Plaster cast of Virgin adoring the Child, with God the Father and angels (Version 1)
- PC/048/v1
- Part
- Mid 19th century-early 20th century
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Plaster cast of Virgin adoring the Child, with God the Father and angels (Version 1)
Part of Plaster Casts
Plaster cast of Virgin adoring the Child, with God the Father and angels
Part of Plaster Casts
Original: Andrea della Robbia, c1479. Glazed terracotta. A variant of the Brizi Adoration relief at La Verna, Italy. Currently in the collection of the Courtauld Institute of Art, London, UK. Annotated: "2168".
*Not available / given
Plaster cast of Venus de Milo (Aphrodite of Milos) (Version 6)
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Plaster cast of Venus de Milo (Aphrodite of Milos) (Version 5)
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Plaster cast of Venus de Milo (Aphrodite of Milos) (Version 4)
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Plaster cast of Venus de Milo (Aphrodite of Milos) (Version 3)
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Plaster cast of Venus de Milo (Aphrodite of Milos) (Version 3)
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Plaster cast of Venus de Milo (Aphrodite of Milos) (Version 2)
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Plaster cast of Venus de Milo (Aphrodite of Milos) (Version 2)
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Plaster cast of Venus de Milo (Aphrodite of Milos) (Version 1)
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Plaster cast of Venus de Milo (Aphrodite of Milos) (Version 1)
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Plaster cast of Venus de Milo (Aphrodite of Milos)
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This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.
Original: Created at some time between 130 and 100 BC, to revive pre-hellenistic ideas. It is believed to depict Aphrodite (Venus to the Romans) the Greek goddess of love and beauty. Original excavated in 1820 on the Island of Melos. Original currently in the collection of the Louvre, Paris, France.
Plaster cast of Venus de Milo (Aphrodite of Milos)
Part of Plaster Casts
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.
Original: Created at some time between 130 and 100 BC, to revive pre-hellenistic ideas. It is believed to depict Aphrodite (Venus to the Romans) the Greek goddess of love and beauty. Original excavated in 1820 on the Island of Melos. Original currently in the collection of the Louvre, Paris, France.
Plaster cast of Venus de Milo (Aphrodite of Milos)
Part of Plaster Casts
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.
Original: Created at some time between 130 and 100 BC, to revive pre-hellenistic ideas. It is believed to depict Aphrodite (Venus to the Romans) the Greek goddess of love and beauty. Original excavated in 1820 on the Island of Melos. Original currently in the collection of the Louvre, Paris, France.
Plaster cast of tondo portrait of Andrea Mantegna (Version 3)
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Plaster cast of tondo portrait of Andrea Mantegna (Version 2)
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Plaster cast of tondo portrait of Andrea Mantegna (Version 1)
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Plaster cast of tondo portrait of Andrea Mantegna
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Original: Gian Marco Cavalli, c1490. Marble and bronze. Original currently in the Mantegna Chapel, Basilica di Sant’Andrea, Mantua, Italy. Bears a "Musée de Sculpture Comparée du Trocadero, Paris, 1910 " maker's stamp.
Musée de Sculpture Comparée du Trocadero, Paris
Plaster cast of tondo from relief portrait of Sigismondo Pandolfo Malatesta (Version 3)
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Plaster cast of tondo from relief portrait of Sigismondo Pandolfo Malatesta (Version 2)
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Plaster cast of tondo from relief portrait of Sigismondo Pandolfo Malatesta (Version 2)
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Plaster cast of tondo from relief portrait of Sigismondo Pandolfo Malatesta (Version 1)
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Plaster cast of tondo from relief portrait of Sigismondo Pandolfo Malatesta (Version 1)
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Plaster cast of tondo from relief portrait of Sigismondo Pandolfo Malatesta
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Original: Agostino di Duccio, c1450. Basilica Malatesta, Rimini, Italy. Annotated: "15.562" (thought to be an old catalogue reference).
*Not available / given
Plaster cast of tondo from relief portrait of Sigismondo Pandolfo Malatesta
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Original: Agostino di Duccio, c1450. Basilica Malatesta, Rimini, Italy. Bears "Commission Royale Belge Atelier du Moulage, Bruxelles" maker's mark.
