- GSAA/EPH/9/2/3/v18
- Part
- 08 Nov 1915
Part of Records of The Glasgow School of Art, Glasgow, Scotland
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Part of Records of The Glasgow School of Art, Glasgow, Scotland
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Includes:
Please note this material is currently inaccessible do to its fragility.
The Glasgow Herald
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
These images show Charles Rennie Mackintosh and fellow Glasgow School of Art Students, Herbert MacNair, Frances Macdonald, Margaret Macdonald, Agnes Raeburn, Janet Aitken, Katherine Cameron and Jessie Keppie. Jessie Keppie's brother, John Keppie also appears in the photographs. John Keppie was a partner in Honeyman and Keppie, the architectural firm at which Mackintosh and Herbert McNair worked.
*Not available / given
'Homage to the Studio': Presentation box
Presentation box containing bound nails (NMC/1962B) and rust-dyed textiles (NMC/1962C & D) inspired by the 2014 Mackintosh Building fire.
McQuarrie, Erin
'Homage to the Studio': Nails from Mackintosh Building, bound with tape
Three rusty nails from the Mackintosh Building, bound with cotton rust-dyed tape. Inspired by the 2014 fire in the Mackintosh Building. Stored along with textiles (NMC/1962C & D) in presentation box (NMC/1962A).
McQuarrie, Erin
'Homage to the Studio': Rust-dyed crepe de chine
Rust-dyed crepe de chine. Inspired by the 2014 fire in the Mackintosh Building. Stored along with nails (NMC/1962B) and textile (NMC/1962D) in presentation box (NMC/1962A).
McQuarrie, Erin
'Homage to the Studio': Rust-dyed and heat-manipulated crepe satin
Rust-dyed and heat-manipulated crepe satin. Inspired by the 2014 fire in the Mackintosh Building. Stored along with nails (NMC/1962B) and textile (NMC/1962C) in presentation box (NMC/1962A).
McQuarrie, Erin
Knotted-wrack neckpiece, titled Feannagan 2, 2021. Materials include, Knotted-Wrack Seaweed (Ascophyllum nodosum), Hemp cord, brass, Steel.
Turner, Iona
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
Avella, Alfredo
'Obstruct': 1 of a set of 5 ceramic pots, wheel thrown with hand-built adjustments.
Artist statement: "Hostile architecture is a phenomenon with rase rise significantly throughout urban design this century. A widely recognised example of this type of design is the 'uncomfortable bench'. Interventions of this kind are now familiar, and can even be a cause of comfort to privileged audiences, but it is important to consider their sociological effects. We have replaced human interaction, nuance and empathy with hard, physical and non-negotiable solutions. Identifying five core aspects of hostile urban design - limit, control, obstruct, impede and deter - I have developed a series of ceramic cups which each embody one of these qualities."
Source: https://drive.google.com/file/d/1Pe53s2N6laNXHxxQ-RrjA5cjvuFNeUPC/view
Gray, Arvinda
'Impede': 1 of a set of 5 ceramic pots, wheel thrown with hand-built adjustments.
Artist statement: "Hostile architecture is a phenomenon with rase rise significantly throughout urban design this century. A widely recognised example of this type of design is the 'uncomfortable bench'. Interventions of this kind are now familiar, and can even be a cause of comfort to privileged audiences, but it is important to consider their sociological effects. We have replaced human interaction, nuance and empathy with hard, physical and non-negotiable solutions. Identifying five core aspects of hostile urban design - limit, control, obstruct, impede and deter - I have developed a series of ceramic cups which each embody one of these qualities."
Source: https://drive.google.com/file/d/1Pe53s2N6laNXHxxQ-RrjA5cjvuFNeUPC/view
Gray, Arvinda
'Control': 1 of a set of 5 ceramic pots, wheel thrown with hand-built adjustments.
Artist statement: "Hostile architecture is a phenomenon with rase rise significantly throughout urban design this century. A widely recognised example of this type of design is the 'uncomfortable bench'. Interventions of this kind are now familiar, and can even be a cause of comfort to privileged audiences, but it is important to consider their sociological effects. We have replaced human interaction, nuance and empathy with hard, physical and non-negotiable solutions. Identifying five core aspects of hostile urban design - limit, control, obstruct, impede and deter - I have developed a series of ceramic cups which each embody one of these qualities."
Source: https://drive.google.com/file/d/1Pe53s2N6laNXHxxQ-RrjA5cjvuFNeUPC/view
Gray, Arvinda
'Limit': 1 of a set of 5 ceramic pots, wheel thrown with hand-built adjustments.
Artist statement: "Hostile architecture is a phenomenon with rase rise significantly throughout urban design this century. A widely recognised example of this type of design is the 'uncomfortable bench'. Interventions of this kind are now familiar, and can even be a cause of comfort to privileged audiences, but it is important to consider their sociological effects. We have replaced human interaction, nuance and empathy with hard, physical and non-negotiable solutions. Identifying five core aspects of hostile urban design - limit, control, obstruct, impede and deter - I have developed a series of ceramic cups which each embody one of these qualities."
Source: https://drive.google.com/file/d/1Pe53s2N6laNXHxxQ-RrjA5cjvuFNeUPC/view
Gray, Arvinda
'Deter': 1 of a set of 5 ceramic pots, wheel thrown with hand-built adjustments.
