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Titled "The Foreign Influence on Scottish Architecture of the 16th and 17th Centuries". Completed in May 1937. Contains 74 pages. Includes typewritten pages and various drawn images throughout of architectural elements. Seems to have teacher pencil corrections throughout. "DORIC" exterior front bottom right.

Front cover, held loose in bound volume.

The cover text states 'Prospectus of the Glasgow School of Art and Haldane Academy, Session 1891-92'

This collection contains:

• Family papers, 1805-1889;
• Wartime records, 1914-1916;
• Lectures and speeches, c1930-1950;
• Photographs; c20th century;
• Miscellaneous papers, c1930-1972;
• Sketchbooks and drawings; c20th century.

This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.

Entire range of student work from year 1 to year 5 with the exception of the year 3 part-time which he failed.
There is a small number of reports and essays as well and a boxed game and accompanying report which a student friend and Platt designed to teach students professional practice. This was their way of "avoiding writing a 4th year 10,000 word dissertation".

Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.

A small fabric soft "kitten" mascot.

Lviv National Academy of the Arts has been a hub for displaced staff and students since the beginning of the invasion of Ukraine in 2022. Volunteers have been making camouflage nets for the front line. But alongside this they have also been making small toys/mascots for the soldiers from the leftover camouflage fabric. The Ukrainian soldiers are affectionately called “Our Kittens”, their Kittens fighting for Ukraine.

This "kitten" was gifted to GSA's Archives and Collections staff as a token of thanks from colleagues in the Lviv National Academy of the Arts. GSA Archives and Collections staff mentored LNAA staff through a digitisation project in 2023, as part of the funded project "Developing and Promoting Sustainable Cultural Heritage in Disaster Contexts" which was part of GSA's ongoing twinning with Lviv National Academy of the Arts. GSA's Archives and Collections staff were told that we here at GSA are also LNAA's "kittens", fighting to protect the heritage of LNAA and Ukraine.

Material in SEC/5 onwards is currently uncatalogued and therefore not accessible for researchers. Includes:

SEC/1: In letters, 1904-1944 In-coming letters on all aspects of the administration of the School. The series includes letters to the Director of the School as well as to the Secretary and Treasurer. The material is organised by year and then by surname.

SEC/2: Copy out letters, 1853-1944 Copies of out-going letters on all aspects of the administration of the School. The series includes letters from the Director of the School, in particular from Charles Heath Wilson, 1853-1855, as well as from the Secretary and Treasurer. The material is organised chronologically.

SEC/3: Letters to The Department of Science and Art and The Scotch Education Department, 1882-1925 Letters from the Secretary and Treasurer to the Department of Science and Art, 1882-1897, and to the Scottish Education Department, 1898-1925 relating to the administration and curriculum of the School.

SEC/4: Letters from The Scotch Education Department, 1900-1925 Letters from the Scotch Education Department to the Secretary and Treasurer relating to the administration and curriculum of the School.

SEC/5: Correspondence and subject files, 1925-1946 Subject files on staff appointments 1928-1946, students on active service 1939-1943, the School materials store 1940-1944, refectory invoices 1942-1943, and correspondence with the Scottish Education Department 1925-1944.

SEC/6: Subject files, c1933-1993 Papers and correspondence relating to all aspects of the administration of the School. Subjects include governors, staff, students, courses, scholarships, finance, bequests, exhibitions, buildings, conferences, the Academic Council and correspondence with the Scottish Education Department.

SEC/7: Subject files, 1944-1984 Papers and correspondence relating to all aspects of the administration of the School. Subjects include governors, staff, students, classes, examinations, scholarships, finance, bequests, exhibitions, buildings.

SEC/8: Income and expenditure accounts, 1899-1955

SEC/9: Estimates of income and expenditure prepared for The Scotch Education Department, 1906-1929 Estimates of income and expenditure and related papers including abstracts of income and expenditure, balance sheets, lists of salaries, lists of bursaries and scholarships, correspondence and reports from bursary holders.

SEC/10: Balance sheets, 1931-1955

SEC/11: Shop accounts, 1897-1926 Profit and loss accounts, 1901-1914: statements of accounts, 1902-1904; ledgers 1897-1926.

SEC/12: Special accounts, 1899-1902 Cash book, 1899-1902; statements of income and expenditure, 1900-1902; receipts, 1900-1902; vouchers, 1899-1900.

SEC/13: Cash books, 1897-1904

SEC/14: Class fees cash books, 1907-1946

SEC/15: Life models cash books, 1919-1934

SEC/16: Invoice books, 1897-1926

SEC/17: Returns book, 1900-1921

SEC/18: Annual subscriptions book, 1900-1935

SEC/19: Salaries books, 1900-1973 Salaries books for general staff, 1900-1969; office staff, 1934-1973; technical assistants, 1958-1969; visiting staff, 1941-1970. There is also an index of staff, 1901-1935.

SEC/20: School fee books, 1902-1935 Details recorded are registered number, name, fees for day classes, afternoon classes and evening classes. SEC/21: Receipt books, 1904-1915

SEC/22: Correspondence on accounts, 1902-1905 Letters from accountants to Edward R. Catterns, Secretary and Treasurer. Includes list of accounts referred to in 1904 audit.

SEC/23: Records relating to Prize Fund, 1896-1935 Financial records, 1896-1903; subscription book, 1900-1935.

SEC/24: Records relating to James Fleming Panel Fund, 1897-1903 In 1897 a proposal was made to mark the zeal and untiring devotion to the service of Glasgow School of Art of James Fleming, chairman of the Board of Governors. Subscriptions were obtained and a marble presentation panel was commissioned from George Frampton, R.A., sculptor. The panel was placed in the entrance hall of the new building of the School and unveiled in 1903. Includes: subscriptions book, 1897-1903; papers and correspondence relating to subscriptions, 1897-1903; receipts, 1898-1902; payment vouchers, 1897-1903.

SEC/25: Records relating to William J Anderson Fund, 1899-1901 This fund was set up for the widow and family of William J. Anderson.

SEC/26: Records relating to War Memorial Fund, 1919 In 1919, two dramatic performances were produced by Miss Dorothy Carleton Smyth in order to raise funds to provide a memorial to the men of the School who fell at the front.

SEC/27: Records relating to John Keppie Scholarships, 1923-1937 In 1923, John Keppie, an architect in Glasgow, endowed two scholarships at Glasgow School of Art, in architecture and sculpture, in order to encourage the arts of architecture and sculpture. The scholarships were worth GBP100 each and were to be awarded in alternate years to the best student of the year. The architecture scholarship was to be spent in the study of architecture in Great Britain, Europe or elsewhere or in the measuring and laying down of some building of outstanding excellence. The sculpture scholarship was to be spent on the study of sculpture in the Schools of London, Paris, Brussels, Italy or elsewhere. Includes: Deed of constitution, 1923; correspondence, 1923; financial records,1923-1937.

SEC/28: Correspondence with Carnegie Trust, 1911-1930 Correspondence on grants by the Carnegie Trust to Glasgow School of Art.

SEC/29: James Brough Memorial Prize, 1929-1936 James Brough of Jamaica Plain left a legacy in 1929 to provide a prize or prizes for the best designs for interior decoration, furniture or decorative composition. Includes: cash book, 1929-1936.

SEC/30: Records relating to Belgium Tryst Fund

SEC/31: Records relating to the Bourdon Memorial

SEC/32: Advert books

SEC/33: Diaries

SEC/34: Article 55 correspondence

SEC/35: Reports to the Scotch Education Departments (SED) Includes, amongst others, a report on GSA by Robert Anning Bell on behalf of the SED, 1903.

SEC/36: Records relating to the Centenary Fund

SEC/37: Correspondence files

SEC/38: Records relating to the appointment of the Director

SEC/39: Visitors' book

SEC/40: Fire fighters' logbook

SEC/41: Illness and accident book

SEC/42: Correspondence from students on active service

SEC/43: Records relating to staffing

SEC/44: Functions book

SEC/45: Refectory cash book and journal, 1935-1981

SEC/46: Prizes, 1890s Contains information on students who have won prizes (including National Competitions) in the 1890s. Alphabetically listed.

SEC/47: Bursaries book, 1911

SEC/48: Materials store cashbook, 1935-1947

SEC/49: Correspondence with Jordanhill, 1943-1969

SEC/50: SMS cashbook, 1947-1955

SEC/51: School notices, 1946 Further unlisted and uncatalogued material includes: correspondence and admin relating to education endowments; gifts to the School; leases of let property; receipt books; copyright and insurance. There is also general department correspondence and working papers of Frank W. Kean (Secretary and Treasurer 1968/69-1992/93). Committee papers held within this department include - Evaluation Committee, Financial Control Committee, Refectory Committee/Refectory Users' Advisory Committee, Students' Material Store Committee.

Text accompanying exhibition 'Peculiarites' at ODLCO, Chicago by Ian Massey and Sara Jane Stoner. 2 copies.

86 Architectural Postcards belonging to former Architecture student William B F Williamson. Locations include Italy, Brazil, France, Glasgow, Canada, Egypt, Spain.

Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.

To mark the centenary of the First World War, GSA’s Archives & Collections and Exhibitions worked with Louise Welsh, Professor of Creative Writing at the University of Glasgow and Edwin Pickstone, GSA Lecturer, to create a memorial to GSA students, staff and governors who undertook work on the home front.

Consisting of three panels with text written by Louise and letterpress prints created by Edwin, the memorial was informed by archival research. The frame was designed and made by Steven Higgins with lettering from Erin Bradley-Scott.

This memorial is a partnership piece to GSA’s WWI Roll of Honour, created in 1925 by Dorothy Doddrell to commemorate students, staff and governors who had served in the armed forces.

The project was generously funded by Mr James McBroom whose father, James Nicol McBroom, was a prize-winning student at the School and who undertook munitions work during the war.

Sketchbook created throughout Christopher Platt's study at The Mackintosh School of Architecture covering different buildings, locations, and landscape.

Sketchbook containing free-hand sketches created throughout Christopher Platt's study at The Mackintosh School of Architecture covering different buildings, locations, and landscape. These drawings show architectural details from indoor and outdoor views as self-observation undertaken by the student.

Scrapbook containing material collected throughout Christopher Platt's study at The Mackintosh School of Architecture. Contents include different articles, photos, and subjects from different magazines and other sources.

Material related to the submission of a case study as part of post Year 5 professional practice and practical training experience, RIBA Part 3.

A second paper copy of a poster of an exhibition of work by four local students architects from the Mackintosh School of Architecture. The poster has title of "Inclined to design", held at Greenock, The Arts Guild Campbell Street, from 9th to 20th September (mentioned with no year). It designed by: Alan Fullarton, Brain Hendry, Christopher Platt, and Richard Robb. The exhibit is built on the idea that the architectural drawings become as painting and sculptures rather than just as end products for buildings, and following London and New York architectural drawings sold as paintings. The main theme of the poster centred around an arch, and a pendant hanging in the centre of the arch ( from a drawing by David MacAuley), screenprinting by Colin Johnstone.

Posters relating to a variety of events and subjects.

A sheet of six tickets for the exhibition "Inclined to Design". Each ticket has two sides, the front side is a small copy of the main poster, and the reverse side shows the invitation to a private view of the exhibition including the date and the time. Each ticket is 62 x 104 mm.

Coloured poster on a black background representing events from drama society, The Glasgow School of Art, from 25th to 28th February (mentioned with no year). Location is: Bourdon Assembly Hall, Renfrew Street. The productions are:

• The Wedding (Bertholt Brecht),
• The Bear (Anton Chekhov),
• Edward & Agrippina (Rene de Obaldia),
• The Stronger (August Strindberg).

Scrapbook featuring material collected throughout Christopher Platt's study at The Mackintosh School of Architecture including different articles, photos, and subjects from different magazines, like: The New York Times Magazine, Observer Magazine, The Sunday Times, Telegraph Sunday Magazine, and other resources. It also includes some free-hand sketches.

Material related to the submission of a case study as part of post Year 5, RIBA Part 3. It consists the details of the construction stage of two stories blocks of bedsits and large block of 1 bedroom flats for elderly people, Surrey. This case study submitted by the architect when he was joined Hutchison Locke and Monk's offices in Richmond, October 1981. As described by the architect, the submission includes his observations during his visits to the site, recording the official site meetings, and sub-contractors meetings. The submission is in the form of comb binding document of typewritten style with some maps, photos from the site, minutes from meetings, and progress reports.

A poster design on tracing paper for an exhibition of work by four local students architects from the Mackintosh School of Architecture. The poster has the title of "Inclined to Design", held at The Arts Guild, Campbell Street, Greenock, from 9th to 20th September (mentioned with no year). Designed by: Alan Fullarton, Brain Hendry, Christopher Platt, and Richard Robb. The exhibition is built on the idea that the architectural drawings become paintings and sculptures rather than just as end products for buildings, following London and New York architectural drawings sold as paintings. The main theme of the poster is centred around an arch, and a pendant hanging in the centre of the arch (from a drawing by David MacAuley), screen-printing by Colin Johnstone. The poster is rolled, and is in two pieces of tracing paper attached together by tape.

A paper copy of a poster (in a rolled state) of an exhibition of work by four local students architects from the Mackintosh School of Architecture. The poster has title of "Inclined to design", held at Greenock, The Arts Guild Campbell Street, from 9th to 20th September (mentioned with no year). It designed by: Alan Fullarton, Brain Hendry, Christopher Platt, and Richard Robb. The exhibit is built on the idea that the architectural drawings become as paintings and sculptures rather than just as end products for buildings, and following London and New York architectural drawings sold as paintings. The main theme of the poster centred around an arch, and a pendant hanging in the centre of the arch ( from a drawing by David MacAuley), screenprinting by Colin Johnstone.

