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Material related to studying a family house designed by Richard Meier including architectural drawings on greaseproof paper using Rotring drawing ink pens. The architectural drawings consist of: site plane scale 1:500, axonometric view scale 1:200, and drawings related to the building analysis of the site, programme, structure, circulation, enclosure, and entrance, all in scale 1:500.

Material related to the work of Richard Meier studying his architectural style from private and public buildings on greaseproof sheets, and architectural drawing details on tracing paper, as well as copies of architectural drawing details marked by the tutor with comments and notes.

Part of 'On The Way'.

White cranes.

Part of 'Buy and Sell'.

Harry Barnes' papers and correspondence relating to the Victoria & Albert Museum. Folders as follows: DIR/13/17/24/1: Papers and correspondence relating to the Victoria & Albert Museum, 1960-1968 (1 folder): Includes: correspondence about the V&A and the Glasgow School of Art exchanging some pieces of furniture from their collections; correspondence and papers about a V&A Open Day and conference; brochure about the National Museum Loan Service, School Loans 1966-1968; papers about a V&A conference on School Loans; correspondence and papers about the V&A exhibitions that are available through the Special Loans scheme; papers regarding special loaned exhibitions borrowed by the Art School for example a Modern Jewellery exhibition and an exhibition on Persian Pottery. DIR/13/17/24/2: Papers and correspondence relating to the Victoria & Albert Museum, 1969-1971 (1 folder): Includes: correspondence relating to Circulation Dept Open Day & Conference; Conference Report for a V&A Loan Service Conference, 1969; correspondence about a special loan service to further education establishments; booklet titled 'The National Museum Loan Service: The year's work, 1967-68'.

Labelled 'Betty Galt, 8 Ibroxholm Place, Glasgow'.

Harry Barnes' papers relating to the University of Strathclyde. Folders as follows: DIR/13/16/7/1: Correspondence with the University of Strathclyde, 1964-1967 (1 folder): Includes correspondence with staff at the University of Strathclyde and papers on topics such as: a meeting of the Scottish Environmental Group regarding the Built Environment; staffing references (closed for 75 years in line with Data Protection); visit of the Art School Design Group, Department of Architecture, University of Strathclyde, to the School of Art; invitation for Barnes to the Installation of Chancellor at Strathclyde; Associateship Courses and Diplomas; an invitation for Barnes to attend a lecture by Manfred Gordon at the University of Strathclyde; correspondence with the University of Strathclyde Students' Association about damage to the Art School during Charities Week. DIR/13/16/7/2: Correspondence with the University of Strathclyde, 1969-1979 (1 folder): Includes: copy of minutes of a meeting of the trustees of the Bourdon Memorial Fund; correspondence about Arts Festival Week; correspondence about Strathclyde Theatre Group; notices of exhibitions at the Strathclyde University Collins Hall; correspondence about placing students in industry; correspondence about a tapestry 'Genesis'; correspondence about a 'New Churches' exhibition; correspondence about the School of Art assisting with a University of Strathclyde project to study methods of appraisal for buildings; a report of a 'Committee of the Lords of Her Majesty's Most Honourable Privy Council'; pressclipping about the new Principal of the University of Strathclyde, Professor Graham Hills.

A drawing sheet consisting the external perspective view of the first Unitarian Church, Wisconsin, designed by Frank Lloyd Wright, with some written information from his book "Architecture and Space":
'In this story I am God', a quotation which Peter Blake inserted in the back cover of the book as he wrote: 'As the lawgiver of Modern Architecture,' Blake added, 'He had been compared to Moses'.

Architectural drawings on a large rolled greaseproof sheet to study the design of The Third Eye Centre in Glasgow as a side project which is directed by the tutor of the third full-time year course. This large rolled sheet consists of the architectural drawing of the building's ground floor plan in scale 1:100 showing its main functional spaces. It also consists of an enlarged part of the ground floor taken from the front side of the building with its upper floor plan, both in scale 1:50. This sheet also includes a sectional perspective in scale 1:20 taken from cash desk booking focal point looking towards its both sides to upstairs floor. This drawing consists of several human figures with humourous comments to give a sense of the real life of this social space. The rolled sheet also includes a coloured drawing of the front façade in scale 1:20, where the architect coloured this drawing from the back of the sheet.

Architectural drawing on a rolled greaseproof sheet to study the design of the front elevation of The Third Eye Centre, in scale 1:20. This drawing seems to be the first sketch as an attempt to present the main features of the façade. This sheet has been coloured from the back. The changes the architect made can be easily distinguished from the final submission shown within the large rolled sheet.

Architectural drawings on rolled greaseproof sheets to study the design of The Third Eye Centre in Glasgow as a side project which had been directed by the tutor of the third full-time year course. It consists of two sheets, a large rolled sheet, and a small rolled one. Greaseproof sheet has been used due to its cheap cost, stated by the architect.

Copy of architectural drawing on a paper sheet showing the main indoor spaces of the ground floor plan of the Third Eye Centre, in scale 1:20. This material has no reference number, however, it seems that it comes from the same source of the previous item (Boswell Mitchell & Johnston Architects & Planning Consultants in Feb 1975). It has been used by the architect to study the existing building before making the new changes.

