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3519 results with digital objects Show results with digital objects

Male figure study

NMC/1673
Item
1959-1963

Part of Art, Design and Architecture collection

Figure study, standing male.

Johnston, Janet

Govan Cross

NMC/1691
Item
c1962-1963

Part of Art, Design and Architecture collection

Glasgow street scene.

Goodhall, John

Waterside cottage with boats and fisherman

NMC/0205B
Item
c1920s-1940s

Part of Art, Design and Architecture collection

Second colour block - ochre on red ink.

*Not available / given

Waterside cottage with boats and fisherman

NMC/0205D
Item
c1920s-1940s

Part of Art, Design and Architecture collection

Fourth and final colour block - black on blue, ochre and red ink.

*Not available / given

Small child

NMC/0510
Item
Early 20th century

Part of Art, Design and Architecture collection

Study of a small child seated.

*Not available / given

Raising the Flag

NMC/0511B
Item
Mid 20th century

Part of Art, Design and Architecture collection

Military parade centred on raising the Union Jack.

*Not available / given

Mallard Ducks

NMC/0620
Item
c1940s-1980s

Part of Art, Design and Architecture collection

Study of two ducks with reeds to background. Possibly by G W Lennox Paterson.

*Not available / given

Bird (Version 1)

NMC/1835/v1
Part
c1990

Part of Art, Design and Architecture collection

Bird (Version 2)

NMC/1835/v2
Part
c1990

Part of Art, Design and Architecture collection

Bird

NMC/1835
Item
c1990

Part of Art, Design and Architecture collection

Double printed picture of a bird. Possibly etching and lithograph.

Mathieson, John

Plaster cast

NMC/0907
Item
1970

Part of Art, Design and Architecture collection

Plaster cast of female head in profile, thought to be Anna Laurie. "Anna" or similar inscribed top right verso.

Laurie, John

Plaster cast (Version 1)

NMC/0907/v1
Part
1970

Part of Art, Design and Architecture collection

Laurie, John

Print of 'The Archer'

NMC/1915
Item
2017

Part of Art, Design and Architecture collection

Print of 'The Archer'

McGlashan, Archibald A

Reclining nudes

Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth

Ten figures in various reclining poses, painted on textiles and mounted on board. In this pull of the print the figure outlines have been printed in a pale shade which almost matches the backing textile. There is no fill for the figures, only some patches of colour, possibly hand painted, in a red-ochre shade.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Taylor, Fraser

Reclining nudes

Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth

Ten figures in various reclining poses, painted on textiles and mounted on board. Only four of the figure outlines have been filled with colour.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Taylor, Fraser

Screen print

NMC/1838
Item
c1980

Part of Art, Design and Architecture collection

Second in a series of five screen prints of a dancing nude male figure against a vivid pink background.

Wiszniewski, Adrian

Nineteen Eighty Four

NMC/1650
Item
1955

Part of Art, Design and Architecture collection

Subject matter derived from George Orwell's book, '1984' first published in 1949. The wood engraving depicts a group of workers, three in the foreground, and others climbing an external staircase.

Chapman, June Crisfield

Drowned Forest

NMC/1688
Item
c1962-1963

Part of Art, Design and Architecture collection

Stylised landscape.

Furlong, Michael

A History of Art

NMC/1694
Item
1927

Part of Art, Design and Architecture collection

An illustrated History of Art essay. Loose pages in a decorated paper cover sleeve.

Wilson, Elizabeth R

Soft Candy

NMC/1898
Item
May 2016

Part of Art, Design and Architecture collection

Digital print on leather with stainless steel rod and rings. The artist wishes it to be installed with the rod hammered into the wall at a height of 1.7m, with the leather hanging from the two rings which are placed onto the rod.

Herrmannsen, Eleanor Elks