Plaster cast of the meeting of St Francis and St Dominic (Version 1)
- PC/045A/v1
- Part
- Mid 19th century-early 20th century
Part of Plaster Casts
Plaster cast of the meeting of St Francis and St Dominic (Version 1)
Part of Plaster Casts
Plaster cast of foundling roundel (Version 2)
Part of Plaster Casts
Plaster cast of foundling roundel (Version 1)
Part of Plaster Casts
Plaster cast of the Dead Christ Tended by Angels (Version 2)
Part of Plaster Casts
Plaster cast of the Dead Christ Tended by Angels (Version 1)
Part of Plaster Casts
Plaster cast of Saint George (Version 1)
Part of Plaster Casts
Plaster cast of Elders of the Apocalypse (Royal Portal Chatres Cathedral) (Version 2)
Part of Plaster Casts
Plaster cast of Elders of the Apocalypse (Royal Portal Chatres Cathedral) (Version 1)
Part of Plaster Casts
Plaster cast of Elders of the Apocalypse (Royal Portal Chatres Cathedral) (Version 2)
Part of Plaster Casts
Plaster cast of Elders of the Apocalypse (Royal Portal Chatres Cathedral) (Version 1)
Part of Plaster Casts
Plaster cast of King and Queen Column (Royal Portal Chartres Cathedral) (Version 5)
Part of Plaster Casts
Plaster cast of King and Queen Column (Royal Portal Chartres Cathedral) (Version 4)
Part of Plaster Casts
Plaster cast of King and Queen Column (Royal Portal Chartres Cathedral) (Version 3)
Part of Plaster Casts
Plaster cast of King and Queen Column (Royal Portal Chartres Cathedral) (Version 2)
Part of Plaster Casts
Plaster cast of King and Queen Column (Royal Portal Chartres Cathedral) (Version 1)
Part of Plaster Casts
Plaster cast of a spandrel showing censing angel
Part of Plaster Casts
Original: c19th century. Westminster Abbey, London, UK.
Plaster cast of a spandrel showing censing angel
Part of Plaster Casts
Original: c19th century. Westminster Abbey, London, UK.
Plaster cast of a Centaur and Lapiths (Metope South II), part of Parthenon Frieze (Version 2)
Part of Plaster Casts
Plaster cast of a Centaur and Lapiths (Metope South II), part of Parthenon Frieze (Version 1)
Part of Plaster Casts
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. Figures bearing water jugs. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787. Original currently in the collection of the Acropolis Museum, Athens, Greece.
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze (West Frieze II)
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. Horsemen. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
Plaster cast of Parthenon Frieze (South Frieze XLIV)
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. A section of the south frieze showing men leading sacrificial animals. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze (Block XL from the North frieze)
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Poster for Royal Scottish Academy Students Competition, Edinburgh
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for Royal Scottish Academy Students Competition, Edinburgh, 1987. Featuring red and pale green artwork. The poster gives dates in February and March for handing in, exhibition and removal of works.
*Not available / given
Poster for Royal Scottish Academy Students Competition, Edinburgh
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for Royal Scottish Academy Students Competition, Edinburgh, 1987. Featuring orange and blue artwork. The poster gives dates in February and March for handing in, exhibition and removal of works. The poster is signed 'Joseph Davie'.
*Not available / given
A collection of photographs and negatives taken by George Oliver dating from 1948-1990 (apart from two dated c1897). George arranged his photographs into folders by approximate subject matter and gave each folder a title. This has been reflected in the catalogue with the folder titles in the catalogue being the exact titles George used. The folders have been arranged by subject matter where possible. There are exceptions to the above. Folders DC 066/2/20 and DC 066/2/86 have not been given a title by George and have been catalogued as 'Untitled'. There are exceptions to this with DC 066/2/78 containing photographs taken by Cordelia Oliver as they date from after George's death. As a result of the Mackintosh Building fire in 2014, folders DC 066/2/87, DC 066/2/88 and DC 066/2/89 contain photographs that have been rehoused since their deposit and are likely to have been taken out of other folders. It is not clear from which folders these photographs came originally, so they have been catalogued separately with their titles reflecting the subject matter of the photographs they contain.
Oliver, George