Giraffe - animal studies (Version 2)
- NMC/0147C/v2
- Part
- c1940s-1950s
3521 results with digital objects Show results with digital objects
Giraffe - animal studies (Version 2)
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.
Fleming, Ian
Glasgow School of Art Club membership card
Archibald Haswell Miller's Glasgow School of Art Club membership card.
Miller, Archibald E Haswell
Glasgow School of Art from Muirhead Moffat's Shop
View of the Mackintosh building (south-west facade), seen from Sauchiehall Street. Cinema in foreground.
Scott, Isobel Maclagan
Stone archway.
Palmer, Joan
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Blue and green abstract design.
Brown, Neil Dallas
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Landscape with mountains.
Mackie, Thomas Callendar Campbell
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Decorative panel with lettering: Script reads: God Bless The Men That Build The Ship/Tis Not For Wages/Only That They/Labour But To Save/Men's Lives.'.
Craig, Ailsa
Glasgow street scene.
Goodhall, John
A study and copy of images from the book 'Grammar of Ornament', by Owen Jones, published by Bernard Quaritch. Two colour drawings and some hand written text discussing Egyptian ornament and decoration.
Cameron, Dugald
Graphic designs for school magazines
Part of Material relating to Gerard V Murphy, former GSA student
Four printed graphic designs featuring school magazine covers, annotated "Coatbridge Secondary School Magazine" and "Airdrie Academy Magazine." The designs are attached to backing paper and two of them are dated 1937 and 1938. This work was used as teaching material in schools in Scotland, as marked the level of students "Fifth year."
Murphy, Gerard V
Graphic drawings for teaching pattern design
Part of Material relating to Gerard V Murphy, former GSA student
Four pieces of teaching examples for pattern designs, attached to backing paper. These pattern designs, featuring an interplay of waves and geometric shapes, were used as teaching materials in schools in Scotland, as marked the level of students "First year."
Murphy, Gerard V
Includes:
Mackintosh, Charles Rennie
Part of Material relating to Gerard V Murphy, former GSA student
A painted graphical pattern design illustrating a sequence of figures with wavy lines. Includes annotations of student registration no. ("No. 71") and signed "Gerard Murphy."
Murphy, Gerard V
Grass of Parnassus flower study
Flower study in watercolour, framed.
Anderson, Daisy McGlashan
Grass of Parnassus flower study (Version 1)
Grass of Parnassus flower study (Version 2)
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
A drawing of standing figurative sculptures in various poses and in medieval garments and accessories. Annotated "Grave slabs at the Abbey. Isle of IONA". Drawn in charcoal pencil and graphite pencil on white paper.
Taylor, Fraser
Greek Theatre, Taormina, Sicily
"A E H Miller. Taormina 1913. 11 June", bottom right.
Miller, Archibald E Haswell
Green abstract watercolour and drawn seascape
Part of Papers and Textiles of Veronica Matthew, student at The Glasgow School of Art, 1950s
Includes two pieces of art pasted onto a white paper. First artwork is an abstract watercolour with orange mountains or trees, white and orange faces, and other brown parts. Second artwork is a brown paper with blue and purple splotches. Includes drawn boats on water with fish.
Matthew, Veronica
Male figure holding a glass to a candle. Possibly by A. Sauer.
*Not available / given
Male figure examining model boats. Possibly by A. Sauer.
*Not available / given
Group photograph featuring Haswell Miller alongside a group of students
The photograph features a group of ten male students in a painting class, with Archibald Haswell Miller in the centre back.
*Not available / given
Group photograph featuring Haswell Miller alongside a group of students and an academic
The photograph features a group of fifteen male and four male students alongside Maurice Greiffenhagen, The reverse of the photograph shows the text "Haswell Miller / Centre back (highlighted) / (c1903) Student at Glasgow School of Art".
*Not available / given
The photograph features Archibald Haswell Miller in the centre of the image, alongside a group of sixteen males and one female in a studio. The man on the right end of the image seems to be an academic. The annotations show the text "MARR SCHULE. MUNICH ACADEMY April 1909", lists the names of some of the people in the photograph and is supported by a map placing them in the photograph.
An annotation on the top right corner of the cardboard shows "1909".
*Not available / given
Group photograph featuring Haswell Miller alongside students of the Academy of Fine Arts of Munich
The item shows two different photographs. The first photograph features Archibald Haswell Miller smoking a pipe in the centre of the image, alongside a group of seventeen male and one female students. The annotations below the photograph inform it was taken at the Academy of Fine Arts of Munich. The text reads "The Marrschule. Munich Akademie 1909. [...] as G.C. with halo hold by Baliut".
