- NMC/0085
- Item
- 1948
An old, four-wheeled farm wagon.
Eardley, Joan Kathleen Harding
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An old, four-wheeled farm wagon.
Eardley, Joan Kathleen Harding
An old, four-wheeled farm wagon.
Eardley, Joan Kathleen Harding
Church interior, Basilica di San Marco, Venice
Study of church interior.
Eardley, Joan Kathleen Harding
Drawing of elderly, seated woman (probably from Lincolnshire).
Eardley, Joan Kathleen Harding
Church interior, Basilica di San Marco, Venice
Study of male worshippers. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Study of seated male model (possibly from Glasgow School of Art life class).
Eardley, Joan Kathleen Harding
Study of male model (possibly from Glasgow School of Art life class).
Eardley, Joan Kathleen Harding
Italian farm study. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Drawing of Venetian bridge. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Unidentified Italian hill town. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Study of San Rufino, Assisi. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Study of farmhouse set amongst trees. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Half-length study of man wearing jacket (probably a Glasgow subject).
Eardley, Joan Kathleen Harding
Study of young man (standing) and two crouching figures in background (probably a Glasgow subject).
Eardley, Joan Kathleen Harding
Drawing of young man (probably from Lincolnshire).
Eardley, Joan Kathleen Harding
Study of seated male model (from GSA life class).
Eardley, Joan Kathleen Harding
Study of male model from behind (from GSA life class).
Eardley, Joan Kathleen Harding
Study of male model (possibly from Glasgow School of Art life class).
Eardley, Joan Kathleen Harding
Little bridge over Venetian canal
Study of a Venetian canal. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Interior view of an Italian chapel, with scattered chairs. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of Catterline shoreline, looking northwards over the bay and showing the pier, boat shed, and salmon bothie, with 'the Watchie' building above.
Eardley, Joan Kathleen Harding
The sitter was a painting student at GSA.
Atherton, Barry
Designed for the 'Rose Boudoir', International Exhibition of Modern Decorative Art, Turin, 1902. This item was assessed for conversation in 2010 as part of the Mackintosh Conservation and Access project (2006-2010), and then again in 2018 following the fire in the Mackintosh Building in June 2018.
A Rose Boudoir included two gesso panels - composite works of plaster with pigment, set with glass beads - made exclusively by Macdonald. On the manifest for the exhibition, Mackintosh indicated that ‘duplicates only’ were available for sale. Two other versions, both in Glasgow, had the same design but with different palette and surface detail: The White Rose and the Red Rose hung above the mantle in the Mackintoshes’ own home, and can now be seen in the Mackintosh House at the Hunterian Art Gallery; and The Heart of the Rose belonged to Wylie Hill, a relative of Jessie Newbery, and was later given to the Glasgow School of Art. Previously it was assumed that these versions were created from a cartoon or template, each hand made, but it was difficult to tell which set came first, or even if they were made simultaneously. But recent analysis by Graciela Ainsworth Conservation Studio in Edinburgh has shown that the GSA version is not a gesso panel as we have come to understand Macdonald’s technique, but rather a traditional plaster cast that has been painted. This may seem like a minor technical point, but when considered alongside Mackintosh’s note that duplicates could be ordered, it reminds us that he carefully curated this space to show both that he and Macdonald could be commissioned to do entire rooms but were also very happy to have individual pieces replicated and sold on their own merit (information supplied by Dr Robyne Erica Calvert, Cultural Historian, Mar 2022).
Mackintosh, Margaret Macdonald
Plaster sculpture.
Barr, James
Landscape of low lying hills and fields. Dominant sky with clouds.
Morrison, James
Figure study.
Parker, Agnes Miller
Still life composition.
McCance, William
Abstract landscape.
Robertson, James Downie
Female portrait study.
Clapham, Georgina
Untitled party #5, 'Bread and Circuses'. Oil on canvas.
Fernie, Angus
Seated figure set against abstract background.
Hunter, Margaret
View of harbour with moored boats.
Edgar, Norman
Photograph of a mural by Francis H. Newbery
The photograph features a religious mural. The carboard displays an inscription by Francis H. Newbery dedicating the photograph to Archibald Haswell Miller. The backside of the carboard shows the original measurements of the mural and additional notes.
Newbery, Francis Henry
Francis H. Newbery's application to be Head Master of The Glasgow School of Art
Francis H. Newbery's application to the Committee of Management of The Glasgow School of Art and Haldane Academy to be Head Master of the School.
Newbery, Francis Henry
The photograph features Archibald Haswell Miller in the centre of the image, alongside a group of sixteen males and one female in a studio. The man on the right end of the image seems to be an academic. The annotations show the text "MARR SCHULE. MUNICH ACADEMY April 1909", lists the names of some of the people in the photograph and is supported by a map placing them in the photograph.
An annotation on the top right corner of the cardboard shows "1909".
*Not available / given
Two portrait photographs of Haswell Miller
The item shows two different portrait photographs of Archibald Haswell Miller. The annotation of the first photograph shows the text "London 1912 at 25". The annotation of the second photograph shows the text "Venice 1910 at 23".
An annotation on the top right corner of the cardboard shows "1910-12".
*Not available / given
Group photograph of female students
The photograph features a group of nineteen female students in an anatomy drawing class.
An annotation on the top right corner of the cardboard shows "1914".
*Not available / given
Photograph of Haswell Miller dressed as a medieval King
The photograph features Archibald Haswell Miller dressed as a medieval King. The annotations show the text "Glasgow 1910 / I stood in [...] A. L. Jackson (a handsome fellow student or staff [...]) as a King in a [...] which in retrospect was quite a fine production at the School of Art. (I [...] the [...] grown beard did it for me!)".
An annotation on the top right corner shows "1909-10".
*Not available / given
Photograph of Haswell Miller portraying a female figure
The photograph features Archibald Haswell Miller holding a palette and portraying a female figure.
*Not available / given
Group photograph of male and female students
The photograph features a group of sixteen male and nine female students.
*Not available / given
The photograph features a group of eleven male students. One of them is lying on an elevated flat surface with his core undressed, while the others gather around him.
The reverse of the photograph shows the text "E; J; C. Haswell doing a tableau of Rembrandt's Anatomy Lesson at Glasgow School of Art (1903-4?)".
*Not available / given
Photograph of students portraying female subjects
The photograph features two students portraying two female subjects in class. Two men can be spotted in the background.
The reverse of the photograph shows the text "Mr. Miller – [...] 1927. June" and "2/53".
*Not available / given
The photograph features a group of four female and one male students.
*Not available / given
Newscutting featuring Haswell Miller at the Meeting of the Governors
The photograph features Archibald Haswell Miller and Josephine Haswell Miller alongside a group of males and females.
The supporting text reads "A group at the meeting of the Governors of the Glasgow School of Art this week, when Mr John D. Revel (centre), of Chelsea, was introduced to the board on the occasion of his taking up duty.–"Bulletin" Photo." The newscutting is supported by a handwritten map located below it. It offers the list of names and the location of the subjects in the photograph.
The cardboard also displays additional annotations by Haswell Miller: "We accepted him with all kindness and welcome. After a few weeks he called the staff together and practically told us he was going to sack the lot! I anticipated this by accepting the keepership of the National Galleries. Edinburgh. (Not very well qualified but standard were low in 1930)".
An annotation on the top right corner of the cardboard shows "c1928". Additional annotations below the photograph identify the people featured in it.
*Not available / given
The photograph features Archibald Haswell Miller in the centre back of the image alongside three other students of the Academy of Fine Arts of Munich. The annotations below the photograph show the names "John R. Covert", "Oliver Smock", A Haswell Miller ("Glasgow-Muller"), and "Louis ("Consul") Miller". They also show the text "Vier Kunstakademiker. München 1909 - / John R. Covert / Oliver Smock / A Haswell Miller ("Glasgow-Muller") / Louis ("Consul") Miller. I [...] taken at a small fair in Munich Spring 1909. The screen represents the [...] of a Zeppelin airship the first of which had just visited Munich with great excitement."
An annotation on the top right corner of the cardboard shows "1909".
*Not available / given