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Poster for GSA Fine Art Degree Show, 17 Jun 1989-22 Jun 1989

This poster advertised an exhibition of work by postgraduate fine art students which was held in the Mackintosh Building at The Glasgow School Of Art from the 23rd to the 29th of June 1990. The show included work by Marta Estrella, Martyn Greenhalgh, Christopher Hoddinott, Brigitte Jurack, Richard Learoyd, Rachel Meehan, Gregory Patterson, Robert Stark and Euan Sutherland. The poster was designed at The Glasgow School Of Art and printed at David J Clark Limited. The image used on the poster was taken by Richard Learoyd and shows a number of students including: - Alex Dempster - Jim Hamlyn - Peter McCaughey - Craig Richardson - Julie Roberts - Andrew Sneddon - Eddie Stewart - Cathy Whippey The list of names was gathered with the help of Eddie Stewart who works as a tutor in the school's painting and printmaking department. Stewart previously graduated from the school with an undergraduate degree in drawing and painting and a postgraduate degree in fine art. He is pictured in The Glasgow School Of Art's degree show posters for 1988 and 1990, both of which appear in The Glasgow School Of Art poster collection. A key identifying each student in the photograph can also be found in the archival folder for this item.

This poster advertised an exhibition of work by postgraduate fine art students in 1985. The exhibition was held in the Mackintosh Building at The Glasgow School Of Art and included work by students studying drawing and painting, photography, printmaking, sculpture and stained glass. The exhibition ran from the 14th to the 20th of June and the image on the poster shows the exhibiting students. The photograph was taken by H. Kerr and was printed at David J. Clark Limited.

This poster advertised an exhibition which showcased the work of graduating postgraduate fine art students from 1988. Exhibitors included David Bowe, Jillian Campbell, Kathy Chambers, Kirstie Cohen, Matthew N. Dalziel, Mark Durden, Peter Finnemore, Steven Hurrel, Evelyn Jardine, Simon C. Laurie, Olivia Lloyd, Maree Meahan, Iona A. E. Montgomery, Ann Vance, Alison Watt and Eveleen Wright. The exhibition was held in the Mackintosh Building at The Glasgow School Of Art from the 18th to the 23rd of June 1988. The poster was designed at the school and features a photograph of the exhibitors sitting on top of The Glasgow School Of Art's Bourdon Building which was taken by Stanley C. Shepherd.

This poster is one of an edition of 100 posters advertising an exhibition which showcased the work of graduating postgraduate fine art students from The Glasgow School Of Art in 1987. The exhibition was held in the Mackintosh Building from the 13th to the 18th of June. Exhibitors included: - Carolyn Angus - Jean Baird - Stephen Beddoe - Di Blenkinsop - Stephen Conroy - Ashley Cook - Lorraine Cotterell - Peter Quinn - Fiona Robertson - Anne Russell - Andrew J Scott - Lucinda Wilkinson - Lorraine R. Turley Ashley Cook designed and printed the poster. Fiona Robertson went on to work as head of the fourth year painting and printmaking course at The Glasgow School Of Art.

This poster advertised an exhibition which showcased the work of graduating postgraduate fine art students from 1989. Exhibitors included: Suzanne Applefold, Reuben Kench, Raymond Lee, John Shankie and Zandra Thomson. The exhibition was held in The Glasgow School Of Art's Mackintosh Building from the 17th to the 22nd of June 1989. The poster was designed at The Glasgow School Of Art and features a photograph which was taken by David Kenmillshank.

This poster advertised an exhibition that was to be the first of a number of annual exhibitions showcasing the work of students from the School Of Fine Art. The exhibition was held in The Mackintosh Museum and ran from the 30th of January to the 7th of February 1987. The poster was designed by John Shankie who would later become a technician for the masters of fine art course. There are two copies of this poster in the collection, both with the same reference number.

This poster advertised an exhibition of work by postgraduate fine art students in 1985. The exhibition was held in the Mackintosh Building at The Glasgow School Of Art and included work by students studying drawing and painting, photography, printmaking, sculpture and stained glass. The exhibition ran from the 14th to the 20th of June and the image on the poster shows exhibiting students. The photograph was taken by H. Kerr and was printed at David J. Clark Limited. The reverse of the poster is annotated with "Photo by Harry Kerr, Graphics".

This poster advertised an exhibition showcasing work by graduating postgraduate fine art students from The Glasgow School Of Art in 1990. The exhibition took place between the 23rd and the 29th of June and was held in the Mackintosh Building. It included work by Alexander Dempster, James Hamlyn, Rachael Harris, Peter McCaughey, Donna Rae, Craig Richardson, Julie Roberts, Andrew Sneddon, Edward Stewart and Catherine Whippey. The photograph on the poster was taken by John Shankie and shows the exhibiting students posing inside the elevator in the Mackintosh Building. The poster was designed at The Glasgow School Of Art and printed by David J. Clark Limited.

This poster promotes a lecture by Dr Mike Weaver who was a reader in American literature from the University of Oxford. The event was held in the Mackintosh Lecture Theatre at The Glasgow School Of Art on the 1st May 1985. The poster shows an image by Julia Margaret Cameron entitled "The Kiss of Peace 1869".

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Portrait of architect-lecturer Hugh Ferguson against a backdrop of the Glasgow School of Art.

Collection includes:

• Diary written while travelling on Keppie Scholarship, 1913-1914
• Collection of 250 postcards of European cities, paintings, sculptures collected on tour, 1913-1914
• 12 ink sketches of Childe Ronald's Pilgrimage by TWYM (aka A.S. Boyd), n.d.
• Exhibition catalogues
• Illustrations

The collection also includes original illustrations drawn by A S Boyd (aka TWYM) and Stephen Reid, both noted Scottish illustrators.

Additional uncatalogued material includes

• x 6 photographs
• x1 GSA practical notes on materials for painting
• x1 diploma for May Jackson
• x1 diploma scroll for William Reid Hunter

Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This painting of the first-floor museum, looking East, is one of the very earliest artistic depictions of the building's celebrated interior.

Various papers and documents relating to Francis Newbery, including articles written by and about him, possibly related to the exhibition 'Fra H Newbery, Artist and Art Educationist, 1855-1946', held at The Glasgow School of Art, 29 Jul 1996-30 Aug 1996, curated by George Rawson. File includes: postcard of ‘The Paisley Shawl’, a painting by Francis Newbery c1910; printed image with description hand-written on back which reads ‘caricature of F H Newbery by Hugh Munro – in “St Mungo” 1897’; photocopy of article by Francis Newbery titled ‘Art Education’ and labelled ‘article by Fra Newbery, BA meeting Glasgow 1901’, about art education in Glasgow with particular focus on The Glasgow School of Art; typed copies of song titled ‘Dumble-Dum-Dearie or How Fra Newbery Got His Cloak and Hat; The School of Art Song’, unauthored, likely related to Newbery’s retirement [1916] (3 copies); typed page with biographical information regarding Francis Newbery’s artistic and educational career titled ‘Who’s Who In Glasgow In 1909’, unauthored and undated; typed page titled ‘Francis Henry Newbery 1853-1946’ with a biography of Newbery’s life and career from birth to death, focused on Newbery’s connection to Bridport in Dorset, unauthored and undated but likely related to and written by someone associated with Bridport; typed copy of a text titled ‘Francis Henry Newbery (1853-1946)’, possibly a draft of a catalogue published to accompany the exhibition 'Fra H Newbery, Artist and Art Educationist, 1855-1946', The Glasgow School of Art, 29 Jul-30 Aug 1996, written by George Rawson (2 copies); photocopy of article titled ‘Francis Newbery and the Glasgow Style’ by Isobel Spencer (now Isobel Johnstone) for Apollo Magazine, Oct 1973.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. GSA students and staff featured in this work include (from left to right), amongst others: Harry McLean, GSA student and conservator (seated at table bottom left, resting elbow on table); Hugh Adam Crawford, GSA staff, Drawing and Painting department (standing, front-facing, slightly left of centre); Joan Eadley, GSA student and artist (centre, standing, facing left); John Miller, GSA staff, Drawing & Painting department (slightly right of centre, facing right, carrying portfolio under right arm); Margot Sandeman, GSA student and artist (slightly right of centre, facing right, arms folded, in conversation with Cordelia Oliver); Cordelia Oliver, GSA student, art critic and journalist (slightly right of centre, facing left, in conversation with Margot Sandeman); Margaret McGavin, GSA student and artist (right of centre, adjacent to Cordelia Oliver, front-facing but looking right, in conversation with another female student); David Donaldson, GSA staff, Drawing and Painting department (right of centre, left-facing, positioned between Margaret McGavin and the female student she is talking to); Benno Schotz, GSA staff, Modelling and Sculpture department and sculptor (right hand side, facing left); Timothy Powell, GSA staff, Graphic Design department (right hand side, in the foreground, front-facing, wearing a suit).

