Plaster cast of Virgin and Child (Version 2)
- PC/047/v2
- Part
- Mid 19th century-early 20th century
Part of Plaster Casts
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Plaster cast of Virgin and Child (Version 2)
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Plaster cast of Virgin adoring the Child, with God the Father and angels (Version 2)
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Plaster cast of tondo from relief portrait of Sigismondo Pandolfo Malatesta (Version 1)
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Plaster cast of tondo from relief portrait of Sigismondo Pandolfo Malatesta (Version 3)
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Plaster cast of Germanicus (Marcellus) (Version 1)
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Plaster cast of Germanicus (Marcellus) (Version 5)
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Plaster cast of Mercury (Version 1)
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Plaster cast of Boy of Subiaco
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This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.
Original: From the group of Niobe and her children at the Galleria Uffizi, Florence, Italy, originally found in Rome in 1583. Niobe boasted about her 14 children (the Niobids) to Leto, mother to only Artemis and Apollo. Leto demanded her children take revenge upon Niobe's hubris. Using arrows, Artemis killed Niobe's daughters and Apollo killed Niobe's sons. This cast shows one son cowering from the onslaught.
Plaster cast of Boy of Subiaco (Version 2)
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Plaster cast of Venus de Milo (Aphrodite of Milos) (Version 3)
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Plaster cast of the Wrestlers (Version 1)
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Plaster cast of Sarcophagus of Giustina (Version 1)
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Plaster cast of Sarcophagus of Giustina (Version 2)
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Plaster cast of Saint George (Version 4)
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Plaster cast of Lorenzo de' Medici (Version 2)
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Plaster cast of Madonna of Bruges (Madonna and Child) (Version 1)
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Plaster cast of the Rebellious Slave
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This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.
Original: Michelangelo, originally for the tomb of Pope Julius II in 1505, began to carve the Slaves in 1513, as part of a modified project. On the pope's death, the project changed once again, for financial reasons. Michelangelo donated the Slaves to Roberto Strozzi, who brought them to France. Original currently in the collection of the Louvre, Paris, France.
Plaster cast of foundling roundel (Version 1)
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Plaster cast of Virgin and Child roundel (Version 1)
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Plaster cast of Virgin and Child roundel (Version 2)
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Plaster cast of Virgin and Child roundel (Version 1)
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Plaster cast of Virgin and Child roundel (Version 3)
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Plaster cast of the Belvedere Apollo (also called Pythian Apollo)
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This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.
Original: The Apollo is thought to be a Roman copy of Hadrianic date (120 - 140 BC) of a lost bronze original made between 350 and 325 BC by the Greek sculptor Leochares. Statue depicts the Greek god Apollo, who has just overtaken the serpent Python, the cthonic serpent of Delphi. Apollo has been variously recognized as a god of light and the sun; truth and prophecy; archery; medicine, healing and plague; music, poetry, and the arts; and more. Apollo is the son of Zeus and Leto, and has a twin sister, the chaste huntress Artemis. Listed in first catalogue of casts as Greco-Roman and from the Vatican Museum, and purchased from D. Brucciani. Original currently in the collection of the Vatican Museum, Rome, italy.
Plaster cast of Apollo Sauroctonos (Lizard Slayer) (Version 1)
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Plaster cast of Standing Discobolus (Discophoros) (Version 1)
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Plaster cast of Crouching Discobolos
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This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.
Original: The Discobolus of Myron is a famous lost Greek bronze original that was completed towards the end of the Severe period, c460-450 BC. It is known through numerous Roman copies, both full-scale ones in marble, such as the first to be recovered, the Palombara Discobolus, or smaller scaled versions in bronze. Bought from Brucciani. Original currently in the collection of the British Museum, London, UK.
Plaster cast of Mater Dolorosa (Version 1)
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*Not available / given
Plaster cast of Germanicus (Marcellus) (Version 6)
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Plaster cast of Laocoon and his Sons
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This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018. All that remains is a fragment of a hand.
