Abstract figurative mono-print in black ink on white card. Collage pieces adhered. Pink and blue dotted ink pattern applied to surface of print.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Abstract figurative mono-print in black ink on white card. Shapes rendered in pastel colours using gouache. Similar design to DC 089/1/2/4/1.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
View of Italian hill-top Town. One of seven works presented to GSA by the Scottish Arts Council, as a result of the Council's collection being broken up and dispersed across Scotland.
Brochure of the mural panels created by Maurice Greiffenhagen, commissioned for the Men's Cafe and Smoke Room at Pettigrew & Stephens Ltd. 16 page brochure, image of the panel is accompanied by passages of classical writing.
Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies
Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies
Double sided. Print of twelve pen drawings that comprise of 'The Baby Who Would Not Apologise' by Cora Gordon. Reverse shows 'Anniversary Address' designed and executed by Robert Gibbings, with a small extract of an article.
Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies
From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Fish market on the beach, Hastings. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Study of Water Mill. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Still life with two bottles and broken bowl. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Various farm structures - wells, sty, dovecot etc. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Morning at Eton College. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Ten figures in various reclining poses, printed/hand painted on textile and mounted on board. The figure outlines are printed in a dark brown/black, whilst their bodies are filled and shaded in a red-ochre and dark peach (possibly hand-painted).
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Print of Jessie Bayes' 'The Earl King's Daughter Sending Faery Servants to Their Several Tasks'. Annotation in lower right corner states the original medium for the painting as watercolour paint on vellum.
Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies
Still life with mackerel. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Study of various doors and windows. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Two studies of farm workers at harvest time. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Print of Jessie Bayes' 'The Marriage of La Belle Melusine'. Annotation in lower right corner states the original medium for the painting as watercolour paint on vellum.
Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies
Print of pages from 'The Songs of Songs' by St. John Hornby and Florence Kingsford. Annotation in lower right corner states that the original piece was printed by St. John Hornby at the Ashendene Press and illuminated by Florence Kingsford.
Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies
Print of 'An Angel Adoring' by Robert Anning Bell. Protective cover sheet has annotation which attributes the original work to Robert Anning Bell, and the medium as a coloured plaster relief.
Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies
Study of various farming tools. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Study of various fishing boats. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
