- DC 084/3/2
- Item
- 1934-1935
Part of Material relating to Gerard V Murphy, former GSA student
A flower pattern design repeatedly arranged in vertical and horizontal directions
Murphy, Gerard V
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Part of Material relating to Gerard V Murphy, former GSA student
A flower pattern design repeatedly arranged in vertical and horizontal directions
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
A painted pattern design featuring floral motifs with vertical lines, potentially intended for wallpaper. Includes annotations of student registration no. ("No. 71") and signed "Gerard Murphy."
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
A pattern design featuring a repeating arrangement of flowers in opposite directions in alternate rows.
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
A life sketch portraying a nude female figure viewed from the back.
Murphy, Gerard V
Free hand sketches showing "Farmhouse in Bishopton approach facing the west describing the way the road gently slopes and waves in and out gives a pleasant approach to a group of farm buildings. The dry stone dyke on one side and the thick trees on the other enhance this approach. The motorway safety barrier on the top right spoils what would be a picturesque scene".
Platt, Christopher
Farm in Bishopton: Elevation facing east
Free hand sketch showing farmhouses in Bishopton facing the east describing the gap between the right hand cluster of building and the left hand cluster of buildings, filled by the farmhouse giving it the most important position and forming the third side of the courtyard.
Platt, Christopher
Factory & Offices for Messrs Wallace Cameron, Castlemilk
Job files and drawings related to the project.
Gillespie, Kidd and Coia
Architectural drawings of the existing boathouse showing the floor plans, sections, and elevations in scale 1:100. The drawings are all Rotring ink pen on tracing paper. The drawings are in their real measurement, however, there is no mention of the names of the spaces or the materials used on elevations and sections. The aim of this material is to study the existing boathouse and get an idea about the design of such a building.
Platt, Christopher
Exhibition stand: 1st submission
Architectural drawings presenting the first submission of project 1 (Exhibition stand) including free hand sketches of plans, section, and elevation, all in scale 1:50 (approx.).
Platt, Christopher
Evergreen Club: Site plan and landscaping
Detail drawing on tracing paper for project 2 Evergreen Club site plan and landscaping in scale of 1:500 showing the North sign, main roads and the surrounding buildings.
Platt, Christopher
Detail drawings on tracing paper for project 2 Evergreen Club section cc in scale of 1:20. Human figures and furniture are included to bring drawing to life. The design shows all the construction materials and details including:
Platt, Christopher
A copy from detail drawings for project 2 Evergreen Club section cc in scale of 1:20 with examiner notes especially on construction details.
Platt, Christopher
Evergreen Club: Plan & sections
Detail drawings on tracing paper for project 2 Evergreen Club. Plan and sections all in scale of 1:100. The floor plan shows room types, dimensions and furniture. Sections aa, bb, cc are all in details and include height dimensions, construction materials, and heating methods. Human figures are included to bring drawings to life. The design includes some facilities for disabled people.
Platt, Christopher
Evergreen Club: Front elevation
Detail drawings on tracing paper for project 2 Evergreen Club front elevations in scale of 1:50. Human figures are included to bring drawing to life. The design indicates how the club fits within the surrounding landscape.
Platt, Christopher
Detail drawings on tracing paper for project 2 Evergreen Club elevations all in scale of 1:100 showing the front elevation facing east, the rear elevation facing west, and two side elevations facing south and north. Human figures are included to bring drawings to life. The design indicates how the club fits within the surrounding landscape.
Platt, Christopher
Tracing paper showing two elevations from the bed position: Elevation A, and Elevation B.
Platt, Christopher
PRESENTATION DRAWINGS, DESIGN SCHEMES
Tracing paper showing two elevations from the desk position: Elevation A, and Elevation B.
