Photograph of a country mansion painting
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A monochrome photograph of a watercolour landscape painting featuring a mansion in the country. Signed "W. Meldrum,"and dated "1920" assumed to be the date of creation of the painting.
Meldrum, William
Photograph of a country house painting
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A monochrome photograph of a watercolour landscape painting depicting a house in the countryside. Signed "W. Meldrum," but not dated.
Meldrum, William
Photograph of a bay view painting
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A sepia-toned photograph of a watercolour painting depicting Gourock Bay, as annotated "Gourock at the Clyde" on the reverse. Signed "W. Meldrum," but not dated.
Meldrum, William
Two landscape studies. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Oil painting of Lithuanian landscape
Oil painting on MDF board, Lithuanian landscape.
Morkunaite, Sigita
Study of three cottages. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Llanilted Vale, North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
'Night Ride to Alston, Hairpin at Cupola'
Abstract landscape in shades of blue, grey, brown and beige - fading distant light suggested. Possibly bleach treated.
Manning, Mick
Abstract landscape.
Robertson, James Downie
Study of river valley. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Rough ink sketch on reverse.
Thomson, Robert Sinclair
Views of Windsor Castle and Conway Castle. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Riverside composition. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
View on the Thames near Chertsey. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Bridge and pollard willows. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Midday, view of a cornfield. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Cottage near Birmingham. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
With farm buildings in centre of composition.
Gray, William
"AE Haswell Miller 1928" (in pen), bottom left.
Miller, Archibald E Haswell
Malcesine waterfront, Lake Garda, Italy
"Malcesine, Lago di Garda" (in pencil), bottom right.
Miller, Archibald E Haswell
Etching.
Baird, Johnstone
"Josephine Haswell Miller" (in pen), bottom right; "Josephine Miller 1927" (in plate), bottom left.
Miller, Josephine Haswell
Miller, Josephine Haswell
Mackintosh, Charles Rennie
Miller, Archibald E Haswell
Miller, Josephine Haswell
Stylised landscape.
Furlong, Michael
Landscape with trees and hills. Composition under-drawn with pencil grid.
Gray, William
Landscape with river and fields
Annotated (in pen), bottom left.
Miller, Josephine Haswell
Landscape with mountains and buildings on hilltop, Italy
Miller, Josephine Haswell
Miller, Josephine Haswell
Miller, Josephine Haswell
Probably Italy.
Miller, Josephine Haswell
Landscape with cottages and hills
"11.4.40" (in pen), bottom left.
Miller, Josephine Haswell
Line of cottages, trees in foreground.
Gray, William
Landscape, trees to middle and background cottage at far right-hand side.
Anderson, William Smith
Probably France.
Miller, Josephine Haswell
Two country landscapes (folded).
Laurie, John
Study of trees.
Pringle, John Quinton
Country skyline.
Pringle, John Quinton
Woman with hat.
Pringle, John Quinton
Open flats.
Pringle, John Quinton
Cottage.
Pringle, John Quinton
Trees and buildings, 'Bewdley'.
Pringle, John Quinton
Fenced field.
Pringle, John Quinton
Houses and skyline.
Pringle, John Quinton