- TSW/109
- Item
- c1970s-1980s
Cream coloured fabric, presumed to be a cotton mix, with green coloured grid over an irregular multi-colour spot and ribbon pattern.
*Not available / given
443 results with digital objects Show results with digital objects
Cream coloured fabric, presumed to be a cotton mix, with green coloured grid over an irregular multi-colour spot and ribbon pattern.
*Not available / given
Cream coloured fabric, presumed to be a cotton mix, with yellow coloured grid over an irregular multi-colour spot and ribbon pattern.
*Not available / given
Cream coloured fabric, presumed to be a cotton mix, with blue coloured grid over an irregular multi-colour spot and ribbon pattern.
*Not available / given
Abstract floral design in shades of orange, cream, and purple threads on mustard silk organza. Mounted in cream card.
Wells, Kate Hobson
Applique and embroidery in blue and yellow, with silk deliberately frayed to suggest feathers.
Wells, Kate Hobson
Embroidery and applique wing design in shades of blue, green, orange and yellow on a brown ground in a cream card mount.
Wells, Kate Hobson
Padded and embroidered ice-cream cone design in shades of cream and yellow on a cream background with painted colour. Cream card mount.
Wells, Kate Hobson
Three pale blue silk backed embroideries, stitched in shades of blue and lemon silk through an acetate paper surface layer.
Wells, Kate Hobson
Brown, red, blue and gold coloured thread embroidered on a white cotton ground, with white wool part knitted, part caught down with thread. Red edged and mounted in white card.
Wells, Kate Hobson
Four different coloured samples of woollen furnishing fabric designed for an RSA Bursaries competition in 1980, one mustard/brown based, one maroon, one dark blue and one green.
Carmichael, Catherine
Double-faced, tightly woven woollen sample with checkered design of criss-crossed vertical and horizontal bands in different shades of red, orange, yellow, pink, green, blue and purple.
Sinclair, Christine
Plain weave sample made with cotton thread in shades of cream, peach, and dark green. The design forms a pattern of vertical stripes and bands, with the solid green bands woven with a puckered effect.
Farrell, Jackie
A small fabric soft "kitten" mascot.
Lviv National Academy of the Arts has been a hub for displaced staff and students since the beginning of the invasion of Ukraine in 2022. Volunteers have been making camouflage nets for the front line. But alongside this they have also been making small toys/mascots for the soldiers from the leftover camouflage fabric. The Ukrainian soldiers are affectionately called “Our Kittens”, their Kittens fighting for Ukraine.
This "kitten" was gifted to GSA's Archives and Collections staff as a token of thanks from colleagues in the Lviv National Academy of the Arts. GSA Archives and Collections staff mentored LNAA staff through a digitisation project in 2023, as part of the funded project "Developing and Promoting Sustainable Cultural Heritage in Disaster Contexts" which was part of GSA's ongoing twinning with Lviv National Academy of the Arts. GSA's Archives and Collections staff were told that we here at GSA are also LNAA's "kittens", fighting to protect the heritage of LNAA and Ukraine.
Not available / given
Liturgical Text for Non-Believers
Digital print of text on chiffon.
Gill, Rebecca
Runner embroidered with three highly stylised (Glasgow Style) flower motifs arising from three leaf motifs below.
Not available / given
Square cushion cover with simple wreath, trellis, Glasgow style roses and leaves, in shades of pale green, cream and pink. Includes chain, satin and cretan stiching, French knots and couching.
Not available / given
'Homage to the Studio': Rust-dyed and heat-manipulated crepe satin
Rust-dyed and heat-manipulated crepe satin. Inspired by the 2014 fire in the Mackintosh Building. Stored along with nails (NMC/1962B) and textile (NMC/1962C) in presentation box (NMC/1962A).
McQuarrie, Erin
'Homage to the Studio': Rust-dyed crepe de chine
Rust-dyed crepe de chine. Inspired by the 2014 fire in the Mackintosh Building. Stored along with nails (NMC/1962B) and textile (NMC/1962D) in presentation box (NMC/1962A).
