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Poster for exhibition 'Lost at Sea: Roger Palmer', Street Level Photography Gallery and Workshop, Glasgow. The exhbition date are 03 MAr-01 Apr, no year is given but it is 1990.

Source: http://media.withtank.com/3fd20a6048/roger_palmer_artist_cv.pdf

This poster advertised one of the masters of design end of year degree shows. The exhibition was held in the Mackintosh Building on The Glasgow School Of Art campus.

Poster for 'Royal Scottish Academy Students Exhibition', Royal Scottish Academy, Edinburgh, 04 Mar 1995-15 Mar 1995.

This poster advertised a ceilidh that was held in the Haldane Hall on the 19th of February 1972 as part of The Glasgow School Of Art's activities week. Activities week was an annual programme of talks, film screenings and social events that ran from 1971 to 1985. Playing at the ceilidh were a number of notable Scottish folk musicians including Cliff Hanley, Billy Connolly, Robin Hall, Jimmy McGregor and Charlie Williamson. An image of this poster can be found in the 1973 Glasgow School Of Art prospectus on page 21.

This poster advertised a talk given by Scottish composer Martin Dalby. Dalby came to The Glasgow School Of Art on Thursday the 21st of February 1974 to discuss composing in the 1970s. The talk was held in The Mackintosh Lecture Theatre at The Glasgow School Of Art.

This poster advertised the work of graduating students from the embroidered and woven textiles department who were exhibiting as part of The Glasgow School Of Art degree show in 1994. The exhibition was held in the Newbery Gallery in the Newbery Tower at The Glasgow School Of Art where the textiles department was based at that time. It was open from the 25th of June to the 1st July 1994.

This poster advertised a talk given by the mountaineer Con Higgins about his experiences at The Glasgow School Of Art. Higgins is known for tackling difficult climbs and was recognised as one of the first people to climb the 'Albatross' side of Ben Nevis in 1978.

This poster advertised the opening times of The Glasgow School Of Art student union, which is often referred to as The Vic Bar. The bar continues to be a large part of The Glasgow School Of Art community with a number of club nights, concerts and exhibitions being held there. The poster reads: "In the beginning there was darkness, and much dryness of many throats. Until a voice from the void said let there be cheap drink and the sound of many feet bopping it out on the floor. It gave us seven weeks to accomplish this task. Out from the depths came the chosen ones who stripped and screwed until on the seventh week came!!! A place of greatness. The hip, the hop, the thee place to be THE VIC. Hours of boozing service 11am - 2.30pm, 5pm - 11pm, with a licence to kill at the weekends - till 2.00am."

This poster advertised the work of graduating furniture, interior and product design students as part of the 1984 degree show at The Glasgow School Of Art. The exhibition ran from the 15th to the 21st of June and was held in the Newbery Lounge in the Newbery Tower on The Glasgow School Of Art campus. The poster is illustrated with a drawing of the Newbery Lounge from the vantage point of the Mackintosh Building.

This poster advertised a lecture given by the London based illustrator David Gentleman. It was held in the Mackintosh Lecture Theatre on The Glasgow School Of Art campus and was a Gordon Huntly and Kit Grant Memorial Lecture.

This poster advertised the Master of Fine Art exhibition of 1986. The exhibition was held in the McLellan Galleries on Sauchiehall Street from the 14th to the 19th of June and included work by a number of artists including Rosemary Beaton, Steven Elliott, Deran Fenwick, Gerard Ferris, Thomas Hegarty, Henry Kerr, Lorraine A. Lamond, Richard Levan, Tracy Mackenna, Craig Peacock and David Watt.

Screen print, "I DON'T LIKE IT HERE". Annotated on reverse '5/5 AW 2017'

Architectural Drawing: Aerial view of the city of ruin, from project 'The Inverted Street: A City Museum & Archive of Casting Memories'

Japanese style paper stencil featuring flowers, probably used as a teaching resource.

Remnant length of heavy cotton upholstery fabric printed in bold geometric design in shades of orange, red, purple and brown. Deposited by Crissie White.

'Stylised Daisies Deco'.

Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.

Subject matter derived from Dylan Thomas' 1954 radio drama/play "Under Milk Wood". The wood engraving shows three figures seated around a breakfast table.

Nude figure, head bent forward with gnarled hands clasping around the crown central to viewer.

Greeting card sent to library staff, Christmas 1985.  Monochrome geometric skull design with four plastic enamel additions suggesting eyes.

Wooden display case showing process of wood and linoleum block printing, featuring ship design. Loose paper GSA label once attached to back of case with writing "Design. B-Block Printing". Due to information in archival documentation, display case can be dated pre-1943. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014 and was conserved in 2018.

Possibly by "Chaliboni".

View of Vienna. Published by R.H. Laurie and Jas. Whittle, 53 Fleet Street, London.

View of Dublin. Published by R.H. Laurie and Jas. Whittle, 53 Fleet Street, London.

View of the Bank of England from the corner of bank buildings.

Typeset poster, lettering reads, 'Communication can be overbearing...'

View of Hamburch (Hamburg).

View of Halberstadium.

Group of various figures, with Glasgow skyline beyond. Signed "O.R.S.".

Rectangular motif drawing in conte crayon and collaged onto a piece on cream paper. Ball point pen is applied to the surface creating linear marks in a repeat style pattern. Pink ink splotches in background of design. Similar in design and media to DC 089/3/6/5. Backed on conservation board.

Ink is applied in washes to the surface of the paper, blue opaque gouache renders the background leaving floral shapes to reveal the ink underneath. Black acrylic is used to outline the organic shapes and loosely create a checked pattern in the background. Paper backed on conservation board.

Printed wool scarf featuring images derived from drawings of gravestones produced on Iona Scotland.

Printed cotton. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was undertaken in 2019.