- MC/A/4
- Item
- 1894
Bound in the November 1894 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.
Mackintosh, Margaret Macdonald
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Bound in the November 1894 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.
Mackintosh, Margaret Macdonald
Bound in the Spring 1896 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.
Mackintosh, Margaret Macdonald
Folder containing 2 photographs of artworks and 2 negatives taken by George Oliver.
Oliver, George
Folder containing black and white contact sheets and negatives of photographs taken by George Oliver. Most have been annotated. Also contains handwritten lists. Includes: Stirling, Liverpool, Edinburgh College of Art and Lillie Art Gallery.
Oliver, George
Mackintosh sketchbook (Page 2)
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
Mackintosh, Charles Rennie
Mackintosh sketchbook (Page 3)
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
Mackintosh, Charles Rennie
Mackintosh sketchbook (Page 10)
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
Mackintosh, Charles Rennie
Mackintosh sketchbook (Page 15)
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
Mackintosh, Charles Rennie
Mackintosh sketchbook (Page 19)
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
Mackintosh, Charles Rennie
Mackintosh sketchbook (Page 21)
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
Mackintosh, Charles Rennie
Mackintosh sketchbook (Page 26)
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
Mackintosh, Charles Rennie
Mackintosh sketchbook (Page 34)
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
Mackintosh, Charles Rennie
Mackintosh sketchbook (Page 35)
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
Mackintosh, Charles Rennie
Mackintosh sketchbook (Page 36)
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
Mackintosh, Charles Rennie
Mackintosh sketchbook (Page 38)
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
Mackintosh, Charles Rennie
Mackintosh sketchbook (Page 41)
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
Mackintosh, Charles Rennie
Mackintosh sketchbook (Page 43)
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
Mackintosh, Charles Rennie
Mackintosh sketchbook (Page 46)
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
Mackintosh, Charles Rennie
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written draft copies of around 100 articles of 500-1100 word length, by Clare Henry for The Glasgow Herald, January-December 1988, Art Review, ALBA, Galleries Magazine and Ikebana Ryussei Magazine Japan, covering visual art exhibitions in Glasgow, Edinburgh, Stirling and Scottish regions. During the year Henry also covers art in Los Angeles, Yugoslavia, Siena, Venice, Dublin and India.
Some reviews focus on reviews of exhibitions in England, mostly London at Marlborough Gallery, Serpentine Gallery and Tate London. There are also reviews and features on the opening of Tate North, Liverpool. A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, New 57 Gallery, 369 Gallery, Scotrail Exhibition Centre and JD Kelly Gallery, including a feature on Scottish Arts Council funding cuts at Compass Gallery. The reviews also cover galleries: The Third Eye Centre, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh (also referred to as Scottish Arts Council Gallery), Mercury Gallery, Talbot Rice, Graeme Murray Fine Art, Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, People’s Palace Glasgow and Hunterian Gallery Glasgow, and artist led galleries: WASPS, Collective Edinburgh and Transmission.
During this period Henry gives context and opinion on the condition of Glasgow’s Galleries in the lead up to Glasgow Capital of Culture *1990. Other feature and perspective pieces include: Richard Demarco, Fiona McLeod as new Fruitmarket director, Prince of Wales visit to The Glasgow School of Art, BBC week of British Art, McLellan Galleries refurbishment, Edinburgh International Exhibition and interview with Andy Goldsworthy. The exhibitions covered are solo shows, by artists Marie Barbour, Sol Lewitt, Mario Merz, Jacki Parry, Peter Howson, David Mach, Lucian Freud, Henry Moore in India and group shows Glasgow Photographers Group, New Scottish Art, and Old Master Paintings from the Thyssen Collection. Mayfest, Glasgow Garden Festival, Polish Realities Season and the Edinburgh Festival are also covered in detail.
Some correspondence also includes exhibition proposal to Royal Scottish Academy.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written draft copies of around 110 articles of 500-1100 word length, by Clare Henry for The Glasgow Herald, January-December 1989 with weekly Monday and Friday features, Art Review, Time Out, World of Interiors, ALBA, Galleries Magazine and Ikebana Ryussei Magazine Japan covering visual art exhibitions in Glasgow, Edinburgh, Aberdeen, Dundee and Scottish regions.
During the year Henry also covers art in Los Angeles, Amsterdam and Madrid. Some reviews focus on exhibitions in London at Serpentine Gallery and Tate London. A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, New 57 Gallery, 369 Gallery, Scotrail Exhibition Centre and JD Kelly Gallery, including a feature on the opening of Barbizon Gallery Glasgow.