View of the Mackintosh building (south-west facade), seen from Sauchiehall Street. Cinema in foreground.

Papers of the Newbery family including papers dating to after Newbery's retirement; papers of his wife, Jessie Newbery; and documents relating to Mary Newbery Sturrock, daughter of Francis and Jessie Newbery. Papers as follows:

• DIR/5/38/6/1: Letter from F R Benson of the Royalty Theatre, Glasgow, to Miss Newbery enclosing tickets for a Box for the play 'Much Ado', 12 Mar 1906 (1 sheet).

• DIR/5/38/6/2: Headed letter paper of Francis Newbery, Eastgate, Corfe Castle, Dorset, c1918 (10 sheets).

• DIR/5/38/6/3: Order of Proceedings for the inauguration of the Sign of Saint Edward, King and Martyr, Patron Saint of the Village, at Corfe Castle. Newbery made many of the readings at the event, 02 Jul 1927 (1 item).

• DIR/5/38/6/4: Cardboard silhouette of Francis and Jessie Newbery in a photograph mount, c1930s (1 item).

• DIR/5/38/6/5: Letters and fragments of letters from Jessie Newbery to her daughter Elsie and perhaps Mary. One of the letters to Elsie is dated 24 Sep 1934. The other letters are fragmentary and include topics such as recipes, books and sewing projects, c1934. (4 sheets)

• DIR/5/38/6/6: Letter from George M Baltus to Mr and Mrs Newbery catching up with them following the Second World War, telling them of his experiences during that time, and telling them family news, 07 Jan 1946 (1 sheet).

• DIR/5/38/6/7: File of photographs, pressclippings, sketches, designs, documents and letters relating to Mary Newbery Sturrock, daughter of Francis and Jessie Newbery, c1930s-80s (1 folder). File includes:

• DIR/5/38/6/7/1: postcard of ‘Port Vendres’, watercolour by Charles Rennie Mackintosh c1926-27, dated 1979;

• DIR/5/38/6/7/2: mounted photograph of Mary Newbery Sturrock at South Gray Street Edinburgh, undated;

• DIR/5/38/6/7/3: letter from Mary Newbery Sturrock thanking her correspondent (name not given) for the Mackintosh card and about her memories of the doors of The Glasgow School of Art being white, 16 Oct 1984;

• DIR/5/38/6/7/4: mounted photograph of Mary Newbery Sturrock and another woman, front of mount reads ‘Wedding’, undated;

• DIR/5/38/6/7/5: pressclipping from the Helensburgh Advertiser about the opening of a special Mackintosh exhibition held at the Hill House, 03 May 1977;

• DIR/5/38/6/7/6: card addressed to Mary, from ‘Pamela’ thanking her for a recent note. Front of card depicts ‘Painted gesso panel set with glass beads and shell’ by Margaret Macdonald Mackintosh, 1904, card is undated.

• DIR/5/38/6/7/7: postcard from ‘Pat’ and Harry Barnes to Mary Newbery Sturrock, from Port-Vendres in France, 1981.

• DIR/5/38/6/7/8: postcard from Tom Howarth to Mary Newbery Sturrock, from Port-Vendres in France, undated; photograph of Jessie and Francis Newbery; photograph of Mary Newbery Sturrock and another woman; photograph of two women, one likely Mary Newbery Sturrock, signed ‘Whiteleigh, Christmas 66’, 1966;

• DIR/5/38/6/7/9: photographs of Mary Newbery Sturrock (x4), undated;

• DIR/5/38/6/7/10: photographs of Mary Newbery Sturrock (x3), undated; close-up photograph of a necklace, undated;

• DIR/5/38/6/7/11: photographs of Mary Newbery Sturrock (x2), undated;

• DIR/5/38/6/7/12: photographs of Mary Newbery Sturrock (x2), undated;

• DIR/5/38/6/7/13: photographs of Mary Newbery Sturrock and family (x4), undated;

