. Torso of form revealing the white of the paper with an ultramarine outline and sporting a sash like garment.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Abstract design painted onto a brown envelope. Black outline drawing with blue, purple and pink gouache. Mounted on white paper. Annotated verso "confused area, searching for direction + source!".

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Abstract forms are painted onto a pink ink painted surface. A fibrous semi-transparent material is stitched onto the surface of the paper outlining the forms in purple thread. Some pieces of the tracing paper and material have been deducted in the shape of the figures to reveal the painted background. Similar in material, style and medium to DC 089/1/2/4/45

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Abstract forms are painted onto a sheet of tracing paper and adhered to a pink ink painted surface. A fibrous semi-transparent material is stitched onto the surface of the paper outlining the forms in blue thread. Some pieces of the tracing paper and material have been deducted in the shape of the figures to reveal the painted ground.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Fraser Taylor student sketchbook dated May 1980. Collages of preparatory designs for printed textiles. Sketchbook submitted as part of portfolio to Royal College of Art. Designs in mixed media including; gouache paint, acrylic paint, pencil, pen, lino printing and crayon, wax and ink on a variety of medium including newsprint, watercolour paper, cardboard and tracing photocopy paper. Black bound sketchbook. 55 pages. Inside leaf with label of submission to Royal College of Art. Following pages include handwritten notes by Fraser Taylor annotating the sketches.

This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018.

Artworks, primarily on paper.

Includes GSA student work such as sketchbooks and loose sketches, collages and textile samples.

Fraser Taylor student sketches and collages for various student projects experimenting with media. Collages of preparatory designs for printed textiles of various media including layers of tissue papers, glassine paper, foam pieces, tracing paper with crayon, inks, dyes and mono print. Textile samples of figure studies with gouache paint, ink and collage areas in various medium. Designs for printed textiles in acrylic and pen on paper with areas of collage. Sketches of landscape and figure studies, pencil, charcoal, chalk, crayon, glue, acrylic and watercolour on paper. With hand written titles, dates and notes. 44 sheets various dimensions varying from 296 x 210 mm to 740 x 555 mm. Some mounted on card. The items are very fragile with
some collage elements, flaking of the friable media such as gouache and acrylic paints.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed into Studio 44 following restoration in 2013.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed into the Mackintosh Library following restoration in 2013.

Plate from a part set of painted china tea service. Green/yellow lustre glaze over painted flower pattern on white china blanks. It suffered damage in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014, and has since undergone conservation.

This item suffered significant damage in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. It was salvaged and has undergone conservation and consolidation work in 2018. Brown fired ceramic bowl with grooves. Grey glaze on the inside.