Commission Royale Belge Atelier du Moulage Bruxelles
Plaster cast of tiger head (Version 4)
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Plaster cast of tiger head (Version 3)
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Plaster cast of tiger head (Version 2)
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Plaster cast of tiger head (Version 1)
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Original: c150AD. Marble. Temple of Antoninus and Faustina, Rome, Italy.
*Not available / given
Plaster cast of the Wrestlers (Version 2)
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Plaster cast of the Wrestlers (Version 1)
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This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.
Original: Also known as: Antique Boxers, Grecian Boxers, La Lotta, Lottatori. Roman Wrestlers Roman marble sculpture after a lost Greek original of the third century BCE, discovered near Porta S. Giovanni, Rome. Head and right arm of uppermost figure are 16th century restorations. The two young men are engaged in the sport called Pankration. Original currently in the collection of the Uffizi, Florence, Italy.
Plaster cast of the Rebellious Slave (Version 2)
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Plaster cast of the Rebellious Slave (Version 1)
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Plaster cast of the Rebellious Slave
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This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.
Original: Michelangelo, originally for the tomb of Pope Julius II in 1505, began to carve the Slaves in 1513, as part of a modified project. On the pope's death, the project changed once again, for financial reasons. Michelangelo donated the Slaves to Roberto Strozzi, who brought them to France. Original currently in the collection of the Louvre, Paris, France.
Plaster cast of the meeting of St Francis and St Dominic (Version 2)
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Plaster cast of the meeting of St Francis and St Dominic (Version 2)
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Plaster cast of the meeting of St Francis and St Dominic (Version 1)
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Plaster cast of the meeting of St Francis and St Dominic (Version 1)
Part of Plaster Casts
Plaster cast of the meeting of St Francis and St Dominic
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Original: Andrea della Robbia, 1489. Glazed terracotta. Loggia of L'Ospedale San Paolo, Florence, Italy.
Plaster cast of the meeting of St Francis and St Dominic
Part of Plaster Casts
Original: Andrea della Robbia, 1489. Glazed terracotta. Loggia of L'Ospedale San Paolo, Florence, Italy.
Plaster cast of the Dying Slave (Version 2)
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Plaster cast of the Dying Slave (Version 1)
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Plaster cast of the Dying Slave
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This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.
Original: Michelangelo, originally for the tomb of Pope Julius II in 1505, began to carve the Slaves in 1513, as part of a modified project. On the Pope's death, the project changed once again, for financial reasons. Michelangelo donated the Slaves to Roberto Strozzi, who brought them to France. Original currently in the collection of the Louvre, Paris, France.
Plaster cast of the Belvedere Apollo (also called Pythian Apollo)
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This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.
Original: The Apollo is thought to be a Roman copy of Hadrianic date (120 - 140 BC) of a lost bronze original made between 350 and 325 BC by the Greek sculptor Leochares. Statue depicts the Greek god Apollo, who has just overtaken the serpent Python, the cthonic serpent of Delphi. Apollo has been variously recognized as a god of light and the sun; truth and prophecy; archery; medicine, healing and plague; music, poetry, and the arts; and more. Apollo is the son of Zeus and Leto, and has a twin sister, the chaste huntress Artemis. Listed in first catalogue of casts as Greco-Roman and from the Vatican Museum, and purchased from D. Brucciani. Original currently in the collection of the Vatican Museum, Rome, italy.
Plaster cast of Standing Discobolus (Discophoros) (Version 2)
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Plaster cast of Standing Discobolus (Discophoros) (Version 1)
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Plaster cast of Standing Discobolus (Discophoros)
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Original: Discovered in 1781 on Esquiline Hill. Considered to be a copy of an earlier Greek original. The popularity of the sculpture in antiquity was no doubt due to its representation of the athletic ideal. Discus-throwing was the first element in the pentathlon, and while pentathletes were in some ways considered inferior to those athletes who excelled at a particular sport, their physical appearance was much admired. This was because no one particular set of muscles was over-developed, with the result that their proportions were harmonious. Listed in the first catalogue of casts as Greek, located in Vatican and bought from Brucciani. Original currently in the collection of the Louvre, Paris, France.
Photographed in GSA 1915.
Plaster cast of Spinelli family coat of arms on octagonal panel (Version 2)
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