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Sketchbook containing free-hand sketches created throughout Christopher Platt's study at The Mackintosh School of Architecture covering different buildings, locations, and landscape. These drawings show architectural details from indoor and outdoor views as self-observation undertaken by the student.

Scrapbook containing material collected throughout Christopher Platt's study at The Mackintosh School of Architecture. Contents include different articles, photos, and subjects from different magazines and other sources.

Scrapbook featuring material collected throughout Christopher Platt's study at The Mackintosh School of Architecture including different articles, photos, and subjects from different magazines, like: The New York Times Magazine, Observer Magazine, The Sunday Times, Telegraph Sunday Magazine, and other resources. It also includes some free-hand sketches.

A copy of the sectional perspective showing the architectural details that the architect did for his summer project, second year.

Material related to the submission of a case study as part of post Year 5 professional practice and practical training experience, RIBA Part 3.

Material related to the submission of a case study as part of post Year 5, RIBA Part 3. It consists the details of the construction stage of two stories blocks of bedsits and large block of 1 bedroom flats for elderly people, Surrey. This case study submitted by the architect when he was joined Hutchison Locke and Monk's offices in Richmond, October 1981. As described by the architect, the submission includes his observations during his visits to the site, recording the official site meetings, and sub-contractors meetings. The submission is in the form of comb binding document of typewritten style with some maps, photos from the site, minutes from meetings, and progress reports.

Posters relating to a variety of events and subjects.

Coloured poster on a black background representing events from drama society, The Glasgow School of Art, from 25th to 28th February (mentioned with no year). Location is: Bourdon Assembly Hall, Renfrew Street. The productions are:

• The Wedding (Bertholt Brecht),
• The Bear (Anton Chekhov),
• Edward & Agrippina (Rene de Obaldia),
• The Stronger (August Strindberg).

A poster design on tracing paper for an exhibition of work by four local students architects from the Mackintosh School of Architecture. The poster has the title of "Inclined to Design", held at The Arts Guild, Campbell Street, Greenock, from 9th to 20th September (mentioned with no year). Designed by: Alan Fullarton, Brain Hendry, Christopher Platt, and Richard Robb. The exhibition is built on the idea that the architectural drawings become paintings and sculptures rather than just as end products for buildings, following London and New York architectural drawings sold as paintings. The main theme of the poster is centred around an arch, and a pendant hanging in the centre of the arch (from a drawing by David MacAuley), screen-printing by Colin Johnstone. The poster is rolled, and is in two pieces of tracing paper attached together by tape.

A paper copy of a poster (in a rolled state) of an exhibition of work by four local students architects from the Mackintosh School of Architecture. The poster has title of "Inclined to design", held at Greenock, The Arts Guild Campbell Street, from 9th to 20th September (mentioned with no year). It designed by: Alan Fullarton, Brain Hendry, Christopher Platt, and Richard Robb. The exhibit is built on the idea that the architectural drawings become as paintings and sculptures rather than just as end products for buildings, and following London and New York architectural drawings sold as paintings. The main theme of the poster centred around an arch, and a pendant hanging in the centre of the arch ( from a drawing by David MacAuley), screenprinting by Colin Johnstone.

A second paper copy of a poster of an exhibition of work by four local students architects from the Mackintosh School of Architecture. The poster has title of "Inclined to design", held at Greenock, The Arts Guild Campbell Street, from 9th to 20th September (mentioned with no year). It designed by: Alan Fullarton, Brain Hendry, Christopher Platt, and Richard Robb. The exhibit is built on the idea that the architectural drawings become as painting and sculptures rather than just as end products for buildings, and following London and New York architectural drawings sold as paintings. The main theme of the poster centred around an arch, and a pendant hanging in the centre of the arch ( from a drawing by David MacAuley), screenprinting by Colin Johnstone.

Leaflet for an exhibition of work by four local students architects from the Mackintosh School of Architecture. The is called "Inclined to Design", and the leaflet explains the concept behind the exhibit which is built on the idea of architectural drawings as paintings and sculptures rather than just as end products for buildings, following London and New York architectural drawings that sold as paintings. The leaflet has the signatures of the four architects (students): Alan Fullarton, Brain Hendry, Christopher Platt, and Richard Robb. The leaflet made by a printed white paper attached to hard sheet.

A sheet of six tickets for the exhibition "Inclined to Design". Each ticket has two sides, the front side is a small copy of the main poster, and the reverse side shows the invitation to a private view of the exhibition including the date and the time. Each ticket is 62 x 104 mm.

3 x 2nd year GSA student notebooks belonging to Isobel Alison Mitchell Shearer:

• History of Architecture
• History of Styles
• Dyed and printed fabric

A free hand drawing consisting of the external view of an old barn describing its unusually shaped roof dominating the fields standing in like some giant armadillo.

Architectural drawing on tracing paper showing the second part of both the north west elevation to garden and the long section in scale 1:100, in which this item has to be attached with the previous item from the left hand side to complete the whole elevation and section. It shows the differences between the modern architectural style of the new building comparing with the traditional style of the existing building. The long section shows the main structural elements and the building construction system.

The collection consists of job files, photographs, architectural drawings and plans for projects undertaken by the architectural firm of Gillespie, Kidd and Coia between c1933 and 1987. There are also general office files containing correspondence, account papers, ephemera and artefacts.

This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.

Job files relating to the project (no images or drawings/plans).

Job files, images and drawings related to project.

Drawings related to project.

Drawings related to project.

Job files, images and drawings related to project.

Job files relating to the project (no images or drawings/plans).

Drawings and job files related to the project.

Job files, images and drawings related to the project.

Job files and drawings related to the project (no photographs).

Small job files relating to various business and office jobs.

Job files, drawings and plans relating to the project.

Drawings, photographs, and job files related to the project.

Drawings and job files related to the project.

Job files relating to the project; contains no images, drawings or plans.

Drawings and job files related to the project.

Job files, images and drawings related to project.