The reviews also cover galleries: The Third Eye Centre, Compass Gallery Edinburgh Printmakers Workshop, Fruitmarket Edinburgh (also referred to as Scottish Arts Council Gallery), Mercury Gallery and Talbot Rice, Graeme Murray Fine Art and the opening of Streetlevel Glasgow, Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, People’s Palace Glasgow and Hunterian Gallery Glasgow and artist led galleries WASPS, Collective Edinburgh and Transmission.
During this period Henry gives more context and opinion on the condition of funding, marketing, government policy and Glasgow’s Galleries in the lead up to Glasgow Capital of Culture 1990. Other feature and perspective pieces include, the cancellation of the Vienna 1960 exhibition by National Galleries of Scotland, the takeover row, funding and leadership of the National Galleries of Scotland, the sale of El Greco by National Gallery of Scotland, the wedding of Peter Howson and Terry Cullen, Soviet Season in Glasgow, Glasgow 1990 Build Up, Graeme Murray Fine Art at Amsterdam Kunstrai with Ian Hamilton Findlay and obituaries for Salvador Dali and William Barns Graham.
The exhibitions covered are solo shows, by artists Alf Lohr, Doug Cocker, Anthony Gormley, Andy Goldsworthy, Andy Warhol and Peter Howson and group shows for Royal Glasgow Institute.
Mayfest and the Edinburgh Festival and problems with funding are covered in detail, as is Soviet Season in Glasgow. Some correspondence proposing future articles with Ray Gard, Arnold Kemp from The Glasgow Herald and Time Out Sarah Kent.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written and typed draft copies of around 100 articles of 500-1500 word length, by Clare Henry for The Glasgow Herald, January-December 1991 with weekly Monday, Friday and some weekend features. Articles also written for Art Review, Time Out, Museums Journal, Art Line, Portfolio and Galleries Magazine covering visual art exhibitions in Glasgow, Edinburgh, Stornoway, St Andrews, Kirkcudbright, Ayr and Scottish regions. During the year Henry also covers art in Budapest, Rome and Germany.
Some reviews focus on reviews of exhibitions in London at Scottish Gallery London, Marlborough Fine Art London, Royal Academy, Serpentine, Saatchi Gallery, Flowers, Art 91 and Tate. A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, New 57 Gallery, 369 Gallery, Glasgow’s Glasgow, ASH Gallery Edinburgh, JD Kelly Gallery, Barbizon Gallery Glasgow. The reviews also cover galleries: The Third Eye Centre, Compass Gallery, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh, Mercury Gallery, Talbot Rice, Graeme Murray Fine Art and Streetlevel Glasgow, McLellan Galleries, Tramway, Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, People’s Palace Glasgow and Hunterian Gallery Glasgow and artist led galleries: WASPS, Collective Edinburgh, Project Ability and Transmission.
During this period Henry gives more context and opinion facts and figures on Glasgow after 1990 Capital of Culture and its bid for Capital of Art 1996. Other feature and perspective pieces include: the closure of Fruitmarket Gallery Edinburgh, Director of Visual Arts Glasgow post, Julian Spalding acquisition for new Art for Kelvingrove, Tribal Shields, Knoedler Gallery London, an open letter to SAC director regarding 369 Gallery Edinburgh closure, WASPS closure rumours, Scottish Visual Arts Crisis and Scottish Arts Council, Resignation of The Glasgow School of Art Director John Whiteman, Third Eye Centre bankruptcy, Glasgow Milestones.
The exhibitions covered are solo shows, by artists June Redfern, The Boyle Family, Stanley Spencer, Elspeth Lamb, George Wyllie, Hamish Macdonald, Adrian Wiszniewski, Eduardo Paolozzi, Ian Hamilton Finlay, Jo Spence, Joyce Cairns, Ken Currie, Anthony Caro, Cathie Wilkes, Peter Howson and David Mach and group shows for Royal Glasgow Institute, Glasgow Group Points East, New Beginnings Season and Scottish Arts Council touring bus. Mayfest, the Edinburgh Festival, Windfall and New Beginnings Season are covered in detail. Also includes: correspondence and delegate information for Points East conference Glasgow, National Art Collections Fund Saved for Scotland exhibition press information, Glasgow 1990 Statistics Fact Sheet, British School in Rome Visit, Scottish Tourist Board strategy planning, New Art in Scotland exhibition planning and selection minutes and notes, invitation to the wedding of Angela Wrapson and George Kerevan, correspondence with Robert Johnston, notes from Chelsea Arts Club debate on Art as Goods or Ideas, correspondence with Chelsea Art Club, correspondence from Mark Fisher MP.
