Grass of Parnassus flower study (Version 2)
- NMC/1897/v2
- Part
- c1930s-1970s
Grass of Parnassus flower study (Version 2)
Portrait of the architect, Fred Selby. Signed MS, for Manfred Salinger, Selby's birth name (top right).
Selby, Frederick
Stained glass cartoon for the church of St Clement and St James, Horsley, near Derby
Stained glass cartoon for a two light memorial window. Inscribed: 'Come Holy Ghost'. For the church of St Clement and St James, Horsley, near Derby. This window was one of two, two light windows designed for Guthrie and Wells, the Glasgow firm of decorators who began stained glass production in 1884 and won a reputation for first class craftsmanship and always employing excellent designers (beginning in 1887 with Sir James Guthrie). Bell first designed glass for the firm in 1895 when he won the competition for new windows for the Royal Church at Crathie, and he continued to design for them for twenty-three years. In the 1920s he also designed for the City Glass Company, and examples of his work are still in the Glasgow area.
Bell, Robert Anning
Stained glass cartoon (with angels)
Design of four angels.
Bell, Robert Anning
Stained glass cartoon for St Mark's church, Southport
Design for St John (with bible). Preliminary drawings for one light windows for St Mark's, Southport, set into pairs in the facing North and South walls of the Church.
Bell, Robert Anning
Stained glass cartoon for the church of St Clement and St James, Horsley, near Derby
Stained glass cartoon for a two light memorial window. Inscribed: Our Souls Inspire'. For the church of St Clement and St James, Horsley, near Derby. This window was one of two, two light windows designed for Guthrie and Wells, the Glasgow firm of decorators who began stained glass production in 1884 and won a reputation for first class craftsmanship and always employing excellent designers (beginning in 1887 with Sir James Guthrie). Bell first designed glass for the firm in 1895 when he won the competition for new windows for the Royal Church at Crathie, and he continued to design for them for twenty-three years. In the 1920s he also designed for the City Glass Company, and examples of his work are still in the Glasgow area.
Bell, Robert Anning
Stained glass cartoon for St Mark's church, Southport
Design for Martin Luther (with hammer). Preliminary drawings for one light windows for St Mark's, Southport, set into pairs in the facing North and South walls of the Church.
Bell, Robert Anning
Stained glass cartoon for St Mark's church, Southport
John Wesley, holding bible (lower half).
Bell, Robert Anning
Stained glass cartoon (Christ with soldiers)
Stained glass cartoon, possibly for Hartley Victoria College, Manchester.
Bell, Robert Anning
Stained glass cartoon for St Mark's church, Southport
Design for St Paul (with staff). Preliminary drawings for one light windows for St Mark's, Southport, set into pairs in the facing North and South walls of the Church. See NMC/282A for replacement face used for St Paul.
Bell, Robert Anning
Stained glass cartoon (Christ with soldiers)
Stained glass cartoon, possibly for Hartley Victoria College, Manchester.
Bell, Robert Anning
Study of two upturned, burnt-out cars.
Hartley, Brian
Extract from sketchbook (Version 1)
Extract from sketchbook (Version 2)
Extract from sketchbook (Version 3)
Extract from sketchbook (Version 4)
One print from 'Abstract Language' (The Philadelphia Series) (Version 2)
One print from 'Abstract Language' (The Philadelphia Series) (Version 1)
One print from 'Abstract Language' (The Philadelphia Series) (Version 3)
One print from 'Abstract Language' (The Philadelphia Series) (Version 1)
One print from 'Abstract Language' (The Philadelphia Series) (Version 2)
One print from 'Abstract Language' (The Philadelphia Series) (Version 3)
One print from 'Abstract Language' (The Philadelphia Series) (Version 1)
One print from 'Abstract Language' (The Philadelphia Series) (Version 2)
One print from 'Abstract Language' (The Philadelphia Series) (Version 1)
One print from 'Abstract Language' (The Philadelphia Series) (Version 3)
One print from 'Abstract Language' (The Philadelphia Series) (Version 2)
One print from 'Abstract Language' (The Philadelphia Series) (Version 3)
One print from 'Abstract Language' (The Philadelphia Series) (Version 1)
One print from 'Abstract Language' (The Philadelphia Series) (Version 3)
One print from 'Abstract Language' (The Philadelphia Series) (Version 2)
One print from 'Abstract Language' (The Philadelphia Series) (Version 2)
One print from 'Abstract Language' (The Philadelphia Series) (Version 1)
One print from 'Abstract Language' (The Philadelphia Series) (Version 3)
One print from 'Abstract Language' (The Philadelphia Series) (Version 1)
One print from 'Abstract Language' (The Philadelphia Series) (Version 3)
One print from 'Abstract Language' (The Philadelphia Series) (Version 2)
One print from 'Abstract Language' (The Philadelphia Series) (Version 2)
One print from 'Abstract Language' (The Philadelphia Series) (Version 1)
One print from 'Abstract Language' (The Philadelphia Series) (Version 3)
Pencil and watercolour picture of Canterbury Cathedral. Pencil note records, 'completed on the spot, Jas.B.Fulton, (shows evidence of having been folded in half.)
Fulton, James Black
Mackintosh, Charles Rennie
Abstract design.
Devlin, George
The Building Committee of the Board of Governors of The Glasgow School of Art
Portrait group. Inscribed on frame: "Mr. Charles. R. Mackintosh FRIBA The Architect/Col. R.J.Bennett V.D./Mr. David Barclay FRIBA/Sir Francis Powell, LLD, PRSW/Mr. John Munro FRIBA/Mr. Patrick S. Dunn - Convener/Councillor J. Mollison, MINA/ Mr. Hugh Reid DL/ Sir Wm Bilsland, Bart. LLD, DL/Sir John J. Burnet, RSA, FRIBA, LLD/Mr. John Henderson MA/Sir James Fleming - Chairman of Governors/Mr. John M. Groundwater - secretary/ Mr. Francis H. Newbery CAV OFF, INT, SBC, ARCA - Director, pinxit". When Newbery exhibited this group at the Glasgow Institute of the Fine Arts in 1913 it did not include the figure of Mackintosh. In 1914 he painted his large portrait of Mackintosh (collection: Scottish National Portrait Gallery) and his Building Committee portrait group was offered to the Board and accepted. When it was unveiled in 1914 it was seen that he had added Mackintosh's figure, a smaller version of his individual portrait, to the left of the group, and redated the whole canvas 1914. Painting cleaned and relined in 1963 by Mr Harry McLean who discovered the late addition of the figure of Mackintosh.
Newbery, Francis Henry
Study of the Parthenon.
Spiers, Richard Phené
Six separate studies of flowers, mounted together.
Buchanan, Etta
Dunure Castle, Ayrshire (Version 1)
Dunure Castle, Ayrshire (Version 2)