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Christianity
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German. On white silk with woven spot design. Embroidered with silk, black cotton and metal threads in cross, four-sided, running, back, fly, satin stitches, couching and French knots. Shades of brown and oragne with naive figures and sacred emblems. The stylised figures and text are similar to those on the Hungertuch (Hunger cloth) Lenten cloth also made by the Munster school in the late 1920s. This was inspired by the 1623 Hungertuch Lenten hangings in Telgte, near Munster.

*Not available / given

Stained glass cartoon for the church of St Clement and St James, Horsley, near Derby

Stained glass cartoon for a two light memorial window. Inscribed: 'Come Holy Ghost'. For the church of St Clement and St James, Horsley, near Derby. This window was one of two, two light windows designed for Guthrie and Wells, the Glasgow firm of decorators who began stained glass production in 1884 and won a reputation for first class craftsmanship and always employing excellent designers (beginning in 1887 with Sir James Guthrie). Bell first designed glass for the firm in 1895 when he won the competition for new windows for the Royal Church at Crathie, and he continued to design for them for twenty-three years. In the 1920s he also designed for the City Glass Company, and examples of his work are still in the Glasgow area.

Bell, Robert Anning

Stained glass cartoon for the church of St Clement and St James, Horsley, near Derby

Stained glass cartoon for a two light memorial window. Inscribed: Our Souls Inspire'. For the church of St Clement and St James, Horsley, near Derby. This window was one of two, two light windows designed for Guthrie and Wells, the Glasgow firm of decorators who began stained glass production in 1884 and won a reputation for first class craftsmanship and always employing excellent designers (beginning in 1887 with Sir James Guthrie). Bell first designed glass for the firm in 1895 when he won the competition for new windows for the Royal Church at Crathie, and he continued to design for them for twenty-three years. In the 1920s he also designed for the City Glass Company, and examples of his work are still in the Glasgow area.

Bell, Robert Anning

Material related to Georges-Marie Baltus

A variety of photographs comprising artworks completed by Georges-Marie Baltus and images of his Italian and European tours from his personal memories. Some of these items are dated to his time as a lecturer at The Glasgow School of Art.

Baltus, Georges-Marie

Photographs of artworks

A variety of photographs of different artworks completed by Georges-Marie Baltus. Some of these items are dated to his time as a lecturer in Belgium, several years after he left Glasgow.

Baltus, Georges-Marie

Sketchbooks

A collection of six sketchbooks created by Mary Ramsay, including four from her time as a student at The Glasgow School of Art, one dated to after her studies, and one undated. These sketchbooks feature a variety of subjects and themes, including life drawings, portraits, illustrations, floral patterns, ceramics studies, book designs, card designs, and lettering. Most artworks are pencil on paper, with some also using paint, ink, and pastel. Some sketchbooks include a number of loose ephemera items, such as newspaper cuttings and postage stamps.

Ramsay, Mary

Stained glass cartoon for St Mark's Church, Southport

The design depicts the Blessed Virgin Mary on the left side and a young boy (Hartley?) on the right. Design is for the lower section of a window in St Mark's, Southport; dedicated to the memory of Sir William Pickles Hartley of the Primitive Methodist Movement. Inscribed: 'What doth the Lord require of thee but to do justly and to love mercy and to walk humbly with thy God?'.

Bell, Robert Anning

Plaster cast of section of architrave with vines and eagle in clipeus

  • PC/159
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Original: Lorenzo Ghiberti, 1452. Bronze. Gates of Paradise, Baptistry di San Giovanni, Florence, Italy. Currently in the collection of the Museo dell'Opera del Duomo, Florence, Italy. In 2019, this item was conserved and now includes a central fragment, which was originally catalogued as a separate cast (PC/187).

*Not available / given

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