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Folder containing black and white negatives, contact sheets, photographs and colour prints by George Oliver. Most are annotated. Also contains a leaflet for building tours and exhibitions of Charles Rennie Mackintosh in 1994. Includes: Dovecot Tapestry, Scotch Myth at St Andrews, ceramics workshop Edinburgh 1973 and Third Eye book shop.
Oliver, George
Poster for an exhibition 'Scozia a Cassina Milano'
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for exhibition 'Scozia a Cassina Milano' by The Glasgow School of Art students held in Milan, Italy, 23 Mar 1984-06 Apr 1984. The exhibition included ceramics, embroidery and fabrics, design for furniture, furnishings and industrial products, silverware and jewellery, graphic art, illustration and printed fabrics.
*Not available / given
Poster for an exhibition 'Scozia a Cassina Milano'
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for exhibition 'Scozia a Cassina Milano' by The Glasgow School of Art students held in Milan, Italy, 23 Mar 1984-06 Apr 1984. The exhibition included ceramics, embroidery and fabrics, design for furniture, furnishings and industrial products, silverware and jewellery, graphic art, illustration and printed fabrics.
*Not available / given
Poster for The Glasgow School Of Art Cassina exhibition in Milan
Part of Records of The Glasgow School of Art, Glasgow, Scotland
This poster advertised an exhibtion which showcased the work of design students from The Glasgow School Of Art in the Cassina Gallery in Milan. The exhibition took place as a result of the connections between Cassina Design in Italy and The Glasgow School Of Art. The poster was designed by Gordon Huntly who was the head of graphic design at The Glasgow School Of Art at that time. It was printed in the Foulis Building on an offset lithography printing press. The information on the poster translates as: "Design from Glasgow School Of Art: Cassina in Milan, March 23rd to April 6th. Ceramics. Embroidery and fabrics. Design for furniture, furnishings and industrial products. Jewellery and Silverware. Art Graphics, Illustration. Printed Fabrics".
Huntly, Gordon F
Poster for an exhibition entitled 'Design A Cassina'
Part of Records of The Glasgow School of Art, Glasgow, Scotland
This poster advertised an exhibition held in Milan in 1984 which showcased design work by students from The Glasgow School Of Art. The exhibition was held in collaboration with Cassina, a world renowned Italian manufacturing company that often reproduce famous design pieces including Mackintosh furniture. The exhibition included ceramics, embroidery, furniture design, industrial products, graphic design, illustration, silversmithing and jewellery. It took place under the patronage of the British Consulate General in Milan and was also supported by a number of other bodies including The British Council, Sir Hugh Fraser, IBM, Clydesdale Bank PLC, Radio Clyde, Wm Teacher and Sons Ltd, Scottish Development agency, MS Macfarlane Trust, COF Refrigerators, Nardini Ltd and the Governors Of The Glasgow School of Art. The poster was designed by Gordon Huntly and printed by Fraser Ross and Ken Wade in the Foulis building at The Glasgow School Of Art. The reverse side catalogues a list of the exhibited items along with with the names of the designers which are listed below. Ceramics - Helen Kemp - Carol Esson - Sandra Oakes - Catriona Houston - Raymond Evangelista - Eleanor Barttleman - Mark Stanczyk - David Norman - Irene Bell - William McLaughlan - David Gray Embroidered and Woven Textiles: - Elaine Wilson - Claire Neil - Lindy Richardson - June Lillico - Fiona Knight - Karen Borland Furniture, Interior and Product Design: - Fiona Jean Paton - David Wilson - Douglas Clerk - David Robson - Helena McGuinness - Paul Anderson - Alistair Brown - Andy Park - Una Fagan - Mike Osborne - Rosalind Duncan - Jonathan Parlett - Alan Cowling - Lim Ho Guan - Marissa Parker - Alan Cowling - Jackie Park - Heather Thomson - Gareth C Hughes Graphic Design and Illustration: - Ingebjorg Smith - Alan Morrison - Alasdair Robertson - Lesley Raeside - Edward Carden - Susan Scott - Fraser Maclean - Duncan Smith - Catriona Miller - Karen Watt - Fiona McSporran - Fiona Campbell - Gregor Cox - Thomas Campbell - Don McPherson - Frank Connolly - Michael Healey - Joanna Isles - Robin Ward - Remo Avella - Linda Robertson - Kenny Mclellan - Wallace Murdoch - Caroline Parerson - Stephanie Roberts - Sandy Christie - Shirley Clark - Melanie Robertson Silversmithing and Jewellery: - James McDougall - Helen Marriot - Shiela McDonald - Linda McCafferty - Alison Welsh - Mary Thomson - Roger Drew - Keryn Evelyn - Euan Smith - Irene Halliday - Elizabeth Halston - Gillian Simon
*Not available / given
Poster for an exhibition entitled 'Design A Cassina' (Version 2)
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Not available / given
Poster for an exhibition entitled 'Design A Cassina' (Version 1)
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Not available / given
Poster for an exhibition entitled 'Saying it with Clay!'
