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One sheet from folder of six sheets of furniture designs, and designs for a fireplace. Includes one with a GSoA label recording session 1903-1904, James Porteous' student registration number 237, and Mr Taylor as his tutor. Large sheet with double wardrobe, dressing table, cabinet and details.

One sheet from a folder of six sheets of furniture designs, and designs for a fireplace. This one with a GSoA label recording session 1903-1904, James Porteous' student registration number 237, and Mr Taylor as his tutor.

One sheet from a folder of six sheets of furniture designs, and designs for a fireplace, including one with a GSoA label recording session 1903-1904, James Porteous' student registration number 237, and Mr Taylor as his tutor. This sheet shows front elevations of a chair, a dressing table and a cabinet.

One sheet from a folder of six sheets of furniture designs, and designs for a fireplace, including one with a GSoA label recording session 1903-1904, James Porteous' student registration number 237, and Mr Taylor as his tutor. This sheet shows designs for a single wardrobe, dressing table, side view of dressing table, chair and wash stand.

One sheet from a folder of six sheets of furniture designs,and designs for a fireplace, including one with a GSoA label recording session 1903-1904, James Porteous' student registration number 237, and Mr Taylor as his tutor. This sheet shows a design for a fireplace with integral mantle clock.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Eva Dolgyra has designed a poster for the Dario Argento film 'Inferno'. The poster has been created using collagraph printmaking techniques.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Annie Ricard Strauss has designed a poster advertisting a screening of avant-garde films, the poster has been created using screen printing techniques.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Aaron McLaughlin has designed a poster for the Roy Andresson film 'You, the Living'. McLaughlin used Typeset printing techniques to create this poster.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example student Li Lui has designed a poster for the Japanese film 'Tampopo', using collograph printmaking techniques.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Catriona Hood has designed a poster for the Jan Svankmejer film 'Little Otik'. The poster has been created using off-set lithography techniques.

Ink is applied in washes to the surface of the paper, blue opaque gouache renders the background leaving floral shapes to reveal the ink underneath. Black acrylic is used to outline the organic shapes and loosely create a checked pattern in the background. Paper backed on conservation board.

Rectangular motif drawing in conte crayon and collaged onto a piece on cream paper. Ball point pen is applied to the surface creating linear marks in a repeat style pattern. Pink ink splotches in background of design. Similar in design and media to DC 089/3/6/5. Backed on conservation board.

Abstract collage pieces of paper painted in a spot design, shaded in black conte crayon and adhered to a grey acrylic painted background on paper. Backed on conservation board.

Figurative brush strokes in pink acrylic paint, outlined in black acrylic on a red ink background. Abstract marks in oil pastel. Work on paper and backed on conservation board.

Abstract figurative relief printed block, printed in black ink on paper to produce a block like pattern. Backed on conservation board.

Abstract female forms monoprinted onto light coloured paper and adhered to pink paper to create a collage effect. Charcoal is used to draw lines in the background, with strips of cream coloured paper also collaged to the surface. Backed on conservation board.

Printed wool scarf featuring images derived from drawings of gravestones produced on Iona Scotland.

Abstract organic design painted in black ink and gouache, similar style of painting on reverse. Painted on paper and backed on white card.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Female figure outline drawn in glue and mono-printed over in black ink. Background painted in cream, pink and blue. Backed on white card.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Organic shapes painted in black ink on paper. Background painted in cream coloured gouache with pink, gold and blue paint marks. Abstract piece on card and white ink attached to item with line drawing of leaf motif in ballpoint pen adjacent. Similar style and application of material to DC 089/1/2/4/9.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Printed cotton. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was undertaken in 2019.

A pattern design featuring a repeating motif of plants with purple-coloured stems, blue-toned leaves, and green petals.

A diamond shaped organic pattern design. Includes annotations of student registration no. ("No. 71") and signed "Gerard Murphy."

A multi-coloured oblique pattern design with fruits and trees repeatedly intersected. Includes annotations of student registration no. ("No. 71") and signed "Gerard Murphy."

Two multicolour-printed pieces of teaching examples for printmaking, attached to backing paper. These prints illustrate the heroic myth of Saint George slaying a dragon. Also used as teaching materials in schools in Scotland, as marked with the level of students "Sixth year."

Poster for exhibition and performance by Still House Plants, Glasgow as part of the Glasgow International Festival 2016. The exhibition and performance were held in a pavilion installation at the Kinning Park Complex, with the opening on 09 Apr 2016 and the matinee on 14 Apr 2016.

Source: https://thequietus.com/articles/28753-still-house-plants-fast-edit-review

Poster for lecture 'Ron Heron Pentagram', Bourdon Lecture Theatre, Glasgow, 26 Apr. The year for the poster is not given but is believed to be late 1970s to early 1980s. As the lecture was held on a Thursday , the year would be 1979 or 1984.

Poster for lecture and slide show 'Paolozzi "Images & Media"', Haldane Building, Glasgow, 11 Feb. The year is not given but is believed to be c1970s.

Poster for careers seminar 'Gettin' Yer Livin'?', Mac[kintosh] Lecture Theatre, Glasgow, 04 Nov. The year is not given but is believed to be late 20th century.