Copy of architectural drawing on a paper sheet showing the design of the plan and elevation of entrance screen of the Third Eye Centre, in scale 1:20. This material made by Boswell Mitchell & Johnston Architects & Planning Consultants in Feb 1975, and has a reference number of 954/33. It has been used by the architect to study the existing building before making the new changes.

Copy of architectural drawing on a paper sheet showing a cross section of the Third Eye Centre, in scale 1:20. This material has no reference number, however, it seems that it comes from the same source of the item DC 121/5/4/3 (Boswell Mitchell & Johnston Architects & Planning Consultants in Feb 1975). It has been used by the architect to study the existing building before making the new changes.

Large A2, exterior perspective. Digital drawing.

Papers and correspondence relating to the development of the teaching of Design at the Glasgow School of Art. Papers as follows: DIR/5/38/4/1: Letter from Robert Anning Bell to Newbery regarding the post of Head of Design, 07 Jun 1910 (4 sheets). DIR/5/38/4/2: Letter from Lindsay P Butterfield to Mr Morton regarding Butterfield's professional opinions on the teaching of Design,14 Jun 1910 (5 sheets). DIR/5/38/4/3: Correspondence, mostly between Newbery and James Morton, about the teaching of Design at the School of Art, Jun 1910 (5 letters): (a) Letter from James Morton to Newbery about his collecting reports and experiences of the teaching of Design from Boston and Vienna, 11 Jun 1910 (1 sheet). (b) Letter from James Galbraith to Newbery about his opinions on the teaching of Design, 14 Jun 1910 (2 sheets). (c) Letter from James Morton to Newbery regarding the School of Art in Vienna and acquiring information from them about the teaching of Design,30 Jun 1910 (1 sheet). (d) Letter from James Morton to Newbery suggesting individuals with good experience in the area of Design to consult regarding the reaching of Design at the School of Art, for example Lindsay Butterfield, Sidney G. Mawson, Vesper Lincoln George, etc, 26 Aug 1910 (2 sheets). (e) Letter from John James Burnet to Newbery about Burnet's opinions on the teaching of Design, c.Jun 1910 (1 sheet). DIR/5/38/4/4: Francis Newbery's report on tours of London, Paris & Berlin, c.Jun 1910 (12 sheets). DIR/5/38/4/5: Letter from Vesper Lincoln George to James Morton about his opinions regarding the teaching of Design, 28 Jul 1910 (3 sheets). DIR/5/38/4/6: Letter from Sidney Mawson to Mr Morton regarding his opinions on the teaching of Design, 08 Aug 1910 (3 sheets). DIR/5/38/4/7: 'Design-Opinions of Experts'- table of remarks of Artists regarding the teaching of Design. Names include: Anning Bell; James Galbraith; Lindsay P Butterfield; Sidney Manson; Vesper L George, Boston; Mr James Morton; Vienna School of the Arts and Crafts, c1910 (1 sheet). DIR/5/38/4/8: Letter from Ann Macbeth, Queen Margaret Hall, to Newbery regarding her opinion on the teaching of Design, c1910 (2 sheets). DIR/5/38/4/9: Letter from Robert Anning Bell expressing his opinions on the teaching of Design, c1910 (1 sheet).

'The Storage Theatre' portfolio from the artist's degree show project in interior design.

"The Storage Theatre explores the ways both artists and archaeologists understand the world through the material traces of the past."

Source: https://picbabun.com/lucykerr_design

'The Storage Theatre': Plaster cast made from exterior of the B listed art deco building at 140 Salkeld Street, Glasgow. One of a set of three.

"The Storage Theatre explores the ways both artists and archaeologists understand the world through the material traces of the past."

Source: https://picbabun.com/lucykerr_design

'The Storage Theatre': Plaster cast made from exterior of the B listed art deco building at 140 Salkeld Street, Glasgow. One of a set of three.

"The Storage Theatre explores the ways both artists and archaeologists understand the world through the material traces of the past."

Source: https://picbabun.com/lucykerr_design

'The Storage Theatre': Plaster cast made from exterior of the B listed art deco building at 140 Salkeld Street, Glasgow. One of a set of three.

"The Storage Theatre explores the ways both artists and archaeologists understand the world through the material traces of the past."

Source: https://picbabun.com/lucykerr_design

Report.

