- NMC/0814
- Item
- Jul 1899
Plant study with hemlock seedhead. Ravenna coat of arms, top right.
Fulton, James Black
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Plant study with hemlock seedhead. Ravenna coat of arms, top right.
Fulton, James Black
4th year Glasgow School of Architecture design.
Wright, James
"Josephine Haswell Miller" (in pencil), bottom right.
Miller, Josephine Haswell
"A E Haswell Miller. Anacapri. 1918" (in pen), bottom left.
Miller, Archibald E Haswell
Architectural drawing of tomb of Galla Placidia
Part of Material relating to Gerard V Murphy, former GSA student
Three drawings (3 on 1 sheet) illustrating the front and side elevations, as well as the floor plan of the Tomb of Galla Placidia, an ancient Roman building in Ravenna, Italy. Stamped "The Glasgow School of Architecture, Session 1935-36."
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
Three architectural sketches illustrating Tomb of Galla Placidia and a Gothic window design. Stamped "The Glasgow School of Architecture, Session 1935-36."
Murphy, Gerard V
Architectural studies (Italy and Scotland)
Florence, Sienna, Aberdeenshire, Verona. Four mounted as one. A: Rape of Polyxena by Fedi in the Loggia dei Lanzi, Florence. July 1899. B: Madonna over South entrance to Cathedral Siena by Michelozzo. April 1899 C: Crathes Castle, Aberdeenshire. Oct 1900 D:Palazzo del Consiglio Verona. Aug 1899.
Fulton, James Black
Henderson, Andrew Graham
Study undertaken as part of Italian visit.
McGlashan, Archibald A
McGlashan, Archibald A
Detail of pulpit.
Revel, John D
Basilica di San Francesco, Assisi, Italy
View of Basilica looking towards the colonnade.
Selby, Frederick
View of the Basilica from across the square.
Selby, Frederick
Detail of Basilica.
*Not available / given
Street scene with the Basilica in the background.
*Not available / given
Signed: "Boats, Venice?" (verso).
Christie, Fyffe
Burnt-out train wagons.
Selby, Frederick
Bomb damaged building, Ancona, Italy
Ruins of large, three-storey building.
Selby, Frederick
Bomb damaged building, Ancona, Italy
Fire-blackened three storey building.
Selby, Frederick
Bronze horses, St Marks, Venice (The Triumphal Quadriga)
Study of equine statue.
Fulton, James Black
Various stone details.
Revel, John D
Garden study.
Selby, Frederick
Italian farm study.
Eardley, Joan Kathleen Harding
Half inch detail of chapel 'A'. Signed "A.M.G.D.".
*Not available / given
Front elevation. Signed "A.M.G.D.".
*Not available / given
Plan. Signed "A.M.G.D.".
*Not available / given
Longitudinal section. Signed "A.M.G.D.".
*Not available / given
Half plan looking up/looking down. Signed "A.M.G.D.".
*Not available / given
Side elevation. Signed "A.M.G.D.".
*Not available / given
Main transverse section. Signed "A.M.G.D.".
*Not available / given
Chigi Chapel, Santa Maria del Popolo, Rome, 1/4 plan
Henderson, Andrew Graham
Chigi Chapel, Santa Maria del Popolo, Rome, centre pattern of pavement
Henderson, Andrew Graham
Chigi Chapel, Santa Maria del Popolo, Rome, circular cornice to drum of dome
Henderson, Andrew Graham
Chigi Chapel, Santa Maria del Popolo, Rome, circular cornice to drum of dome
Henderson, Andrew Graham
Chigi Chapel, Santa Maria del Popolo, Rome, half elevation to church
Henderson, Andrew Graham
Chigi Chapel, Santa Maria del Popolo, Rome, half section through chapel
Henderson, Andrew Graham
Chigi Chapel, Santa Maria del Popolo, Rome, panel mouldings in spandrils
Henderson, Andrew Graham
Study of church door. Study undertaken as part of Italian visit.
McGlashan, Archibald A
Church interior, Basilica di San Marco, Venice
Study of male worshippers. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Church interior, Basilica di San Marco, Venice
Study of church interior.
Eardley, Joan Kathleen Harding
Study undertaken as part of Italian visit.
McGlashan, Archibald A
Cypress trees overlooking houses and hills, Italy
Miller, Josephine Haswell
Design for an Italian Gothic facade
Study of window tracery on Venetian building.
