- DC 029/7/30D
- Item
- c1930s-1970s
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Done while studying with Ethel Marritt.
*Not available / given
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Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Done while studying with Ethel Marritt.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Done while studying with Ethel Marritt.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Done while studying with Ethel Marritt.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Done while studying with Ethel Marritt.
*Not available / given
Big Fat Sampler, large wall hanging with square design (Version 2)
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Big Fat Sampler, large wall hanging with square design (Version 1)
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Big Fat Sampler, large wall hanging with square design
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Bold style sampler in coarse yarn, on yellow fabric, backing of beige linen. Various patterns of stitched squares in yellow, orange, green, and white. 4 macrame hooks at top edge with wooden hanging pole.
*Not available / given
Pink paper folder and samples (Version 2)
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Pink paper folder and samples (Version 1)
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Pink paper folder and samples (Version 3)
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Pink paper folder and samples (Version 2)
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Pink paper folder and samples (Version 1)
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
One of fourteen textile samples which have been housed together in a pink paper folder.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
One of fourteen textile samples which have been housed together in a pink paper folder.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Weave samples fixed to grey card backing.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Two woven samples, one with a red thread, fixed to grey card backing.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Five woven cotton samples illustrating different weave types, fixed to cream card backing.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Five woven cotton samples illustrating different weave types, fixed to cream card backing.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Five woven cotton samples fixed to cream card backing. Card titled , 'Use of slub, gymp, snarl, knop yarns etc.'
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Three woven cotton, and cotton mix, samples fixed to cream card backing; two cream, one black and white.
*Not available / given
Card of woven samples (Version 2)
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Card of woven samples (Version 1)
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Three woven cotton samples fixed to cream card backing. Card titled - 'Use of Cellophane'. On reverse, hand written pencil note records: Sampler identified by Kath Whyte as belonging to Ethel Mairet, Ditchling, Sussex plus four sheets of samples presumed to be samples woven as a student at Ditchling by Kathleen Whyte.
*Not available / given
Double cloth sample with fringe (Version 2)
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Not available / given
Double cloth sample with fringe (Version 1)
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Not available / given
Double cloth sample with fringe
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Mainly blue with orange flecks in silk, mounted on maroon card.
Robertson, Emma
Cream Cotton sampler, collage effect with beads (Version 2)
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Not available / given
Cream Cotton sampler, collage effect with beads (Version 1)
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Not available / given
Cream cotton sampler, collage effect with beads
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Embroidered sampler on woven raffia background (Version 2)
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Not available / given
Embroidered sampler on woven raffia background (Version 1)
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Not available / given
Embroidered sampler on woven raffia background
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Cream raffia plain woven fabric embroidered with coarse linen thread in grey, beige and cream. Stored with KW22 and KW23 in binder.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Black and white threads on cream background.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Black, grey and white threads on natural hessian background. Label identifies this as "Proportion", illustration 129, page 158, in "Design & Embroidery" by Kath Whyte, published by Bratsford, 1969.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given