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This poster advertised the work of graduating students from the fine art department who were exhibiting as part of The Glasgow School Of Art's annual degree show in 1990. The exhibition included work by students studying environmental art, painting, photography, printmaking and scupture. The poster features a photograph taken by Andrew Stark which shows the exhibitors sitting on the steps of the Mackintosh Building. Martin Boyce winner of the Turner Prize in 2011 can be seen sitting in the front row fifth from the left. The poster was designed at The Glasgow School Of Art and printed by David J Clark Limited. Students in the photograph include: - Martin Boyce - Alan Bullas - Alison Chisholm - Michelle Davies - Alex Dempster - Laura Donnelly - Barry Fielder - Alan Frame - Jim Hamlen - Moray Hillary - Richard Leroyd - Christina McBride - Jackie Munro-McGoldrick - Calum Angus McKay - Gregory Patterson - Alan Pike - Leslie Pontin - Mark Sadler - Ross Sinclair - Andrew Sneddon This list was compiled with the help of Eddie Stewart who tutors in the school's painting and printmaking department. Stewart previously studied fine art at The Glasgow School Of Art at both undergraduate and postgraduate level and is pictured in the degree show posters from 1988 and 1990. A key naming each student can be found alongside this poster.

This poster advertised The Glasgow School Of Art's annual degree show in 1985. The degree show included work by graduating students studying drawing and painting, photography, printmaking, murals, stained glass and sculpture. The image on the poster shows the exhibitors standing in the Mackintosh Museum and in the mezzanine space in the centre of the Mackintosh Building. The photograph was taken by Vaughan Judge who was a previous lecturer at The Glasgow School Of Art. The poster was designed at the school and printed by David J Clark Limited.

This poster advertised an exhibition showcasing work by graduating postgraduate fine art students from The Glasgow School Of Art in 1990. The exhibition took place between the 23rd and the 29th of June and was held in the Mackintosh Building. It included work by Alexander Dempster, James Hamlyn, Rachael Harris, Peter McCaughey, Donna Rae, Craig Richardson, Julie Roberts, Andrew Sneddon, Edward Stewart and Catherine Whippey. The photograph on the poster was taken by John Shankie and shows the exhibiting students posing inside the elevator in the Mackintosh Building. The poster was designed at The Glasgow School Of Art and printed by David J. Clark Limited.

This poster advertised the furniture, interior and product design degree show in 1983. The exhibition showcased the work of graduating students from each of these courses and was held in the Newbery Lounge in the Newbery Tower at The Glasgow School Of Art. The image used on the poster shows the exhibitors sitting on the steps of the Mackintosh Building.

This poster is one of an edition of 100 posters advertising an exhibition which showcased the work of graduating postgraduate fine art students from The Glasgow School Of Art in 1987. The exhibition was held in the Mackintosh Building from the 13th to the 18th of June. Exhibitors included: - Carolyn Angus - Jean Baird - Stephen Beddoe - Di Blenkinsop - Stephen Conroy - Ashley Cook - Lorraine Cotterell - Peter Quinn - Fiona Robertson - Anne Russell - Andrew J Scott - Lucinda Wilkinson - Lorraine R. Turley Ashley Cook designed and printed the poster. Fiona Robertson went on to work as head of the fourth year painting and printmaking course at The Glasgow School Of Art.

This poster advertised an exhibition of prints by the artist Brian Kelly. The exhibition was held in the Scottish National Gallery in Edinburgh.

This poster advertised an exhibition of drawings by first year students at The Glasgow School Of Art.

This poster advertised the work of printmaking graduates in one of The Glasgow School Of Art's degree shows which took place in The Glasgow School Of Art's Mackintosh Building.

The poster advertised an exhibition held in the Mackintosh Museum at GSA, showcasing the work of Paul Peter Piech. Piech is known for his work in graphic design and predominantly working with linocut techniques.

This poster was used to advertise an exhibition of work by Glasgow School of Art students held at Glasgow Green as part of the Glasgow Mayfest in 1994. Poster design by Lyn Jarvie. Illustration by Rosalind Venet.

This poster advertised an exhibition of work by postgraduate textile students at The Glasgow School Of Art. The exhibition was held in The Glasgow School Of Art's Mackintosh Building from the 14th to the 19th of June 1986.

The poster advertised an exhibition showcasing work by Charles Rennie Mackintosh which was held in Port Vendres in the Pyrénées-Orientales in the South of France. On the poster it says "Un Ecossais En Catalogne", which translates as "A Scottish in Catalonia". Featured on the front of the poster is an image of a landscape watercolour of La Rue du Soleil, a piece by Charles Rennie Mackintosh. Mackintosh has strong associations with the South of France as he and Margaret MacDonald lived there from 1923 to 1927. The exhibition itself was held in association with the Entente Cordiale and the Glasgow School of Art.

