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Archival description
Design (arts)
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Furniture and Interiors

Includes:

  • chairs
  • tables
  • benches
  • ettles
  • periodical and writing desks
  • smokers' cabinets
  • beds
  • mirrors
  • washstands
  • bookcases
  • cabinets
  • linen presses
  • dressers
  • fenders
  • hat, coat and umbrella stands
  • a baptismal font, letter racks
  • light-fittings
  • clocks.

Mackintosh, Charles Rennie

'Vanity' mirror

Beaten lead mirror with peacock designs.
The mirror was almost certainly part of the furnishings of the Mackintoshes Southpark Avenue flat taken over by William Davidson when he purchased the flat.

MacNair, James Herbert

Chair

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. For the Luncheon Room, Buchanan Street Tearooms, Glasgow.

Walton, George Henry

Textile design

Design for printed hanging - flowers. Same design as NMC/115B. On mount: Design for printed hanging/ Violet McGlashan/76/Owen Jones competition.

McGlashan, Violet Meikle

The George and Cordelia Oliver Archive

  • DC 066
  • Collection
  • c1897-2001

The George and Cordelia Oliver Archive consists of:

  • Newscuttings (featuring articles by Cordelia Oliver)
  • photographs and negatives by George Oliver
  • personal papers
  • examples of artwork by Cordelia and George Oliver, various publications
  • posters relating to cultural events in Glasgow and Scotland.

This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.

Oliver, Cordelia

The Magazine

There are 4 known surviving volumes: The Magazine 1893, The Magazine April 1894, The Magazine November 1894, The Magazine 1896.

The Magazine was a publication of original writings and designs by students from the Glasgow School of Art, Glasgow, Scotland, and their friends. Appearing in 4 volumes between November 1893 and Spring 1896, The Magazine contains text from contributors handwritten by Lucy Raeburn, editor, accompanied by original illustrations. These volumes are the only known copies of The Magazine. In addition to rare, early watercolours and designs by Charles Rennie Mackintosh, the volumes contain early designs by Frances MacDonald and Margaret MacDonald, at a stage in their development which has been labelled 'Spook School', and two sets of photographs by James Craig Annan, when he was beginning to establish a reputation at home and abroad. Among other contributors were Janet Aitken, Katherine Cameron, Agnes Raeburn and Jessie Keppie, all of whom enjoyed lengthy careers in art and design.

The Magazine is similar to an album amicorum such as those which originated in the middle of the 16th century among German university students, who collected autographs of their friends and notable persons, sometimes adding coats of arms and illustrations. The Magazine resembled the album amicorum in that contributions were by a close group of students and their friends and is all the more interesting because the illustrations were produced by young people who had a common social background, were trained at the same school, and subjected to the same artistic influences. The contributors were closely linked, some by family, some by romantic attachments and had close social connections. Other contributors include C Kelpie, John M Wilson, Jane Keppie, and Ethel M Goodrich. Source: Jude Burkhauser, Glasgow Girls: women in art and design (Edinburgh : Canongate, 1990).

Raeburn, Lucy

Design for a pulpit-fall

Design for embroidered pulpit-fall, 'Be Ye Doers of the word not hearers only.' The words of the design are taken from James, chapter 1, verse 22 in the New Testament. Inscribed upper right: Design for a pulpit fall/J.R. Newbery Centre: "Be Ye Doers of the world not hearers only".

Newbery, Jessie Wylie

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