Leaflet for an exhibition of work by four local students architects from the Mackintosh School of Architecture. The is called "Inclined to Design", and the leaflet explains the concept behind the exhibit which is built on the idea of architectural drawings as paintings and sculptures rather than just as end products for buildings, following London and New York architectural drawings that sold as paintings. The leaflet has the signatures of the four architects (students): Alan Fullarton, Brain Hendry, Christopher Platt, and Richard Robb. The leaflet made by a printed white paper attached to hard sheet.

Architectural drawing on tracing paper showing the first floor plan in scale 1:100, in which all the functional spaces have been identified with coded numbers, then addressed their titles, as below:
1 Wellington church, 2 terrace, 3 chaplaincy entrance, 4 foyer / exhibition, 5 lounge, 6 chaplain's bedroom, 7 counselling, 8 entrance gallery, 9 chaplaincy reading, 10 seminary reading, 11 library, 12 manuscript display, librarian, 14 rector, 15 secretary, 16 dining, 17 servery, 18 kitchen, 19 priest's lounge, 20 priest's living / study, and priest's bedroom.

Architectural drawing on tracing paper showing the south east elevation to Oakfield Avenue in scale 1:100, in which the external columns defining the main entrance and supporting the pitch roofing for both sides. All the architectural details for windows sills, column crowns, and other roof stone details are shown as well. This sheet also includes the long section in scale 1:100. Both drawings are to be completed with the next item. There is an outline plan in scale 1:1000 to identify where the long section has been taken.

Architectural drawing on tracing paper includes a cross section through the courtyard, in scale 1:100, showing the height of the indoor spaces. It also shows the inner façade of the rear side of the new building, which refers to the modern style of the architectural movement at the time of designing this project. There is an outline plan, scale 1:1000, indicating where this cross section has been taken. This cross section comes with coloured finishing.

Architectural drawing on tracing paper includes the north east elevation to Gibson Street, in scale 1:100, showing the the first part of this elevation, which to be attached within the next item from right hand side complete the whole elevation. The design reflects the modern style of the architectural movement at the time of designing this project. This elevation comes with mono-colour (black and white) finishing.

A copy of an architectural drawing on sheet paper related to the thesis project showing a block plan of the Wellington Church. This material is a copy from an official document related to a "Proposed new buildings Hillhead". There is a signature of T L Watson, Thomas Lennox Watson, the architect who designed this church dated Oct. 1882, Glasgow. This material has been used by the architect in the stage of the pre-design analysis study of the thesis project. It originally comes from "Strathclyde Regional Archives" with reference of: H/HIL/1882/152.

A copy of an architectural drawing on sheet paper related to the thesis project showing section on the line of the Wellington Church. This material is a copy from an official document related to a "Proposed new buildings Hillhead". There is a signature of T L Watson, Thomas Lennox Watson, the architect who designed this church dated on Oct. 1882, Glasgow. This material has been used by the architect in the stage of the pre-design analysis study of the thesis project. It originally comes from "Strathclyde Regional Archives" with reference of: H/HIL/1882/152.

A copy of an architectural drawing on sheet paper related to the thesis project showing a section on the line of the Wellington Church. Although this material has no reference, it comes from the same official document that related to a "Proposed new buildings Hillhead" designed by Thomas Lennox Watson. It is in a small size (seems like it has been cut from a large sheet).

A copy of an architectural drawing on sheet paper related to the thesis project showing the south elevation of the Wellington Church. It shows the architectural details of the exterior view of the building. This item has another elevation but without a title, however, they all come from the original document designed by T. L. Watson.

Architectural drawing on tracing paper showing the second part of both the north west elevation to garden and the long section in scale 1:100, in which this item has to be attached with the previous item from the left hand side to complete the whole elevation and section. It shows the differences between the modern architectural style of the new building comparing with the traditional style of the existing building. The long section shows the main structural elements and the building construction system.

A copy of an architectural drawing on sheet paper includes the main site plan related to the thesis project showing the main blocks and streets of the City of Glasgow focusing on Wellington Church at Glasgow University campus. This material is a copy from an official document related to The City of Glasgow urban site plan and has been used by the architect in the stage of the pre-design analysis study of the thesis project. It includes a few freehand sketches on the Wellington Church block, with some notes about: views, orientation, exits, pedestrian routes, and special places. This item has some torn edges.

A copy of architectural drawing on sheet paper related to the thesis project showing the plan of basement floor of the Wellington Church. This material is a copy from an official document related to "Proposed new buildings Hillhead". There is a signature of T L Watson, Thomas Lennox Watson, the architect who designed this church, dated Oct. 1882, Glasgow. This material has been used by the architect in the stage of the pre-design analysis study of the thesis project. It originally comes from "Strathclyde Regional Archives" with reference of: H/HIL/1882/152.