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Student publications
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Mac Mag: The Magazine of the Glasgow School of Architecture

Yearly magazine "Mac Mag" (or "Macmag") published by the Glasgow School of Architecture (ISSN 1363-3155). Includes the following issues: Volume 1 - November 1974 Volume 7 - c1980 (2 copies) Volume 11 - 1984 Volume 14 - Spring 1989 (2 copies, one including supplement "Glasgow - City of Hellish Night" by Campbell McAllister) Volume 15 - 1990 Volume 17 - 1992 Volume 18 - c1993 Volume 20 - c1995 (2 copies) Volume 22 - 1997 Volume 24 - 1999 Volume 29 - 2002-2003 Volume 30 - 2005 Volume 34 - 2008-2009 Records also exist relating to the preparation of Volume 13 - 1986 which was unpublished.

Mackintosh School of Architecture

Records of the Mackintosh Students' Association of the Mackintosh School of Architecture, Glasgow, Scotland

  • DC 070
  • Collection
  • 1971-1976

Includes:

  • Legal and Administrative Paperwork
  • Correspondence and Information on Events
  • Publications (including information on starting MAC magazine).

This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.

Mackintosh Students' Association of the Mackintosh School of Architecture

Mac Journal

Includes 3 editions of the Mackintosh School of Architecture publication. Each edition has a specific theme. Issue 1 is focussed on Gillespie, Kidd & Coia; Issue 2 is on the Glasgow School of Art Building (The Mackintosh Building) and Issue 3 is on Glasgow: The Future of the Clyde.

Mackintosh School of Architecture

Vista

Includes two editions.1) The Vista: Official Organ, Glasgow School of Architecture Club incorporating the "Kaleidoscope" of the Glasgow School of Art, 19332) Vista: Journal of the Glasgow School of Architecture Club - Royal College of Science and Technology, Glasgow School of Art, May 1957

Glasgow Technical College

Mac

Mac Number One. Mackintosh School of Architecture publication including various articles produced by staff and students and an interview with Andy MacMillan of Gillespie, Kidd & Coia. Also known as "Mac Mag" or "Macmag".

The Glasgow School of Art

Fifteen Degrees Plus

Magazine produced by the students of the Department of Printed Textiles, June 1979.

Cover design by Colin Renfrew.

The Glasgow School of Art

Folio: The Newspaper of Glasgow School of Art

Includes the following issues: Issue 1 - Dec 1969 (1 copy) Issue 1 - Spring 1992 (2 copies) Issue 2 - Summer 1992 (2 copies) Issue 3 - Autumn 1992 (2 copies) Issue 4 - Spring 1993 (2 copies) Issue 5 - Summer 1993 (2 copies) Issue 6 - Winter 1993/4 (2 copies) Issue 7 - Summer 1994 (2 copies) Issue 8 - Winter 1995 (2 copies) Issue 9 - Summer 1995 (2 copies) Issue 10 - Winter 1995/6 (2 copies) Issue 11 - Summer 1996 (2 copies) Issue 12 - February 1997 (2 copies) Issue 13 - June 1997 (2 copies) Issue 14 - November 1997 (2 copies) Issue 15 - June 1998 (2 copies) Issue 16 - December 1998 (2 copies) Issue 17 - June 1999 (2 copies)

The Glasgow School of Art

Publications

This collection includes two folders of material. The first, containing DC 009/4/1-9, includes publications produced by the G.S.A. Students’ Association between 1984 and 2005. The second, containing DC 009/4/10-21, includes publications created by students at the Glasgow School of Art, collected by the Students’ Association dating between 2003 and 2013.

• DC 009/4/1: Collection of GSA Students’ Association weekly publication ‘BLANK’ and other variations 1984-1985
• DC 009/4/2: Collection of GSA Students’ Association materials relating to Activities Week 1985
• DC/009/4/3: Collection of GSA Students’ Association weekly publication ‘SPANK’ 1985-1991
• DC/009/4/4: Two copies of newsletter ‘Stubble’, published 18 and 24 May 1988.
• DC 009/4/5: Copy of newsletter ‘TRASH’, Oct 1988
• DC 009/4/6: Copy of newsletter 'Think!', Jan 1990
• DC 009/4/7: Two copies of GSA Students’ Association 'Comic Book' issue 1, c 2000s
• DC 009/4/8: 'Fuse', Glasgow School of Art listings guide Issue 1, Jan 2001
• DC 009/4/9: Two copies of leaflet for 'AYE’, 15 Feb 2005-18 Feb 2005.
• DC 009/4/10: Copy of ‘FREAK’ Magazine, Dec 2003
• DC 009/4/11: Gallery of the bizarre, strange and the deranged magazine, 2004
• DC 009/4/12: 2 x Phreque magazine, 2004
• DC 009/4/13: Copy of ‘le magazine de BANG BANG’, Jul 2004
• DC 009/4/14: Copy of ‘PAVILION’ magazine, 2005
• DC 009/4/15: Copy of ‘THE CLAQUE’ Issue 1, ‘a collection of washroom images and unspoken words’, 2005
• DC 009/4/16: Two copies of comic ‘Things and Stuff’ no.2, April 2005
• DC 009/4/17: Your Order no. 1 magazine, Mar 2006
• DC 009/4/18: Milk Chocolate, 2007
• DC 009/4/19: 3 issues of Mammogram magazine, 2008 – 2009
• DC 009/4/20: Fold, Dec 2011
• DC 009/4/21: Undercurrents magazine, Issue 3, April 2013

The Glasgow School of Art

Papers of Archibald Haswell Miller

  • DC 098
  • Collection
  • [1885-1943]

A variety of loose artworks, cover designs, correspondence, ephemera, and photographs completed by and belonging to Archibald Haswell Miller. The collections includes proofs for book covers and pamphlets, personal correspondence relating to his studies and subsequent career, different ephemera relating to Haswell Miller's student days and photographs of artworks and students and staff members of The Glasgow School of Art.