Mackie, Thomas Callendar Campbell
Part of Records of The Glasgow School of Art, Glasgow, Scotland
These folders contain drawings produced by Harry Anthony Wheeler when he travelled to Italy after being awarded the John Keppie Scholarship in 1948. The John Keppie Scholarship gave a bursary of £100 to one architecture student per year to fund a study trip of their choice. The focus of Wheeler's project was Loggias in Florence, Rome and Venice. Included are 5 "plottings" of the Loggia La Badia near Florence, Wheeler's original portfolio case and 48 loose plates of drawings and photographs which are listed below: Plate 1: Drawing of the courtyard, cortile, open staircase, gateway and loggia of The Bargello Palazzo Del Podesta in Florence. Plate 2: Drawing of the Loggia Bargello in Florence. Plate 3: Drawing of the Loggia Dei Lanzi in Florence. Plate 4: Entrance to the Loggia Dei Lanzi in Florence. Plate 5: Detail of Lion on columns in the Loggia Dei Lanzi in Florence. Plate 6: Loggia Bigallo in Florence. Plate 7: The Ponte Vecchio in Florence. Plate 8: The Pazzi Chapel in Florence. Plate 9: Plan and Elevation drawing of Loggia La Badia near Florence. Pencil and watercolour on white paper. Plate10: Drawing of an elevation of Loggia La Badia in Florence. Wheeler has added comments to this drawing about materials and techniques. Pencil and watercolour on white paper. Plate 11: Drawing of section detail of the Loggia La Badia near Florence. Wheeler has added comments to this drawing about materials and techniques. Pencil and watercolour on white paper. Plate 12: Detail of Stone Bracket, Loggia La Badia near Florence. Plate 13: Detail of Capital, Loggia La Badia near Florence. Plate 14: Four small photographs (mounted) of Loggia La Badia near Florence. Plate 15: The Dome of The Duomo from The Cloisters, San Lorenzo in Florence. Plate 15a: The Dome of the Medici chapel and church of S.Lorenzo from Giotto's Campanile in Florence. Plate 16: Loggia Ospedale Degli Innocenti in Florence with Della Robbia's Bambini Medalions in the spandrils. Plate 17: Loggia Ospedale Degli Innocenti in Florence. Plate 18: Cloisters, Covent of S. Marco in Florence. Plate 19: Loggia, Academy of Fine Arts in Florence. Plate 20: Small mounted photographs of the Pitti Palace Loggia in Florence. Plate 21: Small mounted photographs of the Uffizi Logia in Florence. Plate 22: Small mounted photographs of Loggia Fiesole in Florence. Plate 23: Small mounted photographs of Loggia S.Giovanni Laterno and Loggia Palazzo Venizia in Rome. Plate 24: Ink drawing of Michaelangelo's Cloister, the National Roman Museum in Rome. Plate 25: Ink drawing of a corner of Michaelangelo's Cloister in Rome. Plate 26: Two small mounted photographs and one drawing of Michaelangelo's Cloister in Rome. The drawing is a study of the columns. Plate 27: Small mounted photographs of Vignola's Loggia's in Campidoglio in Rome. Plate 28: Drawing and a small mounted photograph of The Loggia on the South West side of the Palazzo Farnese in Rome. Plate 29: The Loggia of the Knights of Rhodes in Rome. Plate 30: Small mounted photographs of the Cortile Cancelleria and the Cortile Doria Panfili in Rome. Plate 31: Drawing of the Loggia of Julius II S.Angel's Castle in Rome. Plate 32: Small mounted photographs of the Loggia of S.Angel's Castle in Rome and two modern Loggia's. Plate 33: Drawing of the open arcading on the south west corner at The Doge's Palace in Venice. Plate 34: Drawing of "The Judgement of Solomon" carved in fine grained marble for The Doge's Palace in Venice. Plate 35: Small mounted photographs of The Doge's Palace in Venice. Plate 36: Drawing of The Ca' d'Oro in Venice. Plate 37: Drawings of details from The Ca' d'Oro in Venice. Plate 38: Small mounted photographs from the Ca' d'Oro in Venice. Plate 39: Small photographs of the facades of palaces in Venice. Plate 40: Drawing of the corner of St Mark's Library in Venice. Plate 41: Pencil drawing of Loggetta Venice. Architect Jacopo Sansovino. Plate 42: Five small photographs of the Library Vecchia, Procuratie Vecchie, Loggetta del Sansovino, Arcading alongside Rialto Bridge and the Palazzo Rezzonico in Venice. Plate 43: Two photographs and a pencil and watercolour drawing of Palazzo Contarini del Bovolo in Venice. The first photograph is of the foot of the staircase with comments by Wheeler about the contrasting brick and stonework textures. The second photograph is the interior of the building's Loggia and the drawing is of the building's facade. Plate 44: Six photographs, four of the Cloister S. Stephano and two of the Cloister S.Carmine in Venice. Plate 45: Five photographs of the Pescheria in Venice. The photographs feature the detail of the Capital Fish's Head Moteif on top of a column, timber brackets, Ca' d'Oro seen from the market, the top Loggia looking over the Grand Canal and some Arcading. Wheeler has commented that the Arcading is Modern Gothic and features textured brickwork. Plate 46: Five small mounted photographs. The photographs feature the sotto portico (meaning under the porch) of the Scuola Giorgo degli Schiavoni with one photograph featuring Wheeler's comments on the alternating column shapes, a Loggia near Ponte Lungo, a colonnade near San Francesca della Vigna and the Cloisters of the Monestry adjoining San Maria Maggiore in Venice. Plate 47: Four small mounted photographs. The photographs feature; A portico with a balcony Loggia above with Wheeler's comments that it is Venetian Gothic, a potico with an arcade above with Wheeler's comments that it is Venetian Byzantine, a Loggia of Modern Building with Wheeler's comments that it is Gothic style and some modelled timber brackets above columns.
Wheeler, Sir Harry Anthony