- NMC/0569
- Item
- 1925-1926
Full length male nude. Back view.
Hegarty, John MacGowan
1233 results with digital objects Show results with digital objects
Full length male nude. Back view.
Hegarty, John MacGowan
David Donaldson and the 2nd Year Class, Back Studio, GSA, 42
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of GSA art students, including Dorothy Ballantyne, Marion Fletcher, Sheila Wilson, Tom Gardner (the artist), Jimmy Spiers, Audrey Scarle, Florence Jamieson, Fay Campbell as well as tutor David Donaldson, his wife Pat and son David, plus a life model who is thought to be a music student from Falkirk who studied at The Atheneum.
Gardner, Tom
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Those depicted include Danny Ferguson, Gordon Huntly, Lewis Allan, Eileen Allen, Joan Docherty, Molly Brown and Ishbel Macdonald.
Gardner, Tom
Abstract design with central head of eagle.
McCoig, Malcolm
Artist book: '2 Short stories of love and hair'
Small illustrated book entitled '2 Short stories of love and hair'
Reynolds, Karen
Artist book: 'There are certain things that I have tried to keep secret from you'
Small illustrated book entitled 'There are certain things that I have tried to keep secret from you'
Reynolds, Karen
Male model, back view.
Patrick, James McIntosh
Scarecrow with kneeling figures and birds.
Paterson, George William Lennox
31 sketches in bound pocket notebook, plus dark blue lino cut of cat (previously attached).
Laurie, John
Glasgow street scene, featuring cars in front of tenement building.
Feldman, Joel B
Ring bound sketchbook.
Gray, William
Study of female leaning against white couch; bare shoulders.
Brown, Margaret Oliver
Delicate study of a woman in a hat and coat (unfinished).
Lyne, Catherine
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Portrait or artist; standing and wearing waistcoat. This painting was almost certainly exhibited at the Royal Glasgow Institute of the Fine Art in 1964.
Mackintosh, John
Island landscape with white dog to foreground.
Wylie, Gus
Island landscape with crofter to the foreground.
Wylie, Gus
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Beach and rocks in foreground; land on left, mid-distance.
Alison, Henry Young
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Mountain scene.
Alison, Henry Young
Landscape under snow. Possibly near Pinwherry, Ayrshire.
Alison, Henry Young
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Landscape with figure amongst trees, Ayrshire.
Raeburn, Agnes
Large bunch of flower in square glass vase, small red bowl to right.
Anderson, Daisy McGlashan
Two roses in wine glass, one rose in glass bottle, dog ornament.
Anderson, Daisy McGlashan
Unfinished study, with pencil 'squared-off' under-drawing. Small watercolour detail in foreground.
Anderson, Daisy McGlashan
Cluster of summer flowers, in circular format.
Anderson, Daisy McGlashan
White roses in a blue and white bowl resting on round mirror.
Anderson, Daisy McGlashan
Composition of yellow roses against black background.
Anderson, Daisy McGlashan
Landscape, trees to middle and background cottage at far right-hand side.
Anderson, William Smith
Three robed musicians playing musical instruments.
Addo-Osafo, Emmanuel
Standing female figure.
McAvoy, Joseph
Standing female figure, back view.
McAvoy, Joseph
Kneeling female figure.
McAvoy, Joseph
Male head and upper torso.
McGlashan, Archibald A
Study of arm and hand, also unfinished female nude (back view).
McGlashan, Archibald A
Reclining figure.
McGlashan, Archibald A
Appears in The Magazine, April 1894. 'The central figure is based upon that used in the 1893 design for a diploma for the GSA and like that in 'The Harvest Moon', has wings like an angel. Here, however, she appears naked and her outstretched arms and hair merge and are transformed into barren tree-like forms. These descend to the horizon behind which the sun is gradually disappearing under the feet of the winged figure. From the bottom of the picture, and directly beneath the sun, rises a flight of menacing birds. They are presumably nocturnal birds of prey and they seem to be flying directly towards the viewers. This is one of Mackintosh's earliest uses of this strange bird, which was to become more stylised and to appear in many different forms, in several media in his oeuvre.' (Roger Billcliffe).
