Mr Simmonds' cash book (Version 37)
- GSAA/DIR/4/31/v37
- Part
- 1881-1886
Part of Records of The Glasgow School of Art, Glasgow, Scotland
*Not available / given
Mr Simmonds' cash book (Version 37)
Part of Records of The Glasgow School of Art, Glasgow, Scotland
*Not available / given
Measured drawing of screen in front of vestry.
*Not available / given
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
Back Row: Frances Macdonald
Middle Row L-R: Margaret Macdonald, Katherine Cameron, Janet Aitken, Agnes Raeburn, Jessie Keppie, John Keppie
Front Row L-R: Herbert MacNair, Charles Rennie Mackintosh
*Not available / given
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
L-R: Katherine Cameron, Charles Rennie Mackintosh, Janet Aitken, John Keppie, Agnes Raeburn, Jessie Keppie, Frances Macdonald, Herbert MacNair, Margaret Macdonald.
*Not available / given
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
Back Row: Frances Macdonald
Middle Row L-R: Margaret Macdonald, Katherine Cameron, Janet Aitken, Agnes Raeburn, Jessie Keppie, John Keppie
Front Row L-R: Herbert MacNair, Charles Rennie Mackintosh
*Not available / given
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
L-R: Frances Macdonald, Agnes Raeburn, Janet Aitken, Charles Rennie Mackintosh, Katherine Cameron, Jessie Keppie, Margaret Macdonald.
*Not available / given
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
Back Row: Frances Macdonald
Middle Row L-R: Margaret Macdonald, Katherine Cameron, Janet Aitken, Agnes Raeburn, Jessie Keppie, John Keppie
Front Row L-R: Herbert MacNair, Charles Rennie Mackintosh
*Not available / given
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
L-R: Frances MacDonald, Agnes Raeburn, Janet Aitken, Katherine Cameron, Jessie Keppie and Margaret Macdonald.
*Not available / given
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
L-R: Katherine Cameron, Charles Rennie Mackintosh, Janet Aitken, John Keppie, Agnes Raeburn, Jessie Keppie, Frances Macdonald, Herbert MacNair, Margaret Macdonald.
*Not available / given
Portrait of James Herbert MacNair
Portrait of Herbert MacNair wearing floppy tie. Unknown creator, possibly Annan.
*Not available / given
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
Charles Rennie Mackintosh (top right), Herbert MacNair (bottom left), with Agnes Raeburn(?), Jessie Keppie(?) and her sister(?).
*Not available / given
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
L-R: Charles Rennie Mackintosh, Jessie Keppie, Agnes Raeburn, Janet Aitken, Katherine Cameron, Frances Macdonald, John Keppie (head and shoulders), Herbert MacNair and Margaret Macdonald.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
British. Pierced 'broderie anglaise' design of circles and flowers on lower half of sleeve and cuff. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
*Not available / given
Japanese style paper stencil featuring wave motif, probably used as a teaching resource.
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze (Block XL from the North frieze)
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Part of Embroidered and Woven Textile Collection, Glasgow School of Art
*Not available / given
Japanese style paper stencil featuring flowers, probably used as a teaching resource.
*Not available / given
Japanese style paper stencil featuring patterned borders, probably used as a teaching resource.
*Not available / given
Portrait of a man in a frock coat
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Male portrait.
*Not available / given
Mets (Metz).
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Aquisgranum (Aquisgrana).
*Not available / given
Part of Embroidered and Woven Textile Collection, Glasgow School of Art
*Not available / given
Part of Embroidered and Woven Textile Collection, Glasgow School of Art
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Japanese style paper stencil featuring flowers, probably used as a teaching resource.
*Not available / given
Japanese style paper stencil featuring patterned borders, probably used as a teaching resource.
*Not available / given
Japanese style paper stencil featuring patterned borders, probably used as a teaching resource.
*Not available / given
Dantbigt. Possibly Danzig, now Gdansk.
*Not available / given
Magdeburgum (Magdeburg).
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Colonia Agrippina (Cologne).
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LEO DIVN.
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Argentoatum (Argentoratum).
*Not available / given
Plaster cast of capital from the Temple of Vesta
Part of Plaster Casts
Original: Composite capital form the Temple of Vesta at Tivoli, of the Greco Romano style. Temple of Vesta is a ruined temple in Tivoli, Italy from the 1st century BC.
*Not available / given
Plaster cast of decorated Corinthian capital
Part of Plaster Casts
Attic of Corinthian order, but unusually highly decorated.
*Not available / given
Imperial Ceremonial Robe (Version 1)
Part of Records and textiles of the Needlework Development Scheme
*Not available / given
Imperial Ceremonial Robe (Version 2)
Part of Records and textiles of the Needlework Development Scheme
*Not available / given
Portrait of Margaret Macdonald Mackintosh
Portrait of Margaret Macdonald sitting in high back (dating from 1899). Creator unkown, though possible Annan.
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Embroidered bed cover. White cotton with pink and cream embroidery decorative design with roses.
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Possibly by Z. Duclett.
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Part of Records of The Glasgow School of Art, Glasgow, Scotland
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Wooden backing board for Windyhill Designs with Mackintosh's address and other exhibition and shipping labels.
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Sample of purple fabric used to re-upholster Charles Rennie Mackintosh yellow settle
Part of Examples of Mackintosh Fabric
Sample of replacement fabric for Dugout settle.
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Tall tree.
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Cottage.
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