Part of Records of The Glasgow School of Art, Glasgow, Scotland
This poster advertised an exhibition held in The Mackintosh Museum at The Glasgow School Of Art that showcased the work of graduating ceramics students from across Britain. The back of the poster lists exhibiting students along with details of where they studied. The exhibiting graduates included: - Jane Frankland: Manchester Polytechnic - Liz Astbury: Wolverhampton Polytechnic - Nicola Marrison: Crewe Alsager College Of Higher Education - Maria Lindemann: Central St. Martins College of Art And Design - Mark Hailley: Loughborough College of Art And Design - Madeleine Child: Camberwell School Of Art - Susan Wade-French: Glasgow School Of Art - Rob Richard: Bristol Polytechnic - Julian Smith: South Glamorgan Institute Of Higher Education - Zoe Whiteside: Staffordshire Polytechnic - Helen Hitchcock: Leicester Polytechnic - John Alliston: South Glamorgan Institute Of Higher Education - Susan Ross: Duncan of Jordanstone College Of Art And Design - Michael Green: Bath College Of Higher Education - Dale Butroid: Bristol Polytechnic - Michael O'Connor: Goldsmiths' College - Susan Room: Middlesex Polytechnic - Marie Bonlokke: Pederson Royal College Of Art - Bryony Seymour: Staffordshire Polytechnic - Brigitte Winsor: Birmingham Polytechnic - Philomena Pretsell: Edinburgh College Of Art - Frankie McKenna: Grays School Of Art The exhibition ran from the 6th to 27th of October 1990 and was funded by Potterycraft Ltd and The Glasgow District Council's Festival Budget for The Glasgow 1990 Culture Capital of Europe.
*Not available / given
Accession of Papers related to Francis Newbery
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Later accessions of material relating to Francis Newbery. Material was not deposited as part of his working papers as Director of the School, but includes some working papers and correspondence from during his time as Director in addition to papers dating to after his retirement, family records and photographs, and written materials regarding Newbery.
Includes:
See this blog-post for more information about the discovery of these materials: http://www.gsaarchives.net/2018/03/cataloguing-gsa-famous-friends-fra-newbery-discovered/
Newbery, Francis Henry
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written draft copies of around 200 articles of 250-900 word length, by Clare Henry for The Glasgow Herald, January-December 1984, relating to visual art exhibitions in Glasgow, Edinburgh, Aberdeen, Milngavie and Inverness. Also including several reviews of exhibitions in London at ICA, Camden Arts Centre, Serpentine, AIR Gallery and Tate and Grand Palais Paris. Henry’s daily articles begin to develop into weekly feature articles, with a main discussion followed by ‘Gallery Briefings’ covering more generally current exhibitions of interest.
A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, Corners Gallery Glasgow, New 57 Gallery, 369 Gallery, Artspace Aberdeen, JD Kelly Gallery, and organisations: Fine Art Society Glasgow, Fine Art Society Edinburgh and Group 81.
The reviews cover galleries: The Third Eye Centre, Compass Gallery, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh (also referred to as Scottish Arts Council Gallery), Mercury Gallery and Talbot Rice, Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, Paisley Museum and Hunterian Gallery Glasgow.