McQuarrie, Erin
'Homage to the Studio': Nails from Mackintosh Building, bound with tape
Three rusty nails from the Mackintosh Building, bound with cotton rust-dyed tape. Inspired by the 2014 fire in the Mackintosh Building. Stored along with textiles (NMC/1962C & D) in presentation box (NMC/1962A).
McQuarrie, Erin
'Homage to the Studio': Presentation box
Presentation box containing bound nails (NMC/1962B) and rust-dyed textiles (NMC/1962C & D) inspired by the 2014 Mackintosh Building fire.
McQuarrie, Erin
Printed and hand painted textile length
Printed and hand painted textile length. Inspired by the fire at the Mackintosh building in 2014.
McQuarrie, Erin
Nails and plaster cast pattern on textile
Nails and plaster cast pattern on textile. Inspired by the fire at the Mackintosh building in 2014.
McQuarrie, Erin
Textile design
Hill, Linda
Textile design
Hill, Linda
'Ox-eye Daisy' textile design
Hill, Linda
Embroidered panel on silk, framed
McCormick, Catherine McGregor
Embroidered collage of Eaglesham
The piece is a depiction of Eaglesham with trees in the foreground and houses in the background.
Whyte, Helen Kathleen R
Design depicting a horse.
Munro, Liz
Tapestry (after Bayeux Tapestry)
Annotated on reverse: "Sheena Crawford, 1st year 2nd Section, 1965-1966".
Crawford, Sheena
Artistic Dress made by a third year Interior Design student as a project for the 'Artistic Dress - Fashion, Style and identity' course. Full length, long sleeved 'A' line dress in dark blue, with a square neck and a central panel of applique in stylized floral shapes in cream, beige and lemon, with an orange/gold ribbon edging to the area. Also, an essay about Artistic dress and making a dress inspired by her studies.
Broger, Anna
Small travelling bag with cotton ties.
Parker, Agnes Miller
Cummerbund with batik decoration.
Parker, Agnes Miller
Single curtain with applied batik decoration.
Parker, Agnes Miller
Tweed motoring cap (to match coat NMC/1780A) with wood engraving of two cats "Minnie and Jeannie" on fabric inserted behind clear lining.
Parker, Agnes Miller
Tweed motoring coat - ankle length and lined.
Parker, Agnes Miller
Graduation gown belonging to William McCance.
*Not available / given
William McCance's artist's smock.
*Not available / given
Long silk and linen woven scarf with fringed ends. It has geometric designs and subtle colour changes and blends, achieved through dip dyed warp. Scarf is in shades of green, grey, orange and brown.
Sumsion, Sarah
Long silk and linen woven scarf with fringed ends. It has geometric designs and subtle colour changes and blends, achieved through dip dyed warp. Scarf is in shades of purple, red and pink and has a maker's tag with the name Sarah Sumsion.
Sumsion, Sarah
Mackintosh School of Architecture banner
Heavyweight unbleached cotton vertical banner with Mackintosh weather vane in brown and Mackintosh School of Architecture in red Mackintosh style lettering underneath.
*Not available / given
Exhibition catalogue for the Mackintosh Interpreted exhibition
Printed catalogue from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Centre for Advanced Textiles
Textile related to the Mackintosh Interpreted exhibition
'Dried Dahlias' by J.R.Campbell.
Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Centre for Advanced Textiles
Textile related to the Mackintosh Interpreted exhibition
Mackintosh's textile design: flower bulbs 1915-23 (3 of 3).
Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Centre for Advanced Textiles
Textile related to the Mackintosh Interpreted exhibition
Mackintosh's textile design: flower bulbs 1915-23 (2 of 3).
Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Centre for Advanced Textiles
Textile related to the Mackintosh Interpreted exhibition
Mackintosh's textile design: flower bulbs 1915-23 copied from watercolour in the Hunterian Collection, cat:GLAHA41999 (1 of 3).
Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Centre for Advanced Textiles
Textile related to the Mackintosh Interpreted exhibition
'Gothic Bulbs'.
Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Begg, Vicky
Textile related to the Mackintosh Interpreted exhibition
'Wave Check'.
Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Begg, Vicky
Textile related to the Mackintosh Interpreted exhibition
'Stylised Daisies Deco'.
Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Begg, Vicky