Platt, Christopher
Elevation of windows in wells/ Well #4: 1/4"=1'0"
Gillespie, Kidd and Coia
Elevation of windows in wells/ Well #2: 1/4"=1'0"
Gillespie, Kidd and Coia
Elevation of windows in wells/ Well #1: 1/4"=1'0"
Gillespie, Kidd and Coia
East elevation - Layout of tiles in entrance hall: 1/2"
Gillespie, Kidd and Coia
Part of Records of The Glasgow School of Art, Glasgow, Scotland
These folders contain drawings produced by Harry Anthony Wheeler when he travelled to Italy after being awarded the John Keppie Scholarship in 1948. The John Keppie Scholarship gave a bursary of £100 to one architecture student per year to fund a study trip of their choice. The focus of Wheeler's project was Loggias in Florence, Rome and Venice. Included are 5 "plottings" of the Loggia La Badia near Florence, Wheeler's original portfolio case and 48 loose plates of drawings and photographs which are listed below: Plate 1: Drawing of the courtyard, cortile, open staircase, gateway and loggia of The Bargello Palazzo Del Podesta in Florence. Plate 2: Drawing of the Loggia Bargello in Florence. Plate 3: Drawing of the Loggia Dei Lanzi in Florence. Plate 4: Entrance to the Loggia Dei Lanzi in Florence. Plate 5: Detail of Lion on columns in the Loggia Dei Lanzi in Florence. Plate 6: Loggia Bigallo in Florence. Plate 7: The Ponte Vecchio in Florence. Plate 8: The Pazzi Chapel in Florence. Plate 9: Plan and Elevation drawing of Loggia La Badia near Florence. Pencil and watercolour on white paper. Plate10: Drawing of an elevation of Loggia La Badia in Florence. Wheeler has added comments to this drawing about materials and techniques. Pencil and watercolour on white paper. Plate 11: Drawing of section detail of the Loggia La Badia near Florence. Wheeler has added comments to this drawing about materials and techniques. Pencil and watercolour on white paper. Plate 12: Detail of Stone Bracket, Loggia La Badia near Florence. Plate 13: Detail of Capital, Loggia La Badia near Florence. Plate 14: Four small photographs (mounted) of Loggia La Badia near Florence. Plate 15: The Dome of The Duomo from The Cloisters, San Lorenzo in Florence. Plate 15a: The Dome of the Medici chapel and church of S.Lorenzo from Giotto's Campanile in Florence. Plate 16: Loggia Ospedale Degli Innocenti in Florence with Della Robbia's Bambini Medalions in the spandrils. Plate 17: Loggia Ospedale Degli Innocenti in Florence. Plate 18: Cloisters, Covent of S. Marco in Florence. Plate 19: Loggia, Academy of Fine Arts in Florence. Plate 20: Small mounted photographs of the Pitti Palace Loggia in Florence. Plate 21: Small mounted photographs of the Uffizi Logia in Florence. Plate 22: Small mounted photographs of Loggia Fiesole in Florence. Plate 23: Small mounted photographs of Loggia S.Giovanni Laterno and Loggia Palazzo Venizia in Rome. Plate 24: Ink drawing of Michaelangelo's Cloister, the National Roman Museum in Rome. Plate 25: Ink drawing of a corner of Michaelangelo's Cloister in Rome. Plate 26: Two small mounted photographs and one drawing of Michaelangelo's Cloister in Rome. The drawing is a study of the columns. Plate 27: Small mounted photographs of Vignola's Loggia's in Campidoglio in Rome. Plate 28: Drawing and a small mounted photograph of The Loggia on the South West side of the Palazzo Farnese in Rome. Plate 29: The Loggia of the Knights of Rhodes in Rome. Plate 30: Small mounted photographs of the Cortile Cancelleria and the Cortile Doria Panfili in Rome. Plate 31: Drawing of the Loggia of Julius II S.Angel's Castle in Rome. Plate 32: Small mounted photographs of the Loggia of S.Angel's Castle in Rome and two modern Loggia's. Plate 33: Drawing of the open arcading on the south west corner at The Doge's Palace in Venice. Plate 34: Drawing of "The Judgement of Solomon" carved in fine grained marble for The Doge's Palace in Venice. Plate 35: Small mounted photographs of The Doge's Palace in Venice. Plate 36: Drawing of The Ca' d'Oro in Venice. Plate 37: Drawings of details from The Ca' d'Oro in Venice. Plate 38: Small mounted photographs from the Ca' d'Oro in Venice. Plate 39: Small photographs of the facades of palaces in Venice. Plate 40: Drawing of the corner of St Mark's Library in Venice. Plate 41: Pencil drawing of Loggetta Venice. Architect Jacopo Sansovino. Plate 42: Five small photographs of the Library Vecchia, Procuratie Vecchie, Loggetta del Sansovino, Arcading alongside Rialto Bridge and the Palazzo Rezzonico in Venice. Plate 43: Two photographs and a pencil and watercolour drawing of Palazzo Contarini del Bovolo in Venice. The first photograph is of the foot of the staircase with comments by Wheeler about the contrasting brick and stonework textures. The second photograph is the interior of the building's Loggia and the drawing is of the building's facade. Plate 44: Six photographs, four of the Cloister S. Stephano and two of the Cloister S.Carmine in Venice. Plate 45: Five photographs of the Pescheria in Venice. The photographs feature the detail of the Capital Fish's Head Moteif on top of a column, timber brackets, Ca' d'Oro seen from the market, the top Loggia looking over the Grand Canal and some Arcading. Wheeler has commented that the Arcading is Modern Gothic and features textured brickwork. Plate 46: Five small mounted photographs. The photographs feature the sotto portico (meaning under the porch) of the Scuola Giorgo degli Schiavoni with one photograph featuring Wheeler's comments on the alternating column shapes, a Loggia near Ponte Lungo, a colonnade near San Francesca della Vigna and the Cloisters of the Monestry adjoining San Maria Maggiore in Venice. Plate 47: Four small mounted photographs. The photographs feature; A portico with a balcony Loggia above with Wheeler's comments that it is Venetian Gothic, a potico with an arcade above with Wheeler's comments that it is Venetian Byzantine, a Loggia of Modern Building with Wheeler's comments that it is Gothic style and some modelled timber brackets above columns.