The second photograph features John R. Covert sitting in a rocket chair. The annotations on the left hand side show the text "John R. Covert. American faint abstract painter. In Munich 1910". The annotation on the right hand side show the text "Here he is – a malen. Oh see [...] he sits and [...]. He'll paint – perhaps. And perhaps? –".
An annotation on the top right corner of the cardboard shows "1909-10".
The reverse of the cardboard lists the names and background of the nineteen students in the first photograph. It is supported by a map placing the subjects in the photograph.
*Not available / given
The photograph features Archibald Haswell Miller in the centre back of the image alongside three other students of the Academy of Fine Arts of Munich. The annotations below the photograph show the names "John R. Covert", "Oliver Smock", A Haswell Miller ("Glasgow-Muller"), and "Louis ("Consul") Miller". They also show the text "Vier Kunstakademiker. München 1909 - / John R. Covert / Oliver Smock / A Haswell Miller ("Glasgow-Muller") / Louis ("Consul") Miller. I [...] taken at a small fair in Munich Spring 1909. The screen represents the [...] of a Zeppelin airship the first of which had just visited Munich with great excitement."
An annotation on the top right corner of the cardboard shows "1909".
*Not available / given
The photograph features Archibald Haswell Miller in the centre back of the image alongside three other students of the Academy of Fine Arts of Munich. The annotations below the photograph show the text "R. Covert" and "A Haswell Miller".
The reverse of the photograph shows the text "AEHM in Germany (Munich) as a student (about 21 yrs)".
*Not available / given
Group photograph of female students
The photograph features a group of nineteen female students in an anatomy drawing class.
*Not available / given
Group photograph of female students
The photograph features a group of nineteen female students in an anatomy drawing class.
An annotation on the top right corner of the cardboard shows "1914".
*Not available / given
The photograph features a group of eleven male students. One of them is lying on an elevated flat surface with his core undressed, while the others gather around him.
The reverse of the photograph shows the text "E; J; C. Haswell doing a tableau of Rembrandt's Anatomy Lesson at Glasgow School of Art (1903-4?)".
*Not available / given
Group photograph of male and female students
The photograph features a group of sixteen male and nine female students.
*Not available / given
The photograph features a group of four female and one male students.
*Not available / given
Part of Papers of James Cosgrove
Small scale painting of head and shoulders of a person in front of hills and buildings.
Cosgrove, James
Hampton in Arden, Warwickshire
Study of farm buildings with church tower in background. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Miller, Archibald E Haswell
"A E Haswell Miller 1924" (in pen), bottom left.
Miller, Archibald E Haswell
Two studies of farm workers at harvest time. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Studies of various Hastings fishing boats. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Fishermen and labourers with wagons. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Figure drawing.
McCance, William
Figure study.
McCance, William
Figure study.
McCance, William
Murray, Charles
Liberton House (in pencil), bottom left.
Miller, Josephine Haswell
Black and white etching.
Sander, Thomas Edward
Designed for the 'Rose Boudoir', International Exhibition of Modern Decorative Art, Turin, 1902. This item was assessed for conversation in 2010 as part of the Mackintosh Conservation and Access project (2006-2010), and then again in 2018 following the fire in the Mackintosh Building in June 2018.
A Rose Boudoir included two gesso panels - composite works of plaster with pigment, set with glass beads - made exclusively by Macdonald. On the manifest for the exhibition, Mackintosh indicated that ‘duplicates only’ were available for sale. Two other versions, both in Glasgow, had the same design but with different palette and surface detail: The White Rose and the Red Rose hung above the mantle in the Mackintoshes’ own home, and can now be seen in the Mackintosh House at the Hunterian Art Gallery; and The Heart of the Rose belonged to Wylie Hill, a relative of Jessie Newbery, and was later given to the Glasgow School of Art. Previously it was assumed that these versions were created from a cartoon or template, each hand made, but it was difficult to tell which set came first, or even if they were made simultaneously. But recent analysis by Graciela Ainsworth Conservation Studio in Edinburgh has shown that the GSA version is not a gesso panel as we have come to understand Macdonald’s technique, but rather a traditional plaster cast that has been painted. This may seem like a minor technical point, but when considered alongside Mackintosh’s note that duplicates could be ordered, it reminds us that he carefully curated this space to show both that he and Macdonald could be commissioned to do entire rooms but were also very happy to have individual pieces replicated and sold on their own merit (information supplied by Dr Robyne Erica Calvert, Cultural Historian, Mar 2022).
Mackintosh, Margaret Macdonald
Mackintosh, Margaret Macdonald
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.
Kampmann-Jensen, Trine