- NMC/1172
- Item
- 1910
Miller, Archibald E Haswell
Miller, Archibald E Haswell
"AEH Miller, Munchen 09".
Miller, Archibald E Haswell
Collioure, France, overlooking the bay
"Collioure" (in pencil), bottom left. Annotated by artist.
Miller, Archibald E Haswell
The Cote Vermeille, Collioure, France
"A E Haswell Miller 1920", bottom left.
Miller, Archibald E Haswell
Miller, Archibald E Haswell
Miller, Archibald E Haswell
Miller, Archibald E Haswell
Miller, Archibald E Haswell
"A E Haswell Miller 1920" (in pen), bottom left.
Miller, Archibald E Haswell
"A E Haswell Miller 1924. Bamburgh Castle. August 1924" (in pen), bottom right.
Miller, Archibald E Haswell
"A E Haswell Miller 1924. Bamburgh Castle. Sept 1924" (in pen), bottom right.
Miller, Archibald E Haswell
"A E Haswell Miller 1924" (in pen), bottom left.
Miller, Archibald E Haswell
Edwardian Watch Tower, Berwick
"A E Haswell Miller 1924" (in pen), bottom left.
Miller, Archibald E Haswell
"A E Haswell Miller 1924" (in pen), bottom right. Another drawing verso.
Miller, Archibald E Haswell
Holy Island, Northumberland - The Castle
"A E Haswell Miller 1924" (in pen), bottom left.
Miller, Archibald E Haswell
Greek Theatre, Taormina, Sicily
"A E H Miller. Taormina 1913. 11 June", bottom right.
Miller, Archibald E Haswell
"A E H Miller" (in pencil), bottom right.
Miller, Archibald E Haswell
"A E H Miller Rome 1913" bottom right.
Miller, Archibald E Haswell
"A E H Miller Venice 1910" bottom left.
Miller, Archibald E Haswell
"A E Haswell Miller Toledo 1920" (in pen), bottom left.
Miller, Archibald E Haswell
Canal scene, Volendam, Holland
"A E Haswell Miller 1913" (in pencil), bottom left.
Miller, Archibald E Haswell
Book cover for The Rovers Secret - Blackie Books
Book cover featuring illustrations on the front of a ship and desert island and on the spine of sailor.
Miller, Archibald E Haswell
Page featuring illustration for The Silver Hand - Blackie Books
Page featuring drawings of a group of individuals and horse, and of a man and woman.
Miller, Archibald E Haswell
Extract from sketchbook (Version 4)
Purple mountains, loch.
*Not available / given
Valley with snow.
*Not available / given
From The Magazine, April 1894. The long text by Mackintosh which accompanies this watercolour in The Magazine (reproduced in full in Billcliffe's catalogue) suggests that he had already encountered public hostility to his work, possibly even from fellow students, on the grounds of incomprehensibility.
Mackintosh, Charles Rennie
Bound in volume, The Magazine, Spring 1896. One of three watercolours depicting the seasons drawn for The Magazine.
Mackintosh, Charles Rennie
Mackintosh, Charles Rennie
Mackintosh, Charles Rennie
Wall hanging designed for The Dug-Out, Willow Tea Rooms, Glasgow
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. The canvas relates to smaller watercolours in the Hunterian collection, formerly thought to be textile designs, and to their painted canvas, 'The Little Hills' by Margaret Macdonald. It is likely that they were intended for 'The Dug-Out', though it is not known whether they were ever installed there. Jessie Newbery recalled in 1933, that 'He (Mackintosh) and his wife spent the winter of 1914 painting two large decorations for Miss Cranston'. This would have been in Suffolk, after they had left Glasgow. Although The Dug-Out was not created till 1917-18 it is not unlikely that Miss Cranston was considering the project some years earlier. The canvas was found in the GSA in a single roll in 1981 and was cleaned and mounted on two stretchers.
Mackintosh, Charles Rennie
The sitter was a painting student at GSA.
Atherton, Barry
Interior view of an Italian chapel, with scattered chairs. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Poster for an exhibition of work by John O'Connor
Part of Records of The Glasgow School of Art, Glasgow, Scotland
This poster advertised two exhibitions happening coherently at The Glasgow School Of Art in early 1977. The main feature was an exhibition of work by John O'Connor which was held in the Mackintosh Museum and featured pieces in a variety of mediums including drawing, painting, wood-engraving, graphics and illustration. O'Connor spent a brief period lecturing at The Glasgow School Of Art in the graphic design department from 1978 to 1979. The second exhibition was entitled 'The National Book League Exhibition Of Book Design and Production' and was held in the Mackintosh Library. A duplicate of this poster can be found under reference number GSAA/EPH/10/193.
*Not available / given
Sheep shearing; a view in Surrey
Farmyard scene. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Part of Kenilworth Castle with sheep grazing to foreground. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Study of river with rowing boat. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Two studies of trees; beech and ash. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Study of three cottages. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
A Heath Cloudy Effect and Snowdon, North Wales
Two landscapes. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Study of various farming tools. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Heath scene. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
A view in Surrey. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Study of various fishing boats. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Four studies; three of cottages, one of river with cathedral in background. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
View on the Thames near Chertsey. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
View of Caernarvon, North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Cottage near North fleet, Kent/Lane at Edgbaston near Birmingham
Two landscapes with cottages. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David