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Blue and white linen with applique. Stitched inscription: "A McG". Possibly a student of Ann Macbeth. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
*Not available / given
Thought to have been made by Ann Macbeth.
*Not available / given
White linen with embroidered cross stitch.
*Not available / given
White cotton with embroidery.
McGlashan, Daisy Agnes
Green linen with applique.
McGlashan, Daisy Agnes
Banner design drawn on linen with pencil before stitching. It is attached to a calico lining which is stitched to the top of the hanging. It was designed by Walter Crane and worked by his wife Mary Frances Crane. The motto on banner reads: "Qui corvus pascit pascere potest grues" (He who feeds the raven will be able to feed the crane). The design of the panel is possibly that of Thomas Crane, Walter Crane's father.
Crane, Walter
White linen and embroidery possibly made by Daisy McGlashan. The design and technique show the influence of Jessie Newbery's teaching. The table runner has the number "1911" printed on one edge in ink which could refer to the year it was made. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
McGlashan, Daisy Agnes
Glasgow style tie-back or belt
Glasgow style tie-back or belt, featuring silk, applique and metal studs. 'GSA' embroidered in centre.
*Not available / given
Pair of embroidered birds with flowers in symmetrical design on green and white fabric pink, white, blue, green and burgundy threadwork.
Mackie, Mary
Embroidered panel of two (Persian) men on horseback.
Mackie, Mary
Design of frog and dragonfly.
Jackson, May
Design of bird and flowers.
Jackson, May
This padded and lined tea cosy was made by a Miss Robertson and features an intricate butterfly and leaf design with embroidery, applique and beadwork.
Robertson, Miss
This length was created (as part of NMC/1579-1581) by Isobel Stirling for her Diploma Show in 1948 and produced under the supervision of Agnes McCreadie. In brown, burgundy and blue.
Smyth, Isobel
Blazer which was worn as part of a uniform by a student at The Glasgow School of Art.
*Not available / given
The Glasgow School of Art blazer badge
Embroidered The Glasgow School of Art blazer badge.
*Not available / given
Green apron with trees and chickens
Green apron with blue and white embroidery details chicken and tree motifs, made by a third year Embroidery & Weaving student at The Glasgow School of Art.
Stewart, Marion S
White, Crissie
This length was created (as part of NMC/1579-1581) by Isobel Stirling for her Diploma Show in 1948 and produced under the supervision of Agnes McCreadie.
Smyth, Isobel
The Glasgow School of Art scarf
The Glasgow School of Art scarf featuring the school emblem.
*Not available / given
The Glasgow School of Art cream blazer
The Glasgow School of Art uniform, worn by a previous student.
*Not available / given
The Glasgow School of Art tie made by Rowans, Glasgow and Birmingham.
*Not available / given
Tapestry of art school students
The heavy woollen tapestry depicts four female art school students.
Stewart, Marion S
Stiching sampler in blue pink and black wool on heavy fabric.
Stewart, Marion S
Nameplate for 4th year diploma show
"Marion Gracie" framed embroidery piece featuring pink, green and black threadwork on cream fabric. Includes painted brown wooden frame.
Stewart, Marion S
Framed embroidery of geometric design with orange, pink, purple, blue, and green thread on a purple background. Back of frame has label from "The Present Gallery, 16 Broomgate, Lanark", stating artist "Margaret McFarlane" and title of work "Broken Diamonds".
McFarlane, Margaret
Tapestry panel showing green figure touching thin plant on a blue backdrop with a bright green border.
Stewart, Marion S
Blue tea cosy with white padded lining featuring geometric design embroidery, and gold, pink and black threadwork.
*Not available / given
This screen printed banner with a large photo of Mackintosh depicts his signature and the Glasgow School of Art emblem reading: "There is honour in honest error none in the icy perfection of the mere stylist".
*Not available / given
Double sided fabric panels featuring various embroidery techniques.
Stewart, Marion S
Striped cotton jumpsuit in cream, light and dark green, light and dark lilac, and khaki. The design of the garment suggests that the material was dyed to suit. Strapless fitted bodice with darts opening to wide legged trousers which gather at the ankles in a decorative thread weave cuff. Lace tie fastening on the front of the bodice with braided cord made from coloured threads that match the material. The garment demonstrates a variety of pattern cutting and construction skills and was probably made for a Glasgow School of Art fashion show.
*Not available / given
Short, collarless box jacket made from panels of loosely woven fabric with pink warp thread and yellow, orange, pale blue and lilac silk organza ribbon weft. Panel sections edged with tightly woven cream threads. A band of silk in graduated colours finnishes the inside hem. Very similar to a fabric sample in the Textile Student Work collection believed to be made by Pauline Mcconnachie.
McConnachie, Pauline
Cape sleeved jacket with long, mermaid style fishtail made of an iridescent synthetic fabric lined with green synthetic silk and decorated with strands of couched wool in a fish scale design. Thought to have been made and used as a costume for a masque or play at The Glasgow School of Art in the early-mid 20th century.
*Not available / given
Cream, synthetic velvet full-length dress coat. High neck, fitted bodice with long sleeves gathered on the shoulder and fastened with three double covered buttons at waist level. An open skirt falls in a narrow A line below with simple edge to edge closing on the front and a shaped central back panel to suggest a train. Badly marked by decay of metal sections of the covered buttons. Believed to have been designed and possibly made by either Violet or Daisy Anderson (see DC 022).
The Anderson family
Small travelling bag with cotton ties.
Parker, Agnes Miller
William McCance's artist's smock.
*Not available / given
Cummerbund with batik decoration.
Parker, Agnes Miller
Graduation gown belonging to William McCance.
*Not available / given
Tapestry (after Bayeux Tapestry)
Annotated on reverse: "Sheena Crawford, 1st year 2nd Section, 1965-1966".
Crawford, Sheena
Design depicting a horse.
Munro, Liz
Runner embroidered with three highly stylised (Glasgow Style) flower motifs arising from three leaf motifs below.
Not available / given
Two faced woollen fabric in cream and light brown shades with bands of geometric pattern created by different weave types and subtle gradations in colour between bands.
Wajerski, Elizabeth
Single-faced neatly woven fabric in shades of light gold, sand, grey and teal. Occasional mercerised light gold warp yarns give the fabric a slight lustre and twisted two colour yarn also introduced to contribute to pattern.
Maclean, Derek B S
Sample woven with cotton threads and long-haired mohair-like yarn in shades of yellow and green that form a design of bands. On the face side some of the long-haired yellow yarn has been pulled to create a pattern of serrated diagonals.
MacLaughland, Inez
Plain weave sample woven with coarse woollen yarn in shades of grey, orange, and purple. Supplementary wefts of loosely spun thick woollen yarn in shades of purple, orange and cream is used to create a pattern of raised diagonal blocks.
Carmichael, Catherine
Plain weave sample woven in shades of brown forming a design of puckered vertical bands and supplementary discontinuous wefts made of fabric ribbons in different colours. With loose supplementary warps and wefts in a variety of colours on the reverse.
Crossan, Kathryn
Three pale blue silk backed embroideries, stitched in shades of blue and lemon silk through an acetate paper surface layer.
Wells, Kate Hobson
Fabric development board with drawings, weaving grid, picture of a tapestry showing the inspiration, blue-green textile with orange, maroon and lilac spot design all mounted on card, entitled Hospitality Fabrics.
Wilkinson, Joanne
Oil pastel drawing of woman wearing a green woven jacket. Presumed to be part of fabric development project.
Hendry, Claire