Also included are catalogue essay commissions for David Toner at Gatehouse Gallery and Chelsea Arts Club Centenary.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written and typed draft copies of around 140 articles of 500-1500 word length, by Clare Henry for The Glasgow Herald, January-December 1993, with weekly articles and some weekend features including a new feature ‘My First Picture’. Articles also written for Art Review, World of Interiors and Galleries Magazine covering visual art exhibitions in Glasgow, Edinburgh, Kirkcudbright, Aberdeen, Stornaway, North Berwick, and Rutherglen. During the year Henry also covers art in Paris, Berlin and Venice. Some reviews focus on reviews of exhibitions in London Flying Colours Gallery, Flowers Gallery, Royal Academy London, Marlborough London, Whitechapel London, Barbican, Saatchi Gallery London and Tate.
A number of the Scottish reviews are for exhibitions at former galleries; Main Fine Arts Studio Gallery Gibson Street, JD Kelly Gallery, Gatehouse Gallery Glasgow and Intermedia Gallery Glasgow. The reviews also cover galleries; The Third Eye Centre, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh, Compass Gallery, Talbot Rice, Graeme Murray Fine Art, Nancy Smillie Gallery, Streetlevel Glasgow, McLellan Galleries, Tramway, Kelvingrove (also known as Glasgow Art Gallery), Burrell Collection Glasgow, National Gallery of Modern Art Edinburgh, Royal Scottish Academy and artist led galleries WASPS, Collective Edinburgh and Transmission.
During this period Henry gives more context and opinion on Art Politics in Glasgow and Scotland, Richard Demarco archive, Torrie Collection Sale, Edinburgh College of Art, Galerie Mirages Glasgow, Profile on Julian Spalding, Peter Howson Official war artist Bosnia, Venice Biennale, St Mungo Museum of Religious Life and Art Dovecot Tapestry Company exhibition. Other feature and perspective pieces on, Fuse, The Glasgow School of Art Friday Events, The Glasgow School of Art White Room, Martin Kemp Art Charter 2000, Transmission *10th Birthday on the Late Show BBC and several public art projects including Patricia Leighton and the M8 Art Project, Springburn Milestones, Sibyl von Halem.
Obituaries Elizabeth Frink and Marquis of Bute John Bute. The exhibitions covered are solo shows, Paula Rego, Alan Dunn, Niki de St Phall, William McTaggart, Dave Davies, Phil Braham, Peter Howson, Allan Davie, Douglas Gordon, Ken Currie, Tim Stead, David Hockney, Peter Howson, Gerald Laing, Steve Campbell, June Carey and Ken Currie. Group shows at Intermedia Gallery with Nathan Coley, Ross Sinclair, The Big Works at The Glasgow School of Art, Art Supermarket by Halinka Tyszko, Glasgow Group, FoTOfeis Scottish International Festival of photography and Edinburgh Festival are covered. Correspondence with Herald Editor Harry Reid. Commissioned essays for catalogues, The First 21 years, Glasgow Print Studios, Neil Macpherson and Boundary Gallery London
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for Glasgow Herald unless otherwise stated.
Hand written and typed draft copies of around 275 articles of 500-1500 word length, by Clare Henry for The Glasgow Herald January-December 1995, with Monday weekly articles and a weekend feature art guide feature, including a continuing series ‘My First Picture’ and ‘Collectors’ and a new ‘Studio’ feature and several book reviews. Articles also written for Art Newspaper and Galleries Magazine covering visual art exhibitions in Glasgow, Edinburgh, Kirkcudbright, Aberdeen, Stirling, Aberfoyle and Castlemilk.
A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts, Gatehouse Gallery Glasgow. The reviews also cover galleries; Edinburgh Printmakers Workshop, Fruitmarket Edinburgh, Talbot Rice, Billcliffe Fine Art, Nancy Smillie Gallery, Streetlevel Glasgow, Compass Gallery, McLellan Galleries, Tramway, Kelvingrove (also known as Glasgow Art Gallery), Burrell Collection Glasgow, National Gallery of Modern Art Edinburgh, Royal Scottish Academy and artist led galleries Collective Edinburgh and Transmission.
During this period Henry gives more context and opinion on: Jock McFadyen purchase by Glasgow Museum of Modern Art under Julian Spalding, Winner of Lord Provost prize is Jenny Saville and Jacqueline Donachie is Young Artist Winner of American Fulbright Award, Visual Arts Forum and Glasgow´s £100,000 Visual Art Fund, Tramway Glasgow, Concert Hall Glasgow Murals by Steven Campbell, Peter Howson, Ken Currie and Adrian Wiszniewski, Peter Howson’s designs for Don Giovanni by Scottish Opera, Glasgow Festival of Visual Arts 1996 launch and Deyan Sudjic appointed director of Glasgow 1999 year of design.
The exhibitions covered are solo shows by Callum Innes, Douglas Gordon, Janine Antoni, Jack Vettriano, Stuart Duffin and Marina Abramovic. Group shows reviews include Decade, Street Level Glasgow, In Stereo, Transmission Gallery Glasgow and Persistence of Painting, CCA Glasgow. Mayfest and Edinburgh Festival are also covered in detail as well as Celtic Connections and Fotofeis. Degree shows at Glasgow, Aberdeen and Dundee are covered. Catalogue essay for Bet Low and other paper work includes notes on pictures used and correspondence to Keith Bruce, Jackie McGlone and Ron Anderson at The Herald.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written and typed draft copies of around 150 articles of 500-1500 word length, by Clare Henry for The Glasgow Herald, January-December 1997, with Monday weekly articles and a weekend feature art guide feature, including regular book reviews and a new ‘Picture of the week’ feature. Articles also written for Galleries Magazine, International Magazine, Chelsea Arts Club magazine, AN Newsletter, Financial Times and Interiors Magazine covering visual art exhibitions in Glasgow, Edinburgh, and increasingly in other places in Scotland such as St Andrews, Aberdeen, Stirling, Dumfries and Aberfoyle. Exhibitions in London, Venice and Berlin also feature including Art Fair 97 London.
A number of the Scottish reviews are for exhibitions at former galleries: Compass Gallery, Gatehouse Gallery Glasgow, Fly, Duke Street Glasgow. The reviews also cover private galleries: Edinburgh Printmakers Workshop, Fruitmarket Edinburgh, Talbot Rice, Billcliffe Fine Art, Nancy Smillie Gallery, Fiction Gallery Glasgow, Art Exposure Glasgow and Streetlevel Glasgow, as well as publicly funded galleries: McLellan Galleries, Tramway, Kelvingrove (also known as Glasgow Art Gallery), Burrell Collection Glasgow, National Gallery of Modern Art Edinburgh, Royal Scottish Academy and artist led galleries Collective Edinburgh and Transmission.
During this period Henry gives more context and opinion on Sir William Burrell's will, Glasgow City Council, Norway Art & Architecture, Kelvingrove redevelopment, Julian Spalding, Arran Ross, Fergusson Award Winner Perth, Christine Borland nominated for Tate Turner Prize, Baltic Flour Mill Gateshead and Princes Diana's death. The exhibitions covered are solo shows, David Nash, Margot Sandeman, Calum Colvin, Roman Singer, Sophie Macpherson, Bill Viola, Jacqueline Donachie, John Houston, Sunil Gawde, Barbara Rae and Simon Starling.
Group shows include Animal The Lost Ark, CCA, Rolling Devolution, Crawford Centre St Andrews, the Vigorous Imagination Ten Years On, New Contemporaries, CCA Glasgow and Sensation, Royal Academy London, Saatchi Collection. Edinburgh Festival is covered in detail as well as Mayfest and The Glasgow School of Art Degree Show.
Profiles on Julie Roberts, Alan Davie, Bruce McLean, Johnny Dumfries, Joan Sommerville and Tim Mara Obituary. Also included are catalogue essays for Philip Hughes, Francis Kyle Gallery, Marj Bond, Thackary Gallery London, Contemporary Scottish Art, Albermarle Gallery London, Graham Hillier, Francis Kyle London, George Devlin, Billcliffe Fine Art Glasgow and other paper work includes correspondence to Harry Reid, Keith Bruce, Donald Dewar and The Glasgow School of Art, press releases and invoices for work.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Typed draft copies and email correspondence of around 28 articles of 1000-1500 word length, by Clare Henry for The Financial Times, January-December 2002. During this period Henry worked between the UK and the USA with many of the articles featuring exhibitions and events in New York. Articles also written for Gabrius Magazine and The Sunday Herald. Other paper work includes handwritten notes.
[i]Articles written in this year which are not present in the archive
Henry, Clare
Articles, reviews and features
Typed draft copies and email correspondence of around 24 articles of 800-3000 word length, by Clare Henry for The Financial Times, January-December 2006. During this period Henry worked between the UK and the USA with the majority of articles featuring exhibitions and events in New York and the USA. Articles also written for The Scotsman and exhibition catalogues. Other paperwork includes handwritten notes and email correspondence.
[i]Articles written in this year which are not present in the archive
Henry, Clare