Wheeler, Sir Harry Anthony
Drawing titled "Correspondence"
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
An illustrative drawing featuring a man seated at a desk receiving letters from three birds flying towards him. Annotated as "Correspondence," but not dated.
Meldrum, William
Drawing of Swedish Ultrasonic Unit
Line drawing, larger version of drawing 1: Swedish Ultrasonic unit, end elevation, with more detail.
Cameron, Dugald
Part of Material relating to Gerard V Murphy, former GSA student
A watercolour painting illustrating sunflowers from multiple angles.
Murphy, Gerard V
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A drawing featuring the landscape view of a mountain peak of Marsco near Glen Sligachan, on the Isle of Skye, Scotland. Includes annotations indicating the location of drawing, "Marsco, Glen Sligachan, Clach Glas, Bheinn," but has no dates.
Meldrum, William
Part of Material relating to Gerard V Murphy, former GSA student
Two sketches of the hand tendons and a rough form of a hand. Includes annotations of student registration no. ("No. 71") and signed "G. Murphy".
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
A pencil drawing illustrating a decorative Gothic window, accompanied by the annotation "Gothic Window, Decorated Period" and stamped "The Glasgow School of Architecture, Session 1935-36."
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
A drawing featuring the left leg and foot bones in a lateral and back view. Includes annotations of student registration no. ("No. 71") and signed "G. Murphy".
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
An anatomical sketch showing the left lower leg and the foot muscles. Includes annotations of student registration no. ("No. 71") and signed "G. Murphy".
Murphy, Gerard V
Airbrush drawing of diasonic machine. Created to visualise possible developments of the design. Wall mount option.
Cameron, Dugald
Airbrush drawing of diasonic machine. Created to visualise possible developments of the design, single unit option.
Cameron, Dugald
Part of Material relating to Gerard V Murphy, former GSA student
A light brown-coloured drawing, probably concerning dead leaves in the autumn.
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
A sheet of anatomical study on eight pieces of human hand, feet, and joint bones. Includes annotations of student registration no. ("No. 71") and signed "G. Murphy".
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
A watercolour painting depicting three brightly coloured anemone flowers with distinctive leaves, marked the probable creation date '17/10/34' on the back.
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
A small watercolour drawing depicting an owl.
Murphy, Gerard V
Drawing of a woman with bent knees
Part of Material relating to Gerard V Murphy, former GSA student
A life sketch featuring a woman with bent knees, viewed from the back. The sheet is numbered 790.
Murphy, Gerard V
Drawing of a woman hugging her knees
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A small drawing of a woman seated on the floor, hugging her knees, with her head down. This work features shading of the entire background using pencil. Undated.
Meldrum, William
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A drawing of a village view from a small square, featuring possibly Tudor style houses and a distant castle beyond the houses. This work is not dated.
Meldrum, William
Part of Material relating to Gerard V Murphy, former GSA student
A study of the male muscle torso, including annotations of student registration no. ("No. 71") and signed "G. Murphy".
Murphy, Gerard V
Drawing of a stream in a village
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A small drawing featuring a stream under a bridge next to a house in a village. This work is not dated, but has some texts on the reverse, presumed to be Meldrum's diary.
Meldrum, William
Part of Material relating to Gerard V Murphy, former GSA student
A sketch of a standing man with a seemingly focused depiction on the torso. The sheet is attached to backing paper.
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
An anatomical sketch depicting the bones of the sagittal plane of a head. Including annotations of student registration no. ("No. 71") and signed "G. Murphy".
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
A watercolour painting featuring a monocot plant with crimson stems, leaves, and buds. Includes annotations of student registration no. ("No. 71") and signed "G. Murphy".
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
A watercolour plant study illustrating the buds, stems, and leaves, accompanied by the description "Bud" and "General shape of leaf". Includes annotations of student registration no. ("No. 71") and signed "G. Murphy".
Murphy, Gerard V
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A small print featuring the scenery in front of the courtyard of a Scottish manse. Annotated as "The Manse, Kilmore" on the upper left side, but not dated.
Meldrum, William
Drawing of a man with a bucket
Part of Material relating to Gerard V Murphy, former GSA student
A full-length figure drawing depicting a man holding a bucket, viewed from the back. The sheet is cut to fit the figure size and attached to backing paper.
Murphy, Gerard V
Drawing of a man wearing a scarf
Part of Material relating to Gerard V Murphy, former GSA student
A sketch of a man wearing a scarf. The focus is seemingly on depicting the gesture of grasping the scarf.
Murphy, Gerard V
Drawing of a man playing mandolin
Part of Material relating to Gerard V Murphy, former GSA student
A drawing of a seated man with a fedora while playing Mandolin. The sheet is attached to backing paper.
Murphy, Gerard V