Embroidered trim/choker (Version 2)
- NMC/0423/v2
- Part
- c1900-1905
1656 results with digital objects Show results with digital objects
Embroidered trim/choker (Version 2)
Thought to have been made by Ann Macbeth.
*Not available / given
Similar panels appear in Mackintosh's drawings of the east wall of the principal bedroom at The Hill House although it is not certain when they were installed there as early photographs taken in 1904 do not show them. The panels appear to be duplicates of those shown at the Vienna Secession exhibition in 1900 and bought by Emil Blumenfelt; at least one of these (listed as a 'bed curtain') was lent by Blumenfelt to the Turin exhibition in 1902 - although it lacks the lower section of black silk seen on The Hill House panels.
Mackintosh, Margaret Macdonald
Similar panels appear in Mackintosh's drawings of the east wall of the principal bedroom at The Hill House although it is not certain when they were installed there as early photographs taken in 1904 do not show them. The panels appear to be duplicates of those shown at the Vienna Secession exhibition in 1900 and bought by Emil Blumenfelt; at least one of these (listed as a 'bed curtain') was lent by Blumenfelt to the Turin exhibition in 1902 - although it lacks the lower section of black silk seen on The Hill House panels.
Mackintosh, Margaret Macdonald
Commissioned by Walter Blackie, the carpet was designed for the entrance hall at The Hill House in Helensburgh.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014, only a small damaged fragment remains.
In 1986 a reproduction of the original Hill House carpet was sponsored by Arthur Anderson and Company and woven by BMK of Kilmarnock for use within the GSA's Mackintosh Room. The reproduction carpet was accurately colour-matched with the original, but woven to a slightly larger scale. A small colour swatch used as the basis for the full-scale reproduction is held by the School's Archives and Collections.
Mackintosh, Charles Rennie
Carpet sample featuring floral repeat pattern (Version 2)
Not available / given
Original cover of Charles Rennie Mackintosh Willow Tea Rooms settle (Version 2)
Part of Examples of Mackintosh Fabric
Carpet sample featuring floral repeat pattern
"Block print velvet, probably from USA, date approx. 1904" on reverse. "780 5/8, 34" also stencilled on reverse.
*Not available / given
Original cover of Charles Rennie Mackintosh Willow Tea Rooms settle (Version 1)
Part of Examples of Mackintosh Fabric
Original cover of Charles Rennie Mackintosh Willow Tea Rooms settle
Part of Examples of Mackintosh Fabric
Green and brown striped horse-hair semicircular cover.
In the Summer of 2023, this item was conserved and a small sample (formerly referenced as DC 020/3B) was reattached by a student of Textile Conservation from the University of Glasgow.
Carpet sample featuring floral repeat pattern (Version 1)
Not available / given
Part of Records and textiles of the Needlework Development Scheme
Danish. Traditional work on natural linen incorporating drawn thread work and embroidery in satin-stitch. Relies for its effect on the changes of texture of the embroidery . Design based on stylised flower and plant forms.
*Not available / given
Embroidered Border (Version 1)
Part of Records and textiles of the Needlework Development Scheme
Embroidered Border (Version 3)
Part of Records and textiles of the Needlework Development Scheme
Part of Records and textiles of the Needlework Development Scheme
Yugoslavian. Sleeveless dress with side seams and hem decorated with red, blue and black embroidery. Tasselled braid belt. From Bosnia. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
Part of Embroidered and Woven Textile Collection, Glasgow School of Art
*Not available / given
Part of Embroidered and Woven Textile Collection, Glasgow School of Art
*Not available / given
Embroidered dark fawn silk and velvet collar. There are several reasons for the attribution to Jessie Newbery: the very fine quality of the fabrics used; the method of construction; the quality of the stitching; the colours used; the simplicity of the design which complements the shape of the collar so effectively and the use of silver metal clasps.
Newbery, Jessie Wylie
Textile work by GSA students and staff
Textile work by Glasgow School of Art students and staff, including examples of woven textiles, some of which are most likely to be submissions for degree shows, while others seem to be submissions for an RSA Bursary Competition. Some creators are known, others are yet to be identified.
Blackwood, Jilli
Blazer which was worn as part of a uniform by a student at The Glasgow School of Art.
*Not available / given
Black heavy wool blazer (Version 4)
The Glasgow School of Art cream blazer (Version 2)
The Glasgow School of Art scarf (Version 1)
Cream pleated top curtain with an embroidered design of flowers and leaves. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
*Not available / given
Cream pleated top curtain with an embroidered design of flowers and leaves. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
*Not available / given
Green curtain with an embroidered dark green stylised figure and leaf pattern.
*Not available / given
Green curtain with an embroidered dark green stylised figure and leaf pattern.
*Not available / given
Green curtain with an embroidered dark green stylised figure and leaf pattern.
*Not available / given
Black heavy wool blazer (Version 3)
Black heavy wool blazer (Version 5)
The Glasgow School of Art blazer badge
Embroidered The Glasgow School of Art blazer badge.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme