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This item was severely damaged in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018. Some fragments have been salvaged. The bell survives as it was not in the building at the time of the fire.

The symbols which form the Glasgow coat of arms all refer to miracles performed by St. Mungo, the patron saint of the city who is normally represented with these emblems on the coat of arms. They first appeared on the seals of bishops of Glasgow, the fish on the seal of William Wishart in 1270, the bird on the seal of Robert Wishart in 1271. They were used together for the first time on the seal of the Chapter of Glasgow in 1488. The salmon with the ring in its mouth refers to the story of the local Queen who gave her ring to a knight she was in love with, the jealous King stole the ring from the knight while he was asleep and then demanded it back from the Queen, having thrown it into the Clyde. In desperation she prayed to St. Mungo who told his followers to cast their fishing nets in the river and bring him the first fish that they caught, a salmon with the Queen's ring in its mouth. The tree represents the green hazel twig which Mungo restored to life after his companions had killed it. The bell represents the service bell used in Mungo's church and still in Glasgow until c1700. Mackintosh's tree is highly abstract in its Art Nouveau 'whiplash' spirals untypical of his work. The bird is a modern replacement of the stolen original.

Original mount with captions.

The cover image features two women and a man.

Brochure for Pettigrew & Stephens Ltd. Monogram in lower right corner of cover page attributes the design and execution to Dorothy Doddrell. Advertisements contained inside and on the back cover date the brochure to the 1919-20 season.

Originally located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

14 textile items, thought to have been designed as part of Grace Melvin's diploma show c1918.

Print of the First World War Roll of Honour of Stevenson Memorial Church, designed and executed by Dorothy Doddrell.

Work created by Dorothy Doddrell relating to the Busby West United Free Church's First World War Roll of Honour.

Material created by Dorothy Doddrell relating to the Stevenson Memorial Church's First World War Roll of Honour.

Print of the Busby West United Free Church's First World War Roll of Honour, designed and executed by Dorothy Doddrell.

Variety of materials relating to the works of Dorothy Doddrell, including designs relating to the creation of First World War Roll of Honours; designs created by Doddrell; life drawing studies; and reference materials.

Variety of artworks created by Dorothy Doddrell, relating to Rolls of Honour, life drawings and sketches, and other designs

Variety of works created by Dorothy Doddrell relating to the Glasgow School of Art Roll of Honour.

Photograph showing the illuminated heading of the First World War Roll of Honours of The Glasgow School of Art. Annotations on the reverse attribute the calligraphy to Dorothy Doddrell.

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Located inside folder DC 094 ...

Photograph showing the illuminated heading of the First World War Roll of Honours of The Glasgow School of Art. Annotations on the reverse attribute the calligraphy to Dorothy Doddrell.

Folio containing calligraphy and illuminated heading/border, addressed to Eliza Jane Aikman. Front of folio has a pencil sketch, which dates the folio to 1925.

Originally located inside folder (DC 094/1/2/1).

Print of the illuminated heading for the Roll of Honour of The Glasgow School of Art. Annotation on the reverse attributes the design and execution to Dorothy Doddrell.

A variety of designs completed by Archibald Haswell Miller, including book covers, commercial artworks, and religious designs. Some of these items are dated to his time as a lecturer at The Glasgow School of Art.

A collection of six sketchbooks created by Mary Ramsay, including four from her time as a student at The Glasgow School of Art, one dated to after her studies, and one undated. These sketchbooks feature a variety of subjects and themes, including life drawings, portraits, illustrations, floral patterns, ceramics studies, book designs, card designs, and lettering. Most artworks are pencil on paper, with some also using paint, ink, and pastel. Some sketchbooks include a number of loose ephemera items, such as newspaper cuttings and postage stamps.

A variety of designs, correspondence, ephemera and photographs related to Archibald Haswell Miller. A large amount of items are dated to his time as either a student or a lecturer at The Glasgow School of Art.

A variety of loose artworks, cover designs, correspondence, ephemera, and photographs completed by and belonging to Archibald Haswell Miller. The collections includes proofs for book covers and pamphlets, personal correspondence relating to his studies and subsequent career, different ephemera relating to Haswell Miller's student days and photographs of artworks and students and staff members of The Glasgow School of Art.

This collection also includes material relating to Georges-Marie Baltus (DC 098/2) , including photographs of his artworks and his Italian and European trips, and Francis H. Newbery (DC 098/3).

Glasgow School of Art charities week fashion show brochure from January 1955 made with the cover design made by Robert Macgowan. Includes the members of committee, a description, mannequins, and the programme.

Folder containing work produced by Dugald Cameron during his time on the Junior Non-diploma course and general years of diploma course at GSA.

A variety of loose artworks and six sketchbooks completed by Mary Ramsay, including life drawings, portraits, architectural studies, designs, prints, and illustrations. Some of these items are dated to her time as a student at The Glasgow School of Art. Most items are pencil on paper, with a few further studies in paint. This collection also includes a portfolio folder (DC 110/1/4) and personal papers (DC 110/3).

This collection includes one item by Jessie Wilson (DC 110/1/1/18), another student of The Glasgow School of Art, with whom Mary Ramsay and Margaret Macdonald started a pottery decorating business at The Studio, Strathyre, in 1926.

Grey painted metal industrial style light shade with "Crysteel" label. Part of a set of four industrial lights (two sets of two) believed to be from the Director's Studio or Studios 21 or 23 in the Mackintosh Building.

One of a set of 10 green "Coolicon" coolie style metal light shades thought to be from the Hen Run and elsewhere in the Mackintosh Building. 3 are in good condition while 7 show signs of fire damage.

One of a set of 10 green "Coolicon" coolie style metal light shades thought to be from the Hen Run and elsewhere in the Mackintosh Building. 3 are in good condition while 7 show signs of fire damage.

One of a set of 2 flat brass coolie style metal light shades with cut out motifs from the Mackintosh Building.

Grey painted metal industrial style light shade with "Crysteel" label. Part of a set of four industrial lights (two sets of two) believed to be from the Director's Studio or Studios 21 or 23 in the Mackintosh Building.

White painted metal industrial style light shade with blue label. Part of a set of four industrial lights (two sets of two) believed to be from the Director's Studio or Studios 21 or 23 in the Mackintosh Building.

One of a set of 10 green "Coolicon" coolie style metal light shades thought to be from the Hen Run and elsewhere in the Mackintosh Building. 3 are in good condition while 7 show signs of fire damage.