The exhibitions covered are solo shows, by artists such as Adrian Wiszniewski, Lyn Hansen and Jacki Parry; Group exhibitions, particularly Construction Painting and Blank Images at Transmission Gallery Glasgow and larger historical exhibitions such as Art of Japan at Kelvingrove and The Glasgow Boys, and also annual exhibitions of painting and printmaking at Royal Scottish Academy. The Glasgow School of Art Postgraduate and Masters degree shows are also reviewed and design and textile exhibitions, particularly British Glass and Paisley Ceramics. A large quantity of these reviews focus on events during the Edinburgh Festival and the Fringe Festival.
This file also includes longer feature and perspective articles on: The appointment of Colin Thompson as Director of National Gallery of Scotland Edinburgh, Scottish Portrait Commissions, the first Turner Prize Award, Judy Chicago Dinner Party, Liverpool Garden Festival and The Venice Biennale.
Also included is a letter to Glasgow Museums requesting visitor figures for Kelvingrove Gallery 1984 and pieces written for the Herald News Desk.
Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written and typed draft copies of around 140 articles of 500-1500 word length, by Clare Henry for The Glasgow Herald, January-December 1992, with weekly Monday, Friday and some weekend features including a new feature ‘Herald Weekend Out’. Articles also written for Art Review, Conservation Management, Harpers & Queen and Galleries Magazine covering visual art exhibitions in Glasgow, Edinburgh, Kilmarnock, St Andrews, Kirkcudbright, Ayr, Aberdeen, Wick and Kinross. During the year Henry also covers art in Cambridge, Egypt, Amsterdam.
Some reviews focus on exhibitions in London at, for example, Flying Colours Gallery, Anderson O’Day Gallery, Mercury Gallery London, ICA London, Victoria Miro London, Jackson Gallery London, Duncan Miller Fine Arts London. A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, New 57 Gallery, 369 Gallery, Aquarium Glasgow, JD Kelly Gallery, Gatehouse Gallery Glasgow. The reviews also cover galleries: The Third Eye Centre, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh, Compass Gallery, Mercury Gallery and Talbot Rice, Graeme Murray Fine Art, Shore Gallery Leith, Nancy Smillie Gallery, Streetlevel Glasgow, McLellan Galleries, Tramway, Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, People’s Palace Glasgow and Hunterian Gallery Glasgow and artist led galleries WASPS, Collective Edinburgh, Project Ability and Transmission. During this period Henry gives more context and opinion on the failed Glasgow bid for Capital of Art 1996, restructure of Glasgow Museums under Julian Spalding, Scottish Art Schools, Pavel Buchler appointment as Head of Fine Art at The Glasgow School of Art, a series on Scottish Art in Private Collections.
Other feature and perspective pieces include: Allan Davie, Richard Demarco appointment as Professor at Kingston Polytechnic London, the theft of Lowry V.E Day painting from Kelvingrove, Tony Jones former director of The Glasgow School of Art appointment at Royal College London, The Burrell Collection Glasgow opening, British American Arts Association conference, Jenny Geddes Memorial by Merlyn Smith at St Giles Edinburgh, a profile on William Hardie, House for an Art Lover by Charles Rennie Mackintosh opening. Obituaries on Francis Bacon, Jon Schueler and Alastair Smart. The exhibitions covered are solo shows, by artists Derek Jarman, Mario Rossi, Joan Eardley, Ian Hamilton Finlay, Elspeth Lamb, William Barns Graham, Ken Currie, Narelle Jubelin, Callum Innes, Alan Ramsay, Anne Redpath, Tony Cragg, Maud Sulter and group shows for The Glasgow School of Art Textiles with Barbara Santos Shaw and Lux Europa by Isabelle Vasseur. Mayfest and the Edinburgh Festival are covered in detail.
Notes on Royal College of Art Degree show. are included, as well as correspondence regarding Herald Art Collection to Harry Reid, correspondence with Caroline Ross, a research questionnaire on art criticism by Goldsmiths undergraduate student, correspondence regarding interview with Jack Lang in Paris, business card collection correspondence. Includes an invitation to Clare Henry’s Birthday, news cuttings of letters to paper on Clare Henry's reviews and copies of Clare Henry’s entry in Debrett’s People of Today and review of her selections in A Critics Choice at Cooling Gallery London. Also included are catalogue essay commissions for RAAB Gallery London Phil Braham, Robbie Duff-Scott, Tony Jones for Chelsea Arts Club.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written draft copies of around 190 articles of minimum 250 word length, by Clare Henry for The Glasgow Herald from March 1982 to June 1982, relating to visual art exhibitions in Glasgow and Edinburgh and Scottish regions including Ayrshire and Dumfries and Galloway.
