- TSW/107
- Item
- c1970s-1980s
Cream coloured fabric, presumed to be a cotton mix, with blue coloured grid over an irregular multi-colour spot and ribbon pattern.
*Not available / given
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Cream coloured fabric, presumed to be a cotton mix, with blue coloured grid over an irregular multi-colour spot and ribbon pattern.
*Not available / given
Four different coloured samples of woollen furnishing fabric designed for an RSA Bursaries competition in 1980, one mustard/brown based, one maroon, one dark blue and one green.
Carmichael, Catherine
Double-faced, tightly woven woollen sample with checkered design of criss-crossed vertical and horizontal bands in different shades of red, orange, yellow, pink, green, blue and purple.
Sinclair, Christine
Plain weave sample made with cotton thread in shades of cream, peach, and dark green. The design forms a pattern of vertical stripes and bands, with the solid green bands woven with a puckered effect.
Farrell, Jackie
'Homage to the Studio': Rust-dyed and heat-manipulated crepe satin
Rust-dyed and heat-manipulated crepe satin. Inspired by the 2014 fire in the Mackintosh Building. Stored along with nails (NMC/1962B) and textile (NMC/1962C) in presentation box (NMC/1962A).
McQuarrie, Erin
'Homage to the Studio': Rust-dyed crepe de chine
Rust-dyed crepe de chine. Inspired by the 2014 fire in the Mackintosh Building. Stored along with nails (NMC/1962B) and textile (NMC/1962D) in presentation box (NMC/1962A).
McQuarrie, Erin
'Homage to the Studio': Nails from Mackintosh Building, bound with tape
Three rusty nails from the Mackintosh Building, bound with cotton rust-dyed tape. Inspired by the 2014 fire in the Mackintosh Building. Stored along with textiles (NMC/1962C & D) in presentation box (NMC/1962A).
McQuarrie, Erin
'Homage to the Studio': Presentation box
Presentation box containing bound nails (NMC/1962B) and rust-dyed textiles (NMC/1962C & D) inspired by the 2014 Mackintosh Building fire.
McQuarrie, Erin
Printed and hand painted textile length
Printed and hand painted textile length. Inspired by the fire at the Mackintosh building in 2014.
McQuarrie, Erin
Nails and plaster cast pattern on textile
Nails and plaster cast pattern on textile. Inspired by the fire at the Mackintosh building in 2014.
McQuarrie, Erin
Textile design
Hill, Linda
Textile design
Hill, Linda
'Ox-eye Daisy' textile design
Hill, Linda
Embroidered collage of Eaglesham
The piece is a depiction of Eaglesham with trees in the foreground and houses in the background.
Whyte, Helen Kathleen R
Design depicting a horse.
Munro, Liz
Tapestry (after Bayeux Tapestry)
Annotated on reverse: "Sheena Crawford, 1st year 2nd Section, 1965-1966".
Crawford, Sheena
Small travelling bag with cotton ties.
Parker, Agnes Miller
Cummerbund with batik decoration.
Parker, Agnes Miller
Single curtain with applied batik decoration.
Parker, Agnes Miller
Long silk and linen woven scarf with fringed ends. It has geometric designs and subtle colour changes and blends, achieved through dip dyed warp. Scarf is in shades of green, grey, orange and brown.
Sumsion, Sarah
Long silk and linen woven scarf with fringed ends. It has geometric designs and subtle colour changes and blends, achieved through dip dyed warp. Scarf is in shades of purple, red and pink and has a maker's tag with the name Sarah Sumsion.
Sumsion, Sarah
Mackintosh School of Architecture banner
Heavyweight unbleached cotton vertical banner with Mackintosh weather vane in brown and Mackintosh School of Architecture in red Mackintosh style lettering underneath.
The Glasgow School of Art
Fringed, printed woolen stole with a stylised figure design in shades of mustard, claret, navy blue and pink.
Jack, Joanie
Fringed, printed woolen stole in brightly coloured architecture-inspired patterns with applied plastic sequins.
Jack, Joanie
Wedding head dress. Thought to have been designed and possibly also made by either Daisy or Violet Anderson (see DC 022).
The Anderson family
Ivory coloured full length dress in two layers, with a fine gauze silk over silk satin. Braided shoelace straps, fitted bodice and full skirt with decorative flounces. Eighteen covered buttons down back. Some damage through wear and from the metal parts of the buttons. Thought to have been designed and possibly also made by either Daisy or Violet Anderson (see DC 022).
The Anderson family
Cream, synthetic velvet full-length dress coat. High neck, fitted bodice with long sleeves gathered on the shoulder and fastened with three double covered buttons at waist level. An open skirt falls in a narrow A line below with simple edge to edge closing on the front and a shaped central back panel to suggest a train. Badly marked by decay of metal sections of the covered buttons. Believed to have been designed and possibly made by either Violet or Daisy Anderson (see DC 022).
The Anderson family
Remnant length of heavy cotton upholstery fabric printed in bold geometric design in shades of orange, red, purple and brown. Deposited by Crissie White.
Perritt, Peter R
Rectangular pieces of silk sewn together to form a geometric pattern in pink, black, blue, green, gold and cream.
Day, Lucienne
This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014 and was conserved in 2018-19. The digital images attached to this record are of stencils which were loose inside the front cover of the book, and not pages of the book itself.
*Not available / given
This length was created (as part of NMC/1579-1581) by Isobel Stirling for her Diploma Show in 1948 and produced under the supervision of Agnes McCreadie. In brown, burgundy and blue.
Smyth, Isobel
This length was created (as part of NMC/1579-1581) by Isobel Stirling for her Diploma Show in 1948 and produced under the supervision of Agnes McCreadie.
Smyth, Isobel
Printed length for degree show
This length was created (as part of NMC/1579-1581) by Isobel Stirling for her Diploma Show in 1948 and produced under the supervision of Gladys Harrison. The design was based on an exercise using cut out paper, particularly the discarded pieces of paper rather than the shapes cut out.
Smyth, Isobel
Printed mat featuring three men design
Printed textile panel, signed by Stewart, which is unhemmed. The design features three stylised men in hats with beards and red royalist outfits. The background material is green in colour.
Stewart, Robert
Printed mat featuring three men design
Printed textile panel, signed by Stewart, which is unhemmed. The design features three stylised men in hats with beards and red royalist outfits. The background material is teal in colour.
Stewart, Robert
Blazer which was worn as part of a uniform by a student at The Glasgow School of Art.
*Not available / given
4 pieces in mount. Two textile samples showing colour gradiations. One painted piece and corresponding photograph.
Stewart, Robert
Design of bird and flowers.
Jackson, May
Design of frog and dragonfly.
Jackson, May
Design for wall decoration - mermaids. On mount: Design for wall decoration/ Violet McGlashan/76/Owen Jones competition.
McGlashan, Violet Meikle
Design for printed hanging - flowers. Same design as NMC/115B. On mount: Design for printed hanging/ Violet McGlashan/76/Owen Jones competition.
McGlashan, Violet Meikle
Textile design - velvet brocade
Design for printed hanging - flowers. On mount: V/ McGlashan/76/Monthly competition 14/3/92.
McGlashan, Violet Meikle
Design for embroidered pulpit-fall, 'Be Ye Doers of the word not hearers only.' The words of the design are taken from James, chapter 1, verse 22 in the New Testament. Inscribed upper right: Design for a pulpit fall/J.R. Newbery Centre: "Be Ye Doers of the world not hearers only".
Newbery, Jessie Wylie
Part of Records and textiles of the Needlework Development Scheme
A black hardcover book published by NDS on different embroidery stitches and techniques based on the contents of the Needlework Development Scheme embroidery bulletins (see NDS/PUB/5). Contains 144 pages.
The Needlework Development Scheme
Abstract design for fabric.
Mackintosh, Charles Rennie
Similar panels appear in Mackintosh's drawings of the east wall of the principal bedroom at The Hill House although it is not certain when they were installed there as early photographs taken in 1904 do not show them. The panels appear to be duplicates of those shown at the Vienna Secession exhibition in 1900 and bought by Emil Blumenfelt; at least one of these (listed as a 'bed curtain') was lent by Blumenfelt to the Turin exhibition in 1902 - although it lacks the lower section of black silk seen on The Hill House panels.
Mackintosh, Margaret Macdonald
Similar panels appear in Mackintosh's drawings of the east wall of the principal bedroom at The Hill House although it is not certain when they were installed there as early photographs taken in 1904 do not show them. The panels appear to be duplicates of those shown at the Vienna Secession exhibition in 1900 and bought by Emil Blumenfelt; at least one of these (listed as a 'bed curtain') was lent by Blumenfelt to the Turin exhibition in 1902 - although it lacks the lower section of black silk seen on The Hill House panels.
Mackintosh, Margaret Macdonald