• DIR/5/38/6/7/14: photograph of Eastgate, Corfe Castle, undated; photographs of Jessie and Francis Newbery at Eastgate (x3), undated;

• DIR/5/38/6/7/15: photograph of Jessie and Francis Newbery and family, undated; photograph of village street, likely Corfe Castle;

• DIR/5/38/6/7/16: letter from Rodrigo Rodriguez of Cassina S.p.A to Mary Sturrock regarding the terms of an agreement between them for the reproduction of items (cutlery and the 'Six Columns Clock') designed for Sturrock by C.R. Mackintosh, 30 Oct 1979;

• DIR/5/38/6/7/17: change of address card for Mr and Mrs A. R. Sturrock, from 2 Mansfield Place Edinburgh to 13 South Gray Street, c1945 (7 copies);

• DIR/5/38/6/7/18: two hand-printed floral designs with addition of watercolour, unsigned and undated (possibly 1937 based on related designs); two versions of a hand-printed design with addition of watercolour depicting a woman with floral headdress, signed ‘M.N.S.’, undated (possibly 1937 based on related designs);

• DIR/5/38/6/7/19: hand-printed floral Christmas card design with addition of watercolour and ink, back of card is signed ‘C.R., 1/-', dated 1937;

• DIR/5/38/6/7/20: bundle of sketchbook and loose pages featuring sketches of, notes about and designs for ceramics, unsigned and undated (one example, drawn on the back of a card to Mary reads ‘wishing her good business and good health in 1956’);

• DIR/5/38/6/7/21: invitation for exhibition of Sigrid Mavor (Ceramic flora and fauna) and M.N. Sturrock (Flower Drawings) from 30 Oct – 10 Nov at ‘The Open Eye Gallery’ Edinburgh [1982];

• DIR/5/38/6/7/22: letter from Alison Adburgham to MNS Sturrock in response to a letter sent by Sturrock related to her family history and relationship to Liberty fabrics, 01 Jul 1983;

• DIR/5/38/6/7/23: interview between Mary Newbery Sturrock and Tony Jones (director of GSA 1980-1986) about the history of The Glasgow School of Art, Fra Newbery and Charles Rennie Mackintosh, c1980.

One of three student drawings of the Mackintosh Library at The Glasgow School of Art.

One of three student drawings of the Mackintosh Library at The Glasgow School of Art.

One of three student drawings of the Mackintosh Library at The Glasgow School of Art.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of GSA art students, including Dorothy Ballantyne, Marion Fletcher, Sheila Wilson, Tom Gardner (the artist), Jimmy Spiers, Audrey Scarle, Florence Jamieson, Fay Campbell as well as tutor David Donaldson, his wife Pat and son David, plus a life model who is thought to be a music student from Falkirk who studied at The Atheneum.

From The Magazine, April 1894. The long text by Mackintosh which accompanies this watercolour in The Magazine (reproduced in full in Billcliffe's catalogue) suggests that he had already encountered public hostility to his work, possibly even from fellow students, on the grounds of incomprehensibility.

Bound in volume, The Magazine, November 1894. 'Behind a stylised tree stands another of Mackintosh's mysterious female figures, but this is the first one to appear that is not meticulously drawn. Only the head is shown in any detail, and the shape of the body is hidden by a voluminous cloak from which not even its limbs appear. This figure was to be repeated many times, becoming more and more stereotyped until, with the banners designed for the Turin Exhibition in 1902, the head is the only recognisably human part of a figure with a twelve-foot long, pear shaped torso. In 1895-96, Mackintosh was to develop this drawing into a poster for the Scottish Musical Review (Howarth, p1, 9F). The same cloaked figure appears with similar formal emblems at the ends of the branches of the bush.' (Roger Billcliffe).

Bound in the November 1894 edition of 'The Magazine'. "It must have been something like this watercolour.... that evoked the 'critics from foreign parts' (as reported by Gleeson White in The Studio, pp88-9) to deduce 'the personality of the Misses MacDonald from their works' and see them as 'middle-ages sisters, flat footed, with projecting teeth and long past matrimony... gaunt, unlovely females'. Gleeson White who visited Glasgow to see the Mackintosh group was pleasantly surprised to meet two laughing comely girls scarce out of their teens." (MacLaren Young).