- NMC/0696Q
- Item
- c1902-1903
Red and blue flowers.
Porteous, James Henry
Red and blue flowers.
Porteous, James Henry
David Donaldson and the 2nd Year Class, Back Studio, GSA, 42
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of GSA art students, including Dorothy Ballantyne, Marion Fletcher, Sheila Wilson, Tom Gardner (the artist), Jimmy Spiers, Audrey Scarle, Florence Jamieson, Fay Campbell as well as tutor David Donaldson, his wife Pat and son David, plus a life model who is thought to be a music student from Falkirk who studied at The Atheneum.
Gardner, Tom
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Those depicted include Danny Ferguson, Gordon Huntly, Lewis Allan, Eileen Allen, Joan Docherty, Molly Brown and Ishbel Macdonald.
Gardner, Tom
Study of female leaning against white couch; bare shoulders.
Brown, Margaret Oliver
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Portrait or artist; standing and wearing waistcoat. This painting was almost certainly exhibited at the Royal Glasgow Institute of the Fine Art in 1964.
Mackintosh, John
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Beach and rocks in foreground; land on left, mid-distance.
Alison, Henry Young
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Mountain scene.
Alison, Henry Young
Landscape under snow. Possibly near Pinwherry, Ayrshire.
Alison, Henry Young
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Landscape with figure amongst trees, Ayrshire.
Raeburn, Agnes
Large bunch of flower in square glass vase, small red bowl to right.
Anderson, Daisy McGlashan
Two roses in wine glass, one rose in glass bottle, dog ornament.
Anderson, Daisy McGlashan
Unfinished study, with pencil 'squared-off' under-drawing. Small watercolour detail in foreground.
Anderson, Daisy McGlashan
Cluster of summer flowers, in circular format.
Anderson, Daisy McGlashan
White roses in a blue and white bowl resting on round mirror.
Anderson, Daisy McGlashan
Page from design portfolio (Version 2)
One page of a portfolio of loose sketches, drawings, designs including fashion designs, plants and butterflies, repeat patterns etc.
Anderson, Daisy McGlashan
One page of a portfolio of loose sketches, drawings, designs including fashion designs, plants and butterflies, repeat patterns etc.
Anderson, Daisy McGlashan
One page of a portfolio of loose sketches, drawings, designs including fashion designs, plants and butterflies, repeat patterns etc.
Anderson, Daisy McGlashan
One page of a portfolio of loose sketches, drawings, designs including fashion designs, plants and butterflies, repeat patterns etc.
Anderson, Daisy McGlashan
One page of a portfolio of loose sketches, drawings, designs including fashion designs, plants and butterflies, repeat patterns etc.
Anderson, Daisy McGlashan
One page of a portfolio of loose sketches, drawings, designs including fashion designs, plants and butterflies, repeat patterns etc.
Anderson, Daisy McGlashan
Composition of yellow roses against black background.
Anderson, Daisy McGlashan
Landscape, trees to middle and background cottage at far right-hand side.
Anderson, William Smith
Appears in The Magazine, April 1894. 'The central figure is based upon that used in the 1893 design for a diploma for the GSA and like that in 'The Harvest Moon', has wings like an angel. Here, however, she appears naked and her outstretched arms and hair merge and are transformed into barren tree-like forms. These descend to the horizon behind which the sun is gradually disappearing under the feet of the winged figure. From the bottom of the picture, and directly beneath the sun, rises a flight of menacing birds. They are presumably nocturnal birds of prey and they seem to be flying directly towards the viewers. This is one of Mackintosh's earliest uses of this strange bird, which was to become more stylised and to appear in many different forms, in several media in his oeuvre.' (Roger Billcliffe).
Mackintosh, Charles Rennie
Bound in volume, The Magazine, November 1894.
Mackintosh, Charles Rennie
Bound in volume, The Magazine, November 1894. 'Behind a stylised tree stands another of Mackintosh's mysterious female figures, but this is the first one to appear that is not meticulously drawn. Only the head is shown in any detail, and the shape of the body is hidden by a voluminous cloak from which not even its limbs appear. This figure was to be repeated many times, becoming more and more stereotyped until, with the banners designed for the Turin Exhibition in 1902, the head is the only recognisably human part of a figure with a twelve-foot long, pear shaped torso. In 1895-96, Mackintosh was to develop this drawing into a poster for the Scottish Musical Review (Howarth, p1, 9F). The same cloaked figure appears with similar formal emblems at the ends of the branches of the bush.' (Roger Billcliffe).
Mackintosh, Charles Rennie
Painted during their stay in Suffolk, when Mackintosh and Margaret Macdonald had left Glasgow.
Mackintosh, Charles Rennie
Mackintosh, Charles Rennie
Mackintosh produced a number of very similar paintings of stylised bouquets of flowers at this time, c1918-20.
Mackintosh, Charles Rennie
Study of farmhouse set amongst trees. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding