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Cream coloured fabric, presumed to be a cotton mix, with yellow coloured grid over an irregular multi-colour spot and ribbon pattern.

Cream coloured fabric, presumed to be a cotton mix, with blue coloured grid over an irregular multi-colour spot and ribbon pattern.

Four different coloured samples of woollen furnishing fabric designed for an RSA Bursaries competition in 1980, one mustard/brown based, one maroon, one dark blue and one green.

Double-faced, tightly woven woollen sample with checkered design of criss-crossed vertical and horizontal bands in different shades of red, orange, yellow, pink, green, blue and purple.

Plain weave sample made with cotton thread in shades of cream, peach, and dark green. The design forms a pattern of vertical stripes and bands, with the solid green bands woven with a puckered effect.

'The Storage Theatre': Plaster cast made from exterior of the B listed art deco building at 140 Salkeld Street, Glasgow. One of a set of three.

"The Storage Theatre explores the ways both artists and archaeologists understand the world through the material traces of the past."

Source: https://picbabun.com/lucykerr_design

'The Storage Theatre': Plaster cast made from exterior of the B listed art deco building at 140 Salkeld Street, Glasgow. One of a set of three.

"The Storage Theatre explores the ways both artists and archaeologists understand the world through the material traces of the past."

Source: https://picbabun.com/lucykerr_design

'The Storage Theatre': Plaster cast made from exterior of the B listed art deco building at 140 Salkeld Street, Glasgow. One of a set of three.

"The Storage Theatre explores the ways both artists and archaeologists understand the world through the material traces of the past."

Source: https://picbabun.com/lucykerr_design

'The Storage Theatre' portfolio from the artist's degree show project in interior design.

"The Storage Theatre explores the ways both artists and archaeologists understand the world through the material traces of the past."

Source: https://picbabun.com/lucykerr_design

'Stroll', a paper based game

'Obstruct': 1 of a set of 5 ceramic pots, wheel thrown with hand-built adjustments.

Artist statement: "Hostile architecture is a phenomenon with rase rise significantly throughout urban design this century. A widely recognised example of this type of design is the 'uncomfortable bench'. Interventions of this kind are now familiar, and can even be a cause of comfort to privileged audiences, but it is important to consider their sociological effects. We have replaced human interaction, nuance and empathy with hard, physical and non-negotiable solutions. Identifying five core aspects of hostile urban design - limit, control, obstruct, impede and deter - I have developed a series of ceramic cups which each embody one of these qualities."

Source: https://drive.google.com/file/d/1Pe53s2N6laNXHxxQ-RrjA5cjvuFNeUPC/view

'Impede': 1 of a set of 5 ceramic pots, wheel thrown with hand-built adjustments.

Artist statement: "Hostile architecture is a phenomenon with rase rise significantly throughout urban design this century. A widely recognised example of this type of design is the 'uncomfortable bench'. Interventions of this kind are now familiar, and can even be a cause of comfort to privileged audiences, but it is important to consider their sociological effects. We have replaced human interaction, nuance and empathy with hard, physical and non-negotiable solutions. Identifying five core aspects of hostile urban design - limit, control, obstruct, impede and deter - I have developed a series of ceramic cups which each embody one of these qualities."

Source: https://drive.google.com/file/d/1Pe53s2N6laNXHxxQ-RrjA5cjvuFNeUPC/view

'Control': 1 of a set of 5 ceramic pots, wheel thrown with hand-built adjustments.

Artist statement: "Hostile architecture is a phenomenon with rase rise significantly throughout urban design this century. A widely recognised example of this type of design is the 'uncomfortable bench'. Interventions of this kind are now familiar, and can even be a cause of comfort to privileged audiences, but it is important to consider their sociological effects. We have replaced human interaction, nuance and empathy with hard, physical and non-negotiable solutions. Identifying five core aspects of hostile urban design - limit, control, obstruct, impede and deter - I have developed a series of ceramic cups which each embody one of these qualities."

Source: https://drive.google.com/file/d/1Pe53s2N6laNXHxxQ-RrjA5cjvuFNeUPC/view

'Limit': 1 of a set of 5 ceramic pots, wheel thrown with hand-built adjustments.

Artist statement: "Hostile architecture is a phenomenon with rase rise significantly throughout urban design this century. A widely recognised example of this type of design is the 'uncomfortable bench'. Interventions of this kind are now familiar, and can even be a cause of comfort to privileged audiences, but it is important to consider their sociological effects. We have replaced human interaction, nuance and empathy with hard, physical and non-negotiable solutions. Identifying five core aspects of hostile urban design - limit, control, obstruct, impede and deter - I have developed a series of ceramic cups which each embody one of these qualities."

