Model of the Glasgow School of Art (Version 3)
- MC/A/11/v3
- Part
- c1953
1/8": 1 foot scale Coloured balsa wood model of the Mackintosh Building on a wooden base. Made by former students of the Glasgow School of Art.
Model of the Glasgow School of Art (Version 3)
1/8": 1 foot scale Coloured balsa wood model of the Mackintosh Building on a wooden base. Made by former students of the Glasgow School of Art.
Model of the Glasgow School of Art (Version 1)
1/8": 1 foot scale Coloured balsa wood model of the Mackintosh Building on a wooden base. Made by former students of the Glasgow School of Art.
Model of the Glasgow School of Art (Version 2)
1/8": 1 foot scale Coloured balsa wood model of the Mackintosh Building on a wooden base. Made by former students of the Glasgow School of Art.
Model of the Glasgow School of Art (Version 6)
1/8": 1 foot scale Coloured balsa wood model of the Mackintosh Building on a wooden base. Made by former students of the Glasgow School of Art.
Model of the Glasgow School of Art (Version 7)
1/8": 1 foot scale Coloured balsa wood model of the Mackintosh Building on a wooden base. Made by former students of the Glasgow School of Art.
Model of the Glasgow School of Art (Version 8)
1/8": 1 foot scale Coloured balsa wood model of the Mackintosh Building on a wooden base. Made by former students of the Glasgow School of Art.
Model of the Glasgow School of Art (Version 10)
1/8": 1 foot scale Coloured balsa wood model of the Mackintosh Building on a wooden base. Made by former students of the Glasgow School of Art.
Model of the Glasgow School of Art (Version 12)
1/8": 1 foot scale Coloured balsa wood model of the Mackintosh Building on a wooden base. Made by former students of the Glasgow School of Art.
Model of the Glasgow School of Art (Version 5)
1/8": 1 foot scale Coloured balsa wood model of the Mackintosh Building on a wooden base. Made by former students of the Glasgow School of Art.
Model of the Glasgow School of Art (Version 9)
1/8": 1 foot scale Coloured balsa wood model of the Mackintosh Building on a wooden base. Made by former students of the Glasgow School of Art.
Model of the Glasgow School of Art (Version 11)
1/8": 1 foot scale Coloured balsa wood model of the Mackintosh Building on a wooden base. Made by former students of the Glasgow School of Art.
Model of the Glasgow School of Art (Version 13)
1/8": 1 foot scale Coloured balsa wood model of the Mackintosh Building on a wooden base. Made by former students of the Glasgow School of Art.
Model of the Glasgow School of Art (Version 14)
1/8": 1 foot scale Coloured balsa wood model of the Mackintosh Building on a wooden base. Made by former students of the Glasgow School of Art.
Mackintosh, Charles Rennie
Mackintosh, Charles Rennie
Mackintosh, Charles Rennie
'As in 'The Village' there are no figures in this view of the Dorset countryside. This absolute lack of human activity gives Mackintosh's pictures an air of eerie, even surreal, desertion. They are formal landscapes... the most dominant feature in this work is the tall telegraph pole, a formal and unnatural element in this gentle Dorset landscape.' (Roger Billcliffe).
Mackintosh, Charles Rennie
Mackintosh, Charles Rennie
In July Mackintosh and Margaret Macdonald spent a holiday in Dorset re-visiting many of the place he had visited in 1895. 'In 'The Village' and 'The Downs' Mackintosh makes his first conscious moves towards his mature style of the Port Vendres period. He is obviously concerned with the pattern of the landscape, picking out features like the stepped hillside, the stone walls, paths and roofs of village houses. These ordinary motifs are given an eerie emphasis by being painted in an equally detailed manner whether they are in the foreground of the the distance... it was probably at this time... that he decided to concentrate more and more on painting. By 1923 he had decided to forsake architecture and design and devote the rest of his life to producing watercolours.' (Roger Billcliffe).
Mackintosh, Charles Rennie
Mackintosh produced a number of very similar paintings of stylised bouquets of flowers at this time, c1918-20.
Mackintosh, Charles Rennie
Large armchair for the Dug-Out, Willow Tea Rooms
Designed for the Dug-Out, Willow Tea Rooms. Very similar to MC/F87, but in a larger scale with flat instead of turned arms. Re-upholstered in blue horsehair 1985. This item was assessed for conversation in 2010 as part of the Mackintosh Conservation and Access project (2006-2010), and then again in 2018 following the fire in the Mackintosh Building in June 2018.
Mackintosh, Charles Rennie
Design for a Memorial Fireplace, The Dug-Out, Willow Tea Rooms, Glasgow
Inscribed: This room was opened by Miss Cranston in the year 1917 during the Great European War between the Allied Nations and the Central Powers.The Dug-Out, which Miss Cranston created in the basement of the Willow Tea Rooms was Mackintosh's last work in Glasgow (designed while he was living in London) and develops his new style seen in 78 Derngate. A dramatic interior was created with black ceilings and dark walls highlighted by strong colours in the decorations. The centrepiece was the Memorial Fireplace, decorated with inlaid glass and paintings of the flags of the opposing nations; above the commemorative plaque was a panel of stencilled decoration in chequers, diamonds and triangles, all in the bright colours used in the Derngate frieze. Two interior elevations indicate Mackintosh's schemes for decoration and furniture, some of which survives.
Mackintosh, Charles Rennie
Design for the Dug-Out, Willow Tea Rooms, Glasgow
Design for the staircase and vestibule, West Elevation, The Dug-Out, Willