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Papers and correspondence relating to: building contractor's claim 1897-1907; appeal against building consent 1907; valuation of site 1907; butresses of the Panorama Building, 1896-1907; Extract of Disposition 1908; fittings and equipment 1909-1912; the Glasgow Sanitary Department, 1909-1929; plan of site 1914. GOV/5/9/1 Mr John Kirkwood's Claim - (a) Letter to Mr. Kirkwood from Honeyman & Keppie appointing him as building contractor [COPY], 13 Oct 1897 (b) Letter from Kirkwood to Honeyman & Keppie re: claim to be contractor for extension, 18 Jun 1907 (c) Letter from J Kirkwood & Smith, Contractors to Governors of GSA re: tender for extension, 20 Sep 1907 (d) Letter from Honeyman, Keppie & Mackintosh enclosing copy of letter from lawyers re: Mr Kirkwood's claim, 5 Oct 1907 (e) Extracts from Minutes [Copy], 1897 (f) 2 lists of material used to dispute claim, not dated GOV/5/9/2: Joint Minute, I.C. The Glasgow School of Art v Thomas Nisbet & others (recorded at the Dean of Guild Court, Glasgow), with letter explaining the Minute from Bannatyne, Kirkwood, France & Co., Lawyers, 14 Nov 1907 GOV/5/9/3: Valuation of Site: (a) Valuation of west portion of school ground by Thomas Binnie & Son, 23 Feb 1907 (b) Plan of area under valuation, Feb 1907 (c) Copy of (a) & annotated copy of (a), 23 Feb 1907 (d) Copy of letter to Newbery from Bannatyne, Kirkwood, France & Co. re: conditions of land use, 1 Mar 1907 GOV/5/9/4: Craft Studios - (a) Letter from Newbery re: craft studios and tables used [refers to b], 12 Mar 1910 (b) Plan of craft table, signed CJR Smith, not dated GOV/5/9/5: Petition from Staff for Passenger Lift, 19 May 1910 GOV/5/9/6 Misc. requisition forms from staff re: new building: (a) Anatomy Room, James M. Dunlop, not dated (b) Store Cabinet, J.J.F.X. King, 13 Jun 1910 (c) Boiler Guards, D. Moffat, 17 Jun 1910 (d) Library catalogues, J.J.F.X. King, not dated (e) Easels, Allan D. Mainds, not dated (f) General heating needs, not dated (g) scrap figures for Library fittings, not dated GOV/5/9/7: Office Equipment Booklets, not dated GOV/5/9/8: Projector Lantern - Correspondence, technical specifications, catalogues, etc. relating to the Projector Lantern fitted in the Lecture Theatre, GSA, [c61 items], 1909-1912 GOV/5/9/9: Valuation of Building - scrap note not dated GOV/5/9/10: Plan of site behind GSA, on Dalhousie St. side: (a) Plan of site by J Andrew Millar. Architect, Jan 1914 (b) Letter from Mitchells, Solicitors re: above space & possible uses, 14 Jan 1914 GOV/5/9/11: Papers and correspondence regarding the butresses of the Panorama Building, 1896-1907 (a) Agreement between the Glasgow Real Ice Skating Palace and the Trustees of the Bellahouston Bequest regarding the butresses of the Panorama Building, 1896 (b) Letter from Honeyman, Keppie & Mackintosh to E. R. Catterns, Secretary of Glasgow School of Art regarding the Agreement document above, 03 Oct 1907 GOV/5/9/12: Extract of Disposition by the Glasgow School of Art in favour of themselves imposing burden on the use of their property, 1908 GOV/5/9/13: Glasgow Sanitary Department, 1909-1929 (a) Certificate from the City of Glasgow Sanitary Department to certify that the Drainage System of the Glasgow School of Art is in satisfactory condition, 18 Aug 1909 (b) Letter from Honeyman, Keppie & Mackintosh regarding the certificate listed above, 23 Aug 1909 (c) Certificate from the Corporation of the City of Glasgow Public Health Department to certify that the Drainage System of the Glasgow School of Art is in satisfactory condition, 27 Sep 1929

Some of this material is currently uncatalogued and therefore not accessible for researchers. The collection is divided into two smaller series: Glasgow School of Art press cuttings, 1864- Charles Rennie Mackintosh press cuttings, 1968-

Items in The Glasgow School of Art's Mackintosh collection include: furniture, watercolours, drawings, architectural drawings, design drawings, sketchbooks, metalwork and photographs.

Mackintosh studied evening classes at the Glasgow School of Art between 1883-1894, winning numerous student prizes and competitions including the prestigious Alexander Thomson Travelling Studentship in 1890. Mackintosh and his contemporaries also produced four volumes of a publication called "The Magazine" during their time as students, which included examples of their writing and artworks. GSA Archives and Collections hold Mackintosh's Italian Sketchbook, as well as all four volumes of The Magazine, all of which can be browsed on our catalogue.