Source: https://drive.google.com/file/d/1Pe53s2N6laNXHxxQ-RrjA5cjvuFNeUPC/view

'Deter': 1 of a set of 5 ceramic pots, wheel thrown with hand-built adjustments.

Artist statement: "Hostile architecture is a phenomenon with rase rise significantly throughout urban design this century. A widely recognised example of this type of design is the 'uncomfortable bench'. Interventions of this kind are now familiar, and can even be a cause of comfort to privileged audiences, but it is important to consider their sociological effects. We have replaced human interaction, nuance and empathy with hard, physical and non-negotiable solutions. Identifying five core aspects of hostile urban design - limit, control, obstruct, impede and deter - I have developed a series of ceramic cups which each embody one of these qualities."

Source: https://drive.google.com/file/d/1Pe53s2N6laNXHxxQ-RrjA5cjvuFNeUPC/view

Rust-dyed and heat-manipulated crepe satin. Inspired by the 2014 fire in the Mackintosh Building. Stored along with nails (NMC/1962B) and textile (NMC/1962C) in presentation box (NMC/1962A).

Rust-dyed crepe de chine. Inspired by the 2014 fire in the Mackintosh Building. Stored along with nails (NMC/1962B) and textile (NMC/1962D) in presentation box (NMC/1962A).

Three rusty nails from the Mackintosh Building, bound with cotton rust-dyed tape. Inspired by the 2014 fire in the Mackintosh Building. Stored along with textiles (NMC/1962C & D) in presentation box (NMC/1962A).

Presentation box containing bound nails (NMC/1962B) and rust-dyed textiles (NMC/1962C & D) inspired by the 2014 Mackintosh Building fire.

Printed and hand painted textile length. Inspired by the fire at the Mackintosh building in 2014.

Nails and plaster cast pattern on textile. Inspired by the fire at the Mackintosh building in 2014.

Textile length, Mercury's profile

Board game created for Postgraduate Degree Show, 2017

Prints from bookplate NMC/1956A.

Bookplate mounted on wooden block, signed LP (Lennox Paterson). A gift from the donor's parents.

Textile design

Textile design

'Ox-eye Daisy' textile design

Framed architectural drawing of design for an oriel window. Annotated with 'Design for Oriel Window', artist's name and 'No. 1'.

Print from 'The Misinformation Ecosystem'. Annotated in pencil 'AP', 'The Misinformation Ecosystem' and signed by the artist.

Collograph used in the making of 'A Periodical', NMC/1933A. Collographs were made, then scanned and colour added in Photoshop.

Collograph used in the making of 'A Periodical', NMC/1933A. Collographs were made, then scanned and colour added in Photoshop.

Collograph used in the making of 'A Periodical', NMC/1933A. Collographs were made, then scanned and colour added in Photoshop.

'A Periodical', newspaper publication presenting the graphic works of Indre Simkute, exploring the natural cycle of a woman's body.

Design for a set of curtains, featuring birds and floral motifs. Annotated with 'Sketch Design for Curtains', artist's name and 'March 1912'. Drawn while the artist studied at Dundee Technical College and School of Art, 1911-1912.

Elliptical necklace with two drug capsules

Sketchbook containing drawings of shield designs and design conventions. Annotated with artist's name and student number 'Kitty McCormick 365'

The Glasgow School of Art promotional book of matches. Annotated with GSA 12 squares logo on front flap, '167 Renfrew Street Glasgow G3 6RQ Scotland' and 'BRITISH MADE' on the reverse, and 'Glasgow School of Art' on the top fold.

'Wendy House' animation digital file

White plywood triangular table, part of set of two chairs and table. Made by the artist whilst in the Interior Design Department in 1965/66.

White plywood chair, part of set of two chairs and table. Made by the artist whilst in the Interior Design Department in 1965/66.

White plywood chair, part of set of two chairs and table. Made by the artist whilst in the Interior Design Department in 1965/66.

Silver water jug. Labels on underside annotated 'Glasgow', 'Roderick MacLellan', 'Glasgow 1977', '63', '1'

Silver tumbler. Labels on internal base annotated 'Glasgow', 'Hilary Sanders'.

Silver tumbler. Labels on underside annotated 'Glasgow', 'Gillian Barclay'.

Silver tumbler. Labels on underside annotated 'Glasgow', 'Jane MacFarlane'.