Mackintosh, Charles Rennie
Bound in volume, The Magazine, November 1894.
Mackintosh, Charles Rennie
Bound in volume, The Magazine, November 1894. 'Behind a stylised tree stands another of Mackintosh's mysterious female figures, but this is the first one to appear that is not meticulously drawn. Only the head is shown in any detail, and the shape of the body is hidden by a voluminous cloak from which not even its limbs appear. This figure was to be repeated many times, becoming more and more stereotyped until, with the banners designed for the Turin Exhibition in 1902, the head is the only recognisably human part of a figure with a twelve-foot long, pear shaped torso. In 1895-96, Mackintosh was to develop this drawing into a poster for the Scottish Musical Review (Howarth, p1, 9F). The same cloaked figure appears with similar formal emblems at the ends of the branches of the bush.' (Roger Billcliffe).
Mackintosh, Charles Rennie
Painted during their stay in Suffolk, when Mackintosh and Margaret Macdonald had left Glasgow.
Mackintosh, Charles Rennie
Mackintosh, Charles Rennie
Mackintosh produced a number of very similar paintings of stylised bouquets of flowers at this time, c1918-20.
Mackintosh, Charles Rennie
Moffat, Alexander
Designed for the 'Rose Boudoir', International Exhibition of Modern Decorative Art, Turin, 1902. This item was assessed for conversation in 2010 as part of the Mackintosh Conservation and Access project (2006-2010), and then again in 2018 following the fire in the Mackintosh Building in June 2018.
A Rose Boudoir included two gesso panels - composite works of plaster with pigment, set with glass beads - made exclusively by Macdonald. On the manifest for the exhibition, Mackintosh indicated that ‘duplicates only’ were available for sale. Two other versions, both in Glasgow, had the same design but with different palette and surface detail: The White Rose and the Red Rose hung above the mantle in the Mackintoshes’ own home, and can now be seen in the Mackintosh House at the Hunterian Art Gallery; and The Heart of the Rose belonged to Wylie Hill, a relative of Jessie Newbery, and was later given to the Glasgow School of Art. Previously it was assumed that these versions were created from a cartoon or template, each hand made, but it was difficult to tell which set came first, or even if they were made simultaneously. But recent analysis by Graciela Ainsworth Conservation Studio in Edinburgh has shown that the GSA version is not a gesso panel as we have come to understand Macdonald’s technique, but rather a traditional plaster cast that has been painted. This may seem like a minor technical point, but when considered alongside Mackintosh’s note that duplicates could be ordered, it reminds us that he carefully curated this space to show both that he and Macdonald could be commissioned to do entire rooms but were also very happy to have individual pieces replicated and sold on their own merit (information supplied by Dr Robyne Erica Calvert, Cultural Historian, Mar 2022).
Mackintosh, Margaret Macdonald
Little bridge over Venetian canal
Study of a Venetian canal. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Study of farmhouse set amongst trees. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Vinewood Hills - cross section model
The sculpture translates a cross-section of the Vinewood Hills from the 'Grand Theft Auto' video game into a physical scale model.
Dalzell, Timothy
Part of Papers of Dorothy Doddrell
Study of male, upper right torso and head. Lower right corner annotation attributes the work to Dorothy Doddrell.
Originally located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies
Doddrell, Dorothy Maria F
Study of illuminated initial from manuscript at the Victoria and Albert Museum
Part of Papers of Dorothy Doddrell
Life drawing study of a capital 'G'. Calligraphic annotation on lower right corner states it is taken from a late 13th century Flemish manuscript, copied from the original manuscript at the Victoria and Albert Museum.
Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies
Doddrell, Dorothy Maria F
Study of a Book of Hours from manuscript at the Victoria and Albert Museum
Part of Papers of Dorothy Doddrell
Life drawing study of a folio from a Book of Hours. Calligraphic annotation on lower right corner states it is taken from a 14th century Italian manuscript, copied from the original manuscript at the Victoria and Albert Museum.
Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies
Doddrell, Dorothy Maria F