Artist statement: "Hostile architecture is a phenomenon with rase rise significantly throughout urban design this century. A widely recognised example of this type of design is the 'uncomfortable bench'. Interventions of this kind are now familiar, and can even be a cause of comfort to privileged audiences, but it is important to consider their sociological effects. We have replaced human interaction, nuance and empathy with hard, physical and non-negotiable solutions. Identifying five core aspects of hostile urban design - limit, control, obstruct, impede and deter - I have developed a series of ceramic cups which each embody one of these qualities."
Source: https://drive.google.com/file/d/1Pe53s2N6laNXHxxQ-RrjA5cjvuFNeUPC/view
Gray, Arvinda
Design sketch for cups and saucers
Part of Material relating to Gerard V Murphy, former GSA student
A design sketch for a cup and saucer set, including side elevation drawings of the cup and two sketches of the saucer. Includes annotations of student registration no. ("No. 71") and signed "G. Murphy."
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
Three small watercolour drawings of birds: a chicken, a dove, and an owl. No dates and signatures.
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
18 life sketches depicting male and female figures. The majority are not dated or marked while a few pieces signed "G. Murphy." Some are attached to backing paper. Potentially worked in a drawing class at Glasgow School of Art.
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
Three architectural sketches illustrating Tomb of Galla Placidia and a Gothic window design. Stamped "The Glasgow School of Architecture, Session 1935-36."
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
15 painted pattern designs featuring floral, organic, and geometric motifs, including one book cover design for 'Gulliver's Travels' by Jonathan Swift. Most of these designs are likely intended for use in wallpaper, textiles, or graphics, and attached to black backing paper. Some include annotations of student registration no. ("No. 71") and signed "Gerard Murphy."
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
A series of watercolour drawings featuring plant subjects (namely Anemone, Holly, Lilly, and Violet flowers) and a folder for storing the paintings. Half of the items have been signed "G. Murphy, No. 71", and one drawing has been annotated.
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
A set of anatomical studies of a head, hand, leg, foot and human bodies. All the material has annotations of student registration number ("NO. 71") and signed "G. Murphy."
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
14 sheets of teaching examples and one title page, assumed to have been compiled as Murphy's portfolio during his career as an art teacher in schools located in Scotland, such as Motherwell RC High School and Coatbridge Secondary School. These teaching materials include pattern designs, graphic designs (possibly for students' school activities), and woodblock printmaking examples. Most items have been marked with the intended level of students as appropriate examples for education.
Murphy, Gerard V
Material relating to Gerard V Murphy, former GSA student
A variety of drawings and graphic designs created by Gerard V. Murphy, a former student at The Glasgow School of Art in the 1930s. The diverse subjects of his drawings include animals, plants, architecture, human anatomy and figures. A subfonds titled 'Teaching examples' features his teaching materials as an art teacher at schools, intended for printmaking techniques and pattern design education.
Most items have been marked with his name or student registration numbers, assuming they were created during his time as a student at GSA. The dominant materials in his works are pencil and watercolour, worked on cartridge paper.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation was completed in 2019.
Murphy, Gerard V
George A. Oliver Register of Photographs 1953
Register book kept by George Oliver detailing photographs featured in various publications.
Oliver, George
Poster for careers seminar 'Gettin' Yer Livin'?', Glasgow
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for careers seminar 'Gettin' Yer Livin'?', Mac[kintosh] Lecture Theatre, Glasgow, 04 Nov. The year is not given but is believed to be late 20th century.
Not available / given
Poster for lecture 'Paolozzi "Images & Media"', Glasgow
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for lecture and slide show 'Paolozzi "Images & Media"', Haldane Building, Glasgow, 11 Feb. The year is not given but is believed to be c1970s.
Not available / given
Poster for lecture 'Ron Heron Pentagram', Glasgow
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for lecture 'Ron Heron Pentagram', Bourdon Lecture Theatre, Glasgow, 26 Apr. The year for the poster is not given but is believed to be late 1970s to early 1980s. As the lecture was held on a Thursday , the year would be 1979 or 1984.
*Not available / given
Poster for exhibition and performance by Still House Plants, Glasgow
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for exhibition and performance by Still House Plants, Glasgow as part of the Glasgow International Festival 2016. The exhibition and performance were held in a pavilion installation at the Kinning Park Complex, with the opening on 09 Apr 2016 and the matinee on 14 Apr 2016.
Source: https://thequietus.com/articles/28753-still-house-plants-fast-edit-review
*Not available / given
Poster for exhibition "Form and Fluidity"
Part of Records of The Glasgow School of Art, Glasgow, Scotland
A3 colour poster for "Form and Fluidity", an exhibition of artists' books by Glasgow School of Art Printmaking Department, held at the Marble Hall, Mitchell Library, Glasgow, 5th-31st Mar 1999.
Johnson, Mary
Part of Records of The Glasgow School of Art, Glasgow, Scotland
*Not available / given
Part of Records of The Glasgow School of Art, Glasgow, Scotland
*Not available / given
Part of Records of The Glasgow School of Art, Glasgow, Scotland
*Not available / given
Part of Records of The Glasgow School of Art, Glasgow, Scotland
*Not available / given
Part of Records of The Glasgow School of Art, Glasgow, Scotland
*Not available / given
Part of Records of The Glasgow School of Art, Glasgow, Scotland
*Not available / given
Part of Records of The Glasgow School of Art, Glasgow, Scotland
*Not available / given