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Ivory coloured full length dress in two layers, with a fine gauze silk over silk satin.  Braided shoelace straps, fitted bodice and full skirt with decorative flounces.  Eighteen covered buttons down back.  Some damage through wear and from the metal parts of the buttons. Thought to have been designed and possibly also made by either Daisy or Violet Anderson (see DC 022).

Large scale textile work, 'Drawn Out', designed to be stretched over a frame allowing the central neck opening and sleeves to pull forward from the rest of the work. Digitally printed in greyscale and black on stretch cotton fabric. The artist has posted images of the textile on display at the following link: http://digicloth.blogspot.com/2009/01/awaken-glasgow-school-of-art-archive.html

Supporting material on CD for large scale textile work, 'Drawn Out'. The artist has posted images of the textile on display at the following link: http://digicloth.blogspot.com/2009/01/awaken-glasgow-school-of-art-archive.html

Tweed motoring coat - ankle length and lined.

Tweed motoring cap (to match coat NMC/1780A) with wood engraving of two cats "Minnie and Jeannie" on fabric inserted behind clear lining.

Cream pleated top curtain with an embroidered design of flowers and leaves. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.

Cream pleated top curtain with an embroidered design of flowers and leaves. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.

Cream pleated top curtain with an embroidered design of flowers and leaves. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.

Cream pleated top curtain with an embroidered design of flowers and leaves. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.

Green curtain with an embroidered dark green stylised figure and leaf pattern.

Green pelmet with an embroidered dark green stylised figure and leaf pattern.

Green pelmet with an embroidered dark green stylised figure and leaf pattern.

Green curtain with an embroidered dark green stylised figure and leaf pattern.

Green curtain with an embroidered dark green stylised figure and leaf pattern.

Green curtain with an embroidered dark green stylised figure and leaf pattern.

Printed catalogue from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.

Book showing design for wall hanging (NMC/1571A). Labelled 'NDS' and on reverse 'Design: E.Lounsbach'.
Design by Scottish artist Eric Lounsbach, worked by primary and secondary school children.

Wedding head dress. Thought to have been designed and possibly also made by either Daisy or Violet Anderson (see DC 022).

Double-faced fabric woven in four sections, with cream warp threads and stripes of beige, light brown, grey, blue, and pink yarns used in sections of the weft, creating a patchwork effect of striped and plain coloured blocks.

Woollen woven sample in shades of cream, grey and black of possibly undyed yarn. Combinations of plain weave and twill weave form different bands of geometric design.

Plain weave sample made with cotton thread in shades of cream, peach, and dark green. The design forms a pattern of vertical stripes and bands, with the solid green bands woven with a puckered effect.

Double-faced evenly woven fabric in bands of geometric design in ochre, red, marron, blue and green. Distinctive arrowhead band repeats every few rows in different colourways.

Evenly woven cream woollen fabric, with different gauges of yarn and simple variation in weave type to create bands of pattern and texture.

Brightly coloured evenly woven fabric of blue and light purple warp and lime green, red, yellow and deep purple weft. Geometric design of stripes created by different colours and weave types.

Twill weave sample woven with a combination of tightly spun and loosely spun wool. Yarn in a dark orange shade and spun with multicoloured threads and snippets of fabric.

Double-faced weaving sample with a geometric design of repeating bands of chevron-like figures. Woven with cotton thread in shades of blue and purple with supplementary warps in bright orange shades forming the pattern. A label is attached to the item which reads 'Samanth Goates, 1990', however, this is a misattribution.

Double-faced, tightly woven sample with grid-like design of coloured squares arranged in bands on a black background. Woven in plain weave with yarn in shades of pink, purple, orange, blue, brown and black. This sample was entered by Alison Blair as her entry for the RSA's Industrial Design Bursaries Competition in Furnishing Textiles.

Double-faced, tightly woven woollen sample with checkered design of criss-crossed vertical and horizontal bands in different shades of red, orange, yellow, pink, green, blue and purple.

Single-faced loosely woven fabric in shades of dark pink (warp), grey, teal and lemon, with ribbons of pale blue, pale pink and black woolen yarn incorporated. The inclusion of thicker fabric ribbons adds texture and pattern to the fabric and a light stripe effect is created using the claret pink warp threads.

Double-faced tightly woven sample made with woollen yarn in shades of cream, grey and black. The design consists of vertical bands with horizontal stripes that form different sections.

Single-faced tightly woven cotton fabric, predominantly cream, with warp central band and selvedges in dark blue. Zig-zag, audio graph style pattern of coloured bands and barcode style blocks of coloured plain weaving contrast with the cream background.

Sample woven in basketweave with fine white thread. Supplementary weft cords made of pink or blue yarn, white fabric ribbons and metallic-like threads form a pattern of stripes.

Cream and blue woven fabric with small coloured squares of material caught in pockets beween the two faces. Pockets separated by a blue grid pattern of twill and plain weave.

Open weave cream fabric in different gauges of yarn including chenille. Loose basket weave to form an open grid design in two sections, one section with heavier bands of weft threads.

Open weave sample in plain weave and basketweave, and woven with cream-coloured yarn and bouclé yarn. With supplementary discontinuous wefts made of yarn and metallic-like thread.

Tightly woven pile weave sample in fine cream-coloured yarn. The warps have been dyed or printed before weaving with bands of diagonal lines in pink, blue, yellow, green, purple and red. The cut pile ends form a lattice pattern.

Sample woven in cream-coloured cotton thread with a pattern of puckered vertical bands.

Woollen weaving sample woven using yarn of different thickness in shades of cream, brown and grey into a pattern of criss-crossed bands.

Black and multi-coloured woven fabric. A lattice work of coloured threads with coloured organza ribbon behind and alternating with thin bands of closely woven black cotton.