A number of these reviews are for exhibitions at former galleries: New 57 Gallery, 369 Gallery, McLellan Galleries and includes review of the inaugural exhibition at Open Eye Gallery Edinburgh, and organisations: Fine Art Society and Glasgow Group. The reviews cover galleries: The Third Eye Centre, Compass Gallery, Edinburgh Printmakers Workshop, Rozelle House, Fruitmarket Edinburgh, Talbot Rice and Stills Gallery, Kelvingrove, National Gallery of Modern Art Edinburgh, Royal Scottish Academy, Paisley Museum and Huntarian Gallery Glasgow. The exhibitions covered are solo shows, group exhibitions and annual exhibitions predominantly of visual art, painting and sculpture by artists and students including Edinburgh college of Art and Glasgow School of Art degree shows. Some articles focus on new art forms such as video, photography and performance art, craft such as Polish tapestries and other international artists from Canada and America.
This file also includes longer feature and perspective articles on: the new building for the National Galleries of Scotland, The Bath Contemporary Art Festival, George Rickey and a book review on Henri Matisse and Edward Burne Jones. In addition to these journalistic features there is a piece on The Portrait Gallery for National Galleries Annual Report. Also included is research, notes and data for Scottish Funding for Museums between 1979-1982 and Festival 82 acquisition and policies for television interview with Tim Mason.
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written and typed draft copies of around 140 articles of 500-1500 word length, by Clare Henry for The Glasgow Herald, January-December 1990, with weekly Monday, Friday and some weekend features. Also includes pieces written for Art Review, Time Out, Art International, Art Line and Galleries Magazine. The articles cover visual art exhibitions in Glasgow, Edinburgh, Stornoway, Dumfries and Scottish regions.
During the year Henry also covers art in Venice and France. Some reviews focus on reviews of exhibitions in London at Scottish Gallery London, Marlborough Fine Art London, Royal Academy and Somerset House. A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, New 57 Gallery, 369 Gallery, Glasgow’s Glasgow, ASH Gallery Edinburgh, JD Kelly Gallery, Barbizon Gallery Glasgow.
The reviews also cover private galleries: The Third Eye Centre, Compass Gallery, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh (also referred to as Scottish Arts Council Gallery), Mercury Gallery, Talbot Rice, Graeme Murray Fine Art and Streetlevel Glasgow, Italian Centre Glasgow, McLellan Galleries, Tramway, Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, People’s Palace Glasgow and Hunterian Gallery Glasgow, and artist led galleries: WASPS, Collective Edinburgh and Transmission. During this period Henry gives more context and opinion on the condition of funding, marketing, government policy and Glasgow’s galleries during Glasgow Capital of Culture 1990.
Other feature and perspective pieces include: Scotland first Venice Biennale, John Bellany £100,000 sale, the state of gallery closures and funding in Scotland, Ian McCulloch murals for Glasgow Concert Halls and an obituary for Murray Johnston. The exhibitions covered are solo shows, by artists Keith McIntyre, Degas, Inigo Jones, Christine Borland, Hans Hofmann, Max Ernst, Adrian Wiszniewski, Oscar Marzaroli, Ken Currie, Frances Walker and group shows for Royal Glasgow Institute and British Art Show. Mayfest, the Edinburgh Festival Glasgow 1990 events and TWSA are covered in detail and there is an article by Julian Spalding edited by Clare.
Some correspondence proposing future articles to The Herald and Time Out, and correspondence with Amy Page is included, as well as Venice Biennial correspondence with Peacock Printmakers and an open letter regarding educational work of Marion Love. This year also features several commissioned texts for catalogues, Alison Watt, Compass Gallery Anniversary, The Glasgow School of Art fine Art Photography and Glasgow Group 1958-1990.
[i]Articles written in this year which are not present in the archive:
Henry, Clare