Harry Barnes' papers relating to The Society of Industrial Artists and Designers (SIAD). Folders as follows: DIR/13/17/22/1: Papers regarding the Society of Industrial Artists and Designers, 1964-1967 (1 folder): Includes: some minutes of a meeting of the Professional Practice Board, Society of Industrial Artists & Designers; copy of The Designer, Journal of the Society of Industrial Artists and Designers, Number 167, Jan 1967; invitations to Society events such as a reception for new members, a reception for the visit of John Reid; notices for Society events such as lectures and film screenings; correspondence about the Registration of some of the Art School's courses in Design and Graphic Design Departments; list of Glasgow School of Art's membership of the SIAD; correspondence about the Society's admission scheme; advertisments for the SIAD's lecture series; notices of meetings; correspondence about subscriptions to the Society's journal; correspondence about an SIAD conference on pre-diploma courses; correspondence about the Society's new admission scheme; leaflet about the Society of Industrial Artists and Designers. DIR/13/17/22/2: Papers regarding the Society of Industrial Artists and Designers, 1967-1969 (1 folder): Includes: correspondence about a Society of Industrial Artists and Designers Mackintosh Dinner at the Glasgow School of Art; notices of forthcoming SIAD meetings; details of a SIAD trip of a cruise down the river Clyde; papers relating to other SIAD events and activities; circular from the President of the SIAD about Society news from the past year; SIAD newsletters; SIAD Annual Report 1967; correspondence about cementing the relationship between the Glasgow School of Art and the SIAD; timetable for the visit to Scotland of the Society's President Neville Ward; press release about the SIAD holiday lectures on Design for young people; Papers about the election for the office of President-Elect of the Society; correspondence about the Artists General Benevolent Institution; papers about the re-classification of membership of the SIAD; notice about the annual subscription for students; correspondence about electing a Scottish member for the Board of Design Education; list of Glasgow School of Art student membership of the SIAD; copies of Society admission forms; document 'Pre Diploma Education Policy Statement'; papers about a SIAD conference on Pre-Diploma Courses; SIAD Annual Report, 1968. DIR/13/17/22/3: Papers regarding the Society of Industrial Artists and Designers, 1968-1973 (1 folder): Includes: document: 'Energy Bibliography and Equipment Sources', Andrew MacKillop, University College London; note to SIAD members about prices and pay; papers about the SIAD Annual General Meeting; papers about SIAD Design Information Service; SIAD circular to final year Design students; leaflet about a SIAD conference 'Design Dilema'; correspondence about the proposed procedure for assessing former student licentiates; correspondence about the relationship between the SIAD and the four Scottish Art Colleges; correspondence about the Artists' General Benevolent Institution; SIAD notice to students about Professional Recognition of LSIA- Licentiate of the Society of Industrial Artists and Designers; SIAD notice to Principals and Heads of Departments about the LSIA Professional Recognition; papers about an SIAD discussion of 'the state of Art in Design Education today'; papers about 'Value added Tax'; papers about the committee of the Society; some meetings papers for the SIAD; correspondence and papers about a SIAD conference: 'Design in Education'; correspondence about the Society's President's visit to Scotland; handwritten notes and typed notes for Barnes' speech at the SIAD conference 'Design in Education', Oct 1971; papers about SIAD exhibitions; papers about nominations and elections for SIAD Council members and specialist panels; correspondence about the 'Designers in Scotland' exhibition; correspondence and papers about a SIAD Scholarship Award Fund; correspondence and papers about MINERVA Awards; list of the Council of the SIAD 1970-1971; papers about annual subscriptions; SIAD programme of events 1970; correspondence and papers about an ICSID General Assembly and Congress. DIR/13/17/22/4: Papers regarding the Society of Industrial Artists and Designers, 1975-1981 (1 folder): Includes: correspondence about commercial activities of designers; correspondence about courses suitable for qualified designers; correspondence about meetings and events of the Society; correspondence about a 'code of professional conduct'; correspondence about the subscription price of the Society; correspondence about a report on 'computer aided designs' by Rita James; copy of the Code of Professional Conduct; correspondence about membership of the Society; list of 'Nash House club rules and regulations'.

Harry Barnes' Papers relating to the Small Industries Council for Rural Areas of Scotland. Folders as follows: DIR/13/18/5/1: Papers and correspondence relating to the Small Industries Council, 1968-1972 (1 folder): Includes: Correspondence with the Small Industries Council and papers on subjects such as: an assisted apprenticeship training scheme, Craftwork magazine, the Crafts Entrants Scheme, the Small Industries Council Newsletter, applications for grants from craftspeople, exhibitions of crafts, the Scottish Craft Centre, the Craft Index, craft marketing, Craftsmen's courses, staffing of the Scottish Craft Centre. Also includes: minutes for meetings of the Small Industries Council for Rural Areas of Scotland; invitation to a Press Reception for the presentation of 'Craftwork' magazine; some minutes of meetings of the Crafts Entrants Scheme at the Scottish Craft Centre; leaflet for the Small Industries Council for Rural Areas of Scotland; document: 'Conditions of Craft Entrants Scheme'; paper about the Craft Industry in Scotland. DIR/13/18/5/2: Papers and correspondence relating to the Small Industries Council, 1972-1974 (1 folder): Includes: leaflets and marketing materials for the Highland Trade Fair, Aviemore, Oct 1972; invitation to the Craft Officer to attend the Glasgow School of Art Diploma Show; minutes of meetings of the Small Industries Council; Craft Officer's Report for the Joint Crafts Committee; correspondence with the Small Industries Council about topics such as: The Crafts Entrants Scheme, staffing of the Scottish Craft Centre, Craftsmen training schemes, a Scottish Craft Trade Fair, and Craftwork magazine.

Includes the following issues: Jun 2021

Red short sleeve tshirt with "RED" printed in white on front.