Poster features a grey Mackintosh portrait focusing on his moustache, grey and orange in colour. Also features line drawings of Mackintosh chairs. The exhibition of twenty Mackintosh chairs from the Glasgow School of Art's collection formed part of the opening celebrations at Norway’s newest cultural attraction, the Jugenstilsenteret (Art Nouveau Centre), in Ålesund, from the 6th June to 12th Oct 2003. Similar to Glasgow, this city is one of the founding partners of the EU-funded Réseau Art Nouveau Network. The School’s contribution was hoped to inspire further cultural and artistic ties between the two countries.

This poster features white images of twenty chairs with grey text to advertise an exhibition held in Jugendstilsenteret, Ålesund, Norway, from 6th June to the 12th Oct 2003. The exhibition of twenty Mackintosh chairs from the Glasgow School of Art's collection formed part of the opening celebrations at Norway’s newest cultural attraction, the Jugenstilsenteret (Art Nouveau Centre), in Ålesund. Similar to Glasgow, this city is one of the founding partners of the EU-funded Réseau Art Nouveau Network. The School’s contribution was hoped to inspire further cultural and artistic ties between the two countries.

This poster advertises a Japanese exhibition of Charles Rennie Mackintosh's work.The poster is white, has pink and navy writing and includes an image of a Mackintosh chair. From Art Today, the poster is a design by Ikko Tanaka for 'Gurafiku: Japanese Graphic Design' in 1979.

This poster advertised an exhibition of Charles Rennie Mackintosh and Margaret Macdonald Mackintosh in 1983 at the Fine Art Society, 134 Blythswood Street, Glasgow, which ran from 24 Aug to 26 Sep 1983. Entitled 'The 1933 Memorial Exhibition: A Reconstruction', it was part of the Charles Rennie Mackintosh Society's 10th Anniversary Celebrations (1973-1983). The poster features a watercolour painting of a flower in lilac, white and black paint.

Poster for an exhibition of French Art Nouveau architecture which ran from 31st May to 15th June 1978, featuring a black and white line drawing.

In 1988, a Mackintosh architecture exhibition opened in Certaldo in Tuscany, Italy. It was organised by Comune di Certaldo in Palazzo Vicariale di Certaldo from 31st July to 30th September. A book was published by Electa Firenze about the exhibition including images of architectural drawings, photographs, sketches and paintings. This image is of a blue, beige, and black coloured architectural drawing.

In 1988, a Mackintosh architecture exhibition opened in Certaldo in Tuscany, Italy. It was organised by Comune di Certaldo in Palazzo Vicariale di Certaldo from 31st July to 30th September. A book was published by Electa Firenze about the exhibition including images of architectural drawings, photographs, sketches and paintings. It features a Willow Tea Rooms drawing in cream, black, blue, green red and purple.

This poster advertised the work of graduating sculpture students which was showcased in The Glasgow School Of Art degree show in 1984. The exhibition was held in The Glasgow School Of Art's Haldane Building from the 14th to the 21st of June.

The poster advertised an exhibition of work by the Scottish architect, artist and designer Charles Rennie Mackintosh. The show was held in the German town of Darmstadt, known for its Art Nouveau architecture and design. The show was held in the Hesse State Museum and was open from the 27th of February to 4th of May 1969. The poster is a graphic design by Fritz Fischer.

This poster advertised an exhibition marking the centenary of Charles Rennie Mackintosh's birth. The show itself was held in the Victoria and Albert Museum, London and was open to the public from the 30th of October to 5th of December 1968. The exhibition was sponsored by the Edinburgh Festival Society and arranged by the Scottish Arts Council.

This poster is for a Charles Rennie Mackintosh exhibition at the Glasgow School of Art, which ran from 1st July to 30 September 1988. The poster has a black and white design with orange font. It uses a geometric pattern which mimicks a Charles Rennie Mackintosh chair design.

This poster for a major exhibition of painting, decorative and applied art by the Glasgow Girls from 1890 to 1930 uses an Eleanor Allen Moore painting as the background. It was a touring exhibition by the Kirkcudbright 2000 group. Over 100 exhibits were provided by the three main Scottish collections of 'Glasgow Girls' work - Glasgow Museums, The Glasgow School of Art and the Hunterian Gallery of the University of Glasgow, and the exhibition ran from 19th Nov to 20th Dec 2010. Artists and makers represented included Annie French, Margaret Gilmour, Norah Neilson Gray, Jessie M. King, Frances and Margaret Macdonald, Jessie Newbery and many others. Several private individuals also lent significant works, many of which had never been viewed in public before. The exhibition was curated by Liz Arthur, formerly a Glasgow Museums curator, who was involved in the last major exhibition on the 'Glasgow Girls' in Glasgow 1990. She also wrote a book to co-incide with this exhibition: 'Glasgow Girls : Artists and Designers 1890-1930' (Alba Printers Ltd, 2010). The exhibition was accompanied by a series of Lunchtime Lectures.

The following additional information was provided by the creator in September 2020:

"During my third year as a Graphic Design student, my fellow student Patrick Macklin who was studying Interior Design approached me with a request for technical help in producing a poster for the “Glasgow Girls” exhibition which he had been asked to produce. As this was the era of pre-digital, creating a poster for printing was quite a specialist task and was really the domain of Graphic Designers.

The artwork began by sourcing an archive image of historical female students in Glasgow School of Art in the Mackintosh era that could be scaled up to the finished size and retain a high enough visual quality. Because the concept that we decided on would heavily reference Mackintosh, I decided to use his signature violet colour and chose the exact colour from a pantone chart, that is so heavily associated with Mackintosh to create a duotone of the archival photograph.

Once I established the finished size of the poster, I drew by hand the printers marks that would establish cropping, registration of the separated colours and alignment of the layers on a sheet of heavy CS10 board (I think I did not eat for a couple of days to afford that board!).

The next stage was to create an area that would convey the information that the poster would communicate to the viewer. As this was the pre-digital era, I had to work out all the line lengths and the subsequent point sizes and weights required for the information block at the foot of the poster using type catalogues, rulers and casting off rulers. Once this was established, I requested to the operator of the GSA’s linotype photosetting machines to print out a galley proof of the type, once I was happy with the layout and weights of the type. I chose the font from the limited range that was available to the operator, as these fonts were mastered on glass slides that would be inserted into the linotype machine and were very expensive and therefore very limited in range. I settled on Book Antiqua as it was one of the least boring of the serif font choices and was also similar to the font used by Prefab Sprout in there “Swoon” album which I had nearly worn out the grooves of by that time!

I then used traditional art materials such as Letraset, drafting film, rubalith, rotring rapidograph pens and scalpels to create the text area. I hand drafted the dashed stroke around the border of the text area to invoke Mackintosh’s distinct use of these in his work. To create harmony and visual balance, I also hand cut a further two perfect squares using a half tone letraset dot matrix on a further layer to fill the void at either end of the “Girls” line of text to make a block so reminiscent of the Japanese wood cut influence in Mackintosh’s typography without being too literal.

It was really difficult in those days to source “camera ready” artwork for the sponsors logos, as companies in those days regarded any activity outside official Design Studios with the utmost suspicion. Eventually we managed to source these and I scaled them to the correct size using an Agfa Repromaster copy camera and the dark room. All these elements were then pasted on to the CS10 backboard or drafting film layers with measurement and precision using low tack spray mount.

The finished artwork was then sent to the Printer to be screen printed. I also supplied the pantone ink numbers they were to use for the screen printing in a list.

I was lucky enough to receive (as payment for my services) a “free” copy of the poster for my portfolio which I still have today!"

This poster advertised an exhibition showcasing work made by seven international architects who were asked to produce work inspired by Charles Rennie Mackintosh. The poster conveys how "seven of the world's leading architects have made installations in the Glasgow School of Art. They are personal homages to Charles Rennie Mackintosh and a mark of his international significance today." The poster was designed by Blue Peach, Glasgow. The show, held in the Mackintosh Museum on the Glasgow School of Art's campus featured the work of: - Filippo Alison (Naples) - Edward Cullinan (London) - Aldo Van Eyck (Amsterdam) - Hans Hollein (Vienna) - Arata Isozaki (Tokyo) - Lean Krier (Luxembourg) - Stanley Tigerman (Chicago)

This poster, which is orange in colour, advertised an exhibition of work by Charles Rennie Mackintosh, which was held in the Mackintosh Building, Room 31, on the Glasgow School of Art campus. The show focused on 'Mackintosh in Context: the European Connection', running from the 7th of July until the 18th of August 1990. The exhibition was sponsored by Black Bottle Scotch Whisky.

This poster is for an exhibition of Charles Rennie Mackintosh's lost furniture from the Glasgow School of Art in association with the Glasgow Herald. The poster features Miss Kate Cranston's bedroom suite, which Mackintosh designed in 1904.

This poster advertised an exhibition of paintings by Jock MacInnes, a graduate of The Glasgow School Of Art. The exhibition was held in the Mackintosh Museum in The Glasgow School of Art's Mackintosh Building from the 27th of October to the 7th of November 1975.

This poster depicts a portrait of the artist with pink and blue fonts on a white background. It advertises a touring exhibition of the work of Jessie M. King, who is known for her book illustrations and paintings which are very much associated with the Glasgow Style. Known as one of the Glasgow Girls, the exhibition of King's work in 1979 marked the 20th anniversary of her death and was first shown at the Tolbooth Art Centre on Hill Street, Kirkcudbright from 4th June to 18th July. Later that same year, the exhibition was held at the Glasgow School of Art's Mackintosh Building from 27th July to 3rd September. The exhibition itself was sponsored by the Robertson Trust, The N.S. Macfarlane Trust and the Glasgow School of Art Enterprises.

This Japanese poster advertised a Charles Rennie Mackintosh exhibition. It was designed by graphic designer Ikko Tanaka in 1979 for Gurafiku: Japanese Graphic Design. The poster uses a pink and navy font on a white background, with an image of a Mackintosh chair.

This poster showing an image of a Mackintosh chair advertised an exhibition of the work of Charles Rennie Mackintosh at the Museum of Applied Arts in Helsinki from 10th December 1982 to 16th January 1983.

This poster advertised an exhibition showcasing the work of Scottish artist, architect and designer Charles Rennie Mackintosh. Held in the Miezsznorodowego Cultural Centre in Krakow, Poland, the exhibition ran from the 18th of September to 31st of October 1996 and was arranged by the British Council of Poland, with sponsorship from the Polish Airlines Cargo.

The poster advertised an exhibition of work by Charles Rennie Mackintosh that was held in the McLellan Galleries on Sauchiehall Street in Glasgow. The show itself was sponsored by the Whyte and Mackay Group and ran from the 25th of May to 30th of September 1996. Admission to the exhibition was priced at £4 for adults and £2 for concessionary rate. The poster has a geometric square design.

This poster advertised an exhibition of the work of Charles Rennie Mackintosh which took place at det Danske Kunstindustrimuseum, Kobenhavn, from 10th September to 10th October 1982 and features an image of an iron bird, tree and rose.

This poster advertised an exhibition of graphic design work which was held in the Mackintosh Museum within The Glasgow School Of Art from the 1st to the 15th of December 1990.

Poster for exhibition 'A Basketful of Currencies', Glasgow Arts Centre, Glasgow. The exhibition featured paintings and sculpture by Richard Walker, Peter Bevan, John Main and Tommy Lyndon. The date for the exhibition is given as 01 Sep-22 Sep, no year is given but it was held in 1990.

Source: https://archive.list.co.uk/the-list/1990-09-14/66/

This poster advertised an exhibition of work produced by The Glasgow School Of Art's Design School staff. The exhibition was held in the Mackintosh Museum within the Glasgow School Of Art's Mackintosh Building from the 16th March to the 2nd April 1982.

Poster for exhibition '4 after 5', Serendipity Gallery, Lundin Links, Fife. Poster features portraits of four artists drawn by each other, namely Kay McLean, Catriona McDonald, Clare Scullion and Alan Rogers. The date of the exhibition is given as 22 Mar-08 Apr, no year is given but it is believed to be late 20th century.

Poster for exhibition 'Robert Paul - Recent Original Prints', Printmakers Workshop, Edinburgh, 14 Jan 1984-04 Feb 1984.

Poster for exhibition 'Ann Beaty. D.A.' on the theme of gardens, University of Glasgow. The exhibition dates are 23 May-24 Jun and 25 Jun-20 Aug, no year is given but it is believed to be 1988 as it celebrates the Glasgow Garden Festival.

Poster for 'Ernest Hood' exhibition, Glasgow. The exhibition was held at the offices of Webster & Co., Chartered Surveyors at 45 West Nile Street. The exhibition dates were 12 Jan-24 Jan, the year is not given on the poster but is 1990 (see source below).

Source: https://archive.list.co.uk/the-list/1989-12-22/52/

Poster for 'Exhibition of drawings and paintings by Rosemary Beaton', Corners Gallery, Glasgow, 08 Mar 1986-29 Mar 1986.

Poster for exhibition 'Philip Reeves: Retrospective Exhibition of Etchings', Third Eye Centre, Glasgow, 04 Oct 1980-02 Nov 1980.

Poster for exhibition 'Joan Eardley R.S.A. 1921-1963 Paintings Watercolours Pastels Drawings', at Cyril Gerber Fine Art, West Regent Street, Glasgow, 16 Mar 1985-13 Apr 1985.

Poster for 'Glasgow Group, 27[th] Annual Exhibition: Paintings - Print - Sculpture', McLellan Galleries, Glasgow, 04 Jun 1984-16 Jun 1984. Artwork featured is 'Sea Forms' by Philip Reeves.

Poster for 'Glasgow Group, 29[th] Annual Exhibition: Paintings - Print - Sculpture', McLellan Galleries, Glasgow, 09 Jun 1986-21 Jun 1986. Artwork featured is 'Song of the Black Mirror' by Brian Kelly.