- EWTC/02/v2
- Part
- Late 19th century
Part of Embroidered and Woven Textile Collection, Glasgow School of Art
*Not available / given
Part of Embroidered and Woven Textile Collection, Glasgow School of Art
*Not available / given
Part of Embroidered and Woven Textile Collection, Glasgow School of Art
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
Not available / given
Part of Records and textiles of the Needlework Development Scheme
Not available / given
Fragment of Border (Version 2)
Part of Records and textiles of the Needlework Development Scheme
Part of Records and textiles of the Needlework Development Scheme
Part of Records and textiles of the Needlework Development Scheme
Part of Records and textiles of the Needlework Development Scheme
Part of Records and textiles of the Needlework Development Scheme
Part of Records and textiles of the Needlework Development Scheme
Part of Records and textiles of the Needlework Development Scheme
Imperial Ceremonial Robe (Version 1)
Part of Records and textiles of the Needlework Development Scheme
*Not available / given
Design for embroidered pulpit-fall, 'Be Ye Doers of the word not hearers only.' The words of the design are taken from James, chapter 1, verse 22 in the New Testament. Inscribed upper right: Design for a pulpit fall/J.R. Newbery Centre: "Be Ye Doers of the world not hearers only".
Newbery, Jessie Wylie
McGlashan, Daisy Agnes
Embroidered bedspread of linen with applique. The technique, lettering and choice of inscription are typical of Jessie Newbery's work. From the wear on the stitching of the inscription it is obvious that the bedspread has been in regular use. The heart shaped applique motifs are unfaded round the edges and there is evidence that the blue silk Inscribed: "God knows and/what he knows/is well and best/ the darkness/hideth not from/him but glows/clear as the/morning or the/evening rose/of east or west".
Carpet sample featuring floral repeat pattern (Version 2)
Not available / given
Masque Outfit, Fur (Version 1)
Pair of suede slippers, part of a Costume used in Glasgow School of Art Masque.
McGlashan, Daisy Agnes
Masque Outfit, Dress (Version 3)
Masque Outfit, Dress (Version 4)
Similar panels appear in Mackintosh's drawings of the east wall of the principal bedroom at The Hill House although it is not certain when they were installed there as early photographs taken in 1904 do not show them. The panels appear to be duplicates of those shown at the Vienna Secession exhibition in 1900 and bought by Emil Blumenfelt; at least one of these (listed as a 'bed curtain') was lent by Blumenfelt to the Turin exhibition in 1902 - although it lacks the lower section of black silk seen on The Hill House panels.
Mackintosh, Margaret Macdonald
Similar panels appear in Mackintosh's drawings of the east wall of the principal bedroom at The Hill House although it is not certain when they were installed there as early photographs taken in 1904 do not show them. The panels appear to be duplicates of those shown at the Vienna Secession exhibition in 1900 and bought by Emil Blumenfelt; at least one of these (listed as a 'bed curtain') was lent by Blumenfelt to the Turin exhibition in 1902 - although it lacks the lower section of black silk seen on The Hill House panels.
Mackintosh, Margaret Macdonald
Masque Outfit, Fur (Version 2)
Part of a costume used in a Glasgow School of Art Masque.
McGlashan, Daisy Agnes
Part of a costume used in Glasgow School of Art Masque. The wig may have been acquired separately, after the rest of the outfit, which at one point is believed to have included a cape and dagger.
McGlashan, Daisy Agnes
Carpet sample featuring floral repeat pattern (Version 1)
Not available / given
Masque Outfit, Dress (Version 1)
Masque Outfit, Dress (Version 2)
Embroidered trim/choker (Version 1)
Glasgow style tie-back or belt (Version 1)
White linen with embroidery. The design and technique shows influence of Jessie Newbery's teaching.
McGlashan, Daisy Agnes
Glasgow style tie-back or belt (Version 2)
Horizontal banner depicting symbolism of Glasgow/St Mungo.
Macbeth, Ann