This collection also includes material relating to Georges-Marie Baltus (DC 098/2) , including photographs of his artworks and his Italian and European trips, and Francis H. Newbery (DC 098/3).

Miller, Archibald E Haswell

The Tree of Personal Effort

From The Magazine, Spring 1896. Inscribed: The Tree of Personal Effort, The Sun of Indifference, Charles Rennie Mackintosh, January 1895.' The exact meaning of the symbolism of this work, and its companion, 'The Tree of Influence' has eluded all commentators on Mackintosh's early water-colours. The obvious source of the symbolism is nature, and Mackintosh here reaches his most extreme distortion of organic forms.' (Roger Billcliffe).

Mackintosh, Charles Rennie

Cabbages in an Orchard

From The Magazine, April 1894. The long text by Mackintosh which accompanies this watercolour in The Magazine (reproduced in full in Billcliffe's catalogue) suggests that he had already encountered public hostility to his work, possibly even from fellow students, on the grounds of incomprehensibility.

Mackintosh, Charles Rennie

The Descent of Night

Appears in The Magazine, April 1894. 'The central figure is based upon that used in the 1893 design for a diploma for the GSA and like that in 'The Harvest Moon', has wings like an angel. Here, however, she appears naked and her outstretched arms and hair merge and are transformed into barren tree-like forms. These descend to the horizon behind which the sun is gradually disappearing under the feet of the winged figure. From the bottom of the picture, and directly beneath the sun, rises a flight of menacing birds. They are presumably nocturnal birds of prey and they seem to be flying directly towards the viewers. This is one of Mackintosh's earliest uses of this strange bird, which was to become more stylised and to appear in many different forms, in several media in his oeuvre.' (Roger Billcliffe).

Mackintosh, Charles Rennie

Autumn

Bound in volume, The Magazine, November 1894. 'Behind a stylised tree stands another of Mackintosh's mysterious female figures, but this is the first one to appear that is not meticulously drawn. Only the head is shown in any detail, and the shape of the body is hidden by a voluminous cloak from which not even its limbs appear. This figure was to be repeated many times, becoming more and more stereotyped until, with the banners designed for the Turin Exhibition in 1902, the head is the only recognisably human part of a figure with a twelve-foot long, pear shaped torso. In 1895-96, Mackintosh was to develop this drawing into a poster for the Scottish Musical Review (Howarth, p1, 9F). The same cloaked figure appears with similar formal emblems at the ends of the branches of the bush.' (Roger Billcliffe).

Mackintosh, Charles Rennie

The Magazine

There are 4 known surviving volumes: The Magazine 1893, The Magazine April 1894, The Magazine November 1894, The Magazine 1896.

The Magazine was a publication of original writings and designs by students from the Glasgow School of Art, Glasgow, Scotland, and their friends. Appearing in 4 volumes between November 1893 and Spring 1896, The Magazine contains text from contributors handwritten by Lucy Raeburn, editor, accompanied by original illustrations. These volumes are the only known copies of The Magazine. In addition to rare, early watercolours and designs by Charles Rennie Mackintosh, the volumes contain early designs by Frances MacDonald and Margaret MacDonald, at a stage in their development which has been labelled 'Spook School', and two sets of photographs by James Craig Annan, when he was beginning to establish a reputation at home and abroad. Among other contributors were Janet Aitken, Katherine Cameron, Agnes Raeburn and Jessie Keppie, all of whom enjoyed lengthy careers in art and design.

The Magazine is similar to an album amicorum such as those which originated in the middle of the 16th century among German university students, who collected autographs of their friends and notable persons, sometimes adding coats of arms and illustrations. The Magazine resembled the album amicorum in that contributions were by a close group of students and their friends and is all the more interesting because the illustrations were produced by young people who had a common social background, were trained at the same school, and subjected to the same artistic influences. The contributors were closely linked, some by family, some by romantic attachments and had close social connections. Other contributors include C Kelpie, John M Wilson, Jane Keppie, and Ethel M Goodrich. Source: Jude Burkhauser, Glasgow Girls: women in art and design (Edinburgh : Canongate, 1990).

Raeburn, Lucy

A Pond

Bound in the November 1894 edition of 'The Magazine'. "It must have been something like this watercolour.... that evoked the 'critics from foreign parts' (as reported by Gleeson White in The Studio, pp88-9) to deduce 'the personality of the Misses MacDonald from their works' and see them as 'middle-ages sisters, flat footed, with projecting teeth and long past matrimony... gaunt, unlovely females'. Gleeson White who visited Glasgow to see the Mackintosh group was pleasantly surprised to meet two laughing comely girls scarce out of their teens." (MacLaren Young).

MacNair, Frances Macdonald