Original: This statue group was found in 1506 on the Esquiline Hill in Rome and immediately identified as the Laocoon described by Pliny the Elder as a masterpiece of the sculptors of Rhodes: Agesander, Athenodoros and Polydorus around 40-30 BC. It shows the Trojan priest Laocoon and his sons Antiphantes and Thymbraeus being strangled by sea serpents. In 1587 Giovanni Battista Armenini's treatise on painting and recommended all students to draw from the casts of the finest statues in Rome- 'the Laocoon, the Hercules, the Apollo, the Great Torso....' of the Belvedere. Listed in first catalogue as Greco-Roman and that the original is located in the Vatican. Original currently in the collection of the Vatican Museums, Rome, Italy.
This item was damaged in the fire in the Mackintosh Building on 23rd May 2014. It underwent conservation and consolidation work in 2016.
Plaster cast of Laocoon and his Sons (Version 3)
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Plaster cast of Laocoon and his Sons (Version 5)
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Plaster cast of Mercury (Version 3)
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Plaster cast of Venus de Milo (Aphrodite of Milos)
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This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.
Original: Created at some time between 130 and 100 BC, to revive pre-hellenistic ideas. It is believed to depict Aphrodite (Venus to the Romans) the Greek goddess of love and beauty. Original excavated in 1820 on the Island of Melos. Original currently in the collection of the Louvre, Paris, France.
Plaster cast of Venus de Milo (Aphrodite of Milos) (Version 1)
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Plaster cast of Venus de Milo (Aphrodite of Milos) (Version 2)
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Plaster cast of Venus de Milo (Aphrodite of Milos) (Version 3)
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Plaster cast of Venus de Milo (Aphrodite of Milos) (Version 5)
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Plaster cast of Venus de Milo (Aphrodite of Milos) (Version 6)
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Plaster cast of Crouching Venus (Crouching Aphrodite) (Version 1)
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Plaster cast of Crouching Venus (Crouching Aphrodite) (Version 2)
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Plaster cast of Borghese Warrior
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This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.
Original: Also known as: Discobolus, Fighting Gladiator, Hector, Heros Combattant, Borghese Gladiator. Particularly admired for its truthful rendering of anatomy. A Hellenistic sculpture actually portraying a swordsman, created at Ephesus about 100 BCE. Listed in first catalogue of casts as Greek, in the Louvre and was bought from Brucciani. Original currently in the collection of the Louvre, Paris, France.
Plaster cast of Sarcophagus of Giustina (Version 2)
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Plaster cast of Sarcophagus of Giustina (Version 1)
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Plaster cast of Saint George (Version 2)
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Plaster cast of Giuliano de' Medici
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This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.
Original: Michelangelo, c1526-1534. Giuliano di Lorenzo de' Medici (12 Mar 1479-17 Mar 1516) was an Italian nobleman, one of three sons of Lorenzo the Magnificent. Original currently in the Medici Chapel in the Church of San Lorenzo, Florence, Italy.
Plaster cast of Lorenzo de' Medici
Part of Plaster Casts
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.
Original: Michelangelo, c1526-1534. Lorenzo de' Medici (01 Jan 1449-09 Apr 1492) was an Italian statesman and de facto ruler of the Florentine Republic during the Italian Renaissance. Original currently in the Medici Chapel in the Church of San Lorenzo, Florence, Italy.
This item was damaged in the fire in the Mackintosh Building on 23rd May 2014. It underwent conservation and consolidation work in 2016.
Plaster cast of Lorenzo de' Medici (Version 4)
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Plaster cast of Lorenzo de' Medici (Version 7)
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Plaster cast of the Rebellious Slave (Version 1)
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Plaster cast of the Dying Slave
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This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.
Original: Michelangelo, originally for the tomb of Pope Julius II in 1505, began to carve the Slaves in 1513, as part of a modified project. On the Pope's death, the project changed once again, for financial reasons. Michelangelo donated the Slaves to Roberto Strozzi, who brought them to France. Original currently in the collection of the Louvre, Paris, France.