The majority of Mackintosh's three-dimensional work was created with the help of a small number of patrons within a short period of intense activity between 1896 and 1910. Francis Newbery was headmaster of The Glasgow School of Art during this time and was supportive of Mackintosh's ultimately successful bid to design a new art school building in 1896 - his most prestigious undertaking. For Miss Kate Cranston he designed a series of Glasgow tearoom interiors and for the businessmen William Davidson and Walter Blackie, he was commissioned to design large private houses, 'Windyhill' in Kilmacolm and 'The Hill House' in Helensburgh. In Europe, the originality of Mackintosh's style was quickly appreciated and in 1900 he was invited to participate at the 8th Vienna Secession.

In 1902 Mackintosh was invited to participate at the International Exhibition of Modern Decorative Art in Turin and later at exhibitions in Moscow and Berlin. Despite this success Mackintosh's work met with considerable indifference at home. Few private clients were sufficiently sympathetic to want his 'total design' of house and interior and he was incapable of compromise.

By 1914 Mackintosh had despaired of ever receiving true recognition in Glasgow and together with his wife Margaret Macdonald he moved, temporarily, to Walberswick on the Suffolk Coastline (in England), where he painted many fine flower studies in watercolour. In 1915 the Mackintoshes settled in London and for the next few years Mackintosh attempted to resume practice as an architect and designer. The designs he produced at this time for textiles, for the 'Dug-out' Tea Room in Glasgow and the dramatic interiors for 78 Derngate in Northampton, England show him working in a bold new style of decoration, using primary colours and geometric motifs.

In 1923 the Mackintoshes left London for the South of France, finally living in Port Vendres where Mackintosh gave up all thoughts of architecture and design and devoted himself entirely to painting landscapes. He died in London, of cancer, on 10 December 1928.

The majority of Mackintosh's design work, (including furniture and metalwork), architectural drawings, textile designs and watercolours are in the possession of three public collections - The Glasgow School of Art, Glasgow Museums, and the Hunterian Art Gallery at the University of Glasgow - although significant (individual) pieces can be found in museums across the UK and Europe, North America and Japan. However, some of Mackintosh's most important, symbolist watercolours from the early to mid-1890s are to be found in the collection of The Glasgow School of Art.

The Glasgow School of Art Archives and Collections hold a large number of items by Mackintosh, giving us one of the largest collections of his work held in public ownership. The collection is one of 50 Recognised Collections of National Significance to Scotland. We continue to investigate new routes of engagement for the collection. For example, our Mac(k)cessibility project in conjunction with GSA’s School of Simulation and Visualisation explores digital display and loans of our Mackintosh furniture. Find out more about the Mac(k)cessibility project here.

A 1:50 interior model of the music room, designed by Mackintosh for the Haus eines Kunstfreundes (House for Art Lover) competition in 1901, made by Angus Modelmakers Ltd, Glasgow in 1985.

1/8": 1 foot scale Coloured balsa wood model of the Mackintosh Building on a wooden base. Made by former students of the Glasgow School of Art.

There are 4 known surviving volumes: The Magazine 1893, The Magazine April 1894, The Magazine November 1894, The Magazine 1896.

The Magazine was a publication of original writings and designs by students from the Glasgow School of Art, Glasgow, Scotland, and their friends. Appearing in 4 volumes between November 1893 and Spring 1896, The Magazine contains text from contributors handwritten by Lucy Raeburn, editor, accompanied by original illustrations. These volumes are the only known copies of The Magazine. In addition to rare, early watercolours and designs by Charles Rennie Mackintosh, the volumes contain early designs by Frances MacDonald and Margaret MacDonald, at a stage in their development which has been labelled 'Spook School', and two sets of photographs by James Craig Annan, when he was beginning to establish a reputation at home and abroad. Among other contributors were Janet Aitken, Katherine Cameron, Agnes Raeburn and Jessie Keppie, all of whom enjoyed lengthy careers in art and design.

The Magazine is similar to an album amicorum such as those which originated in the middle of the 16th century among German university students, who collected autographs of their friends and notable persons, sometimes adding coats of arms and illustrations. The Magazine resembled the album amicorum in that contributions were by a close group of students and their friends and is all the more interesting because the illustrations were produced by young people who had a common social background, were trained at the same school, and subjected to the same artistic influences. The contributors were closely linked, some by family, some by romantic attachments and had close social connections. Other contributors include C Kelpie, John M Wilson, Jane Keppie, and Ethel M Goodrich. Source: Jude Burkhauser, Glasgow Girls: women in art and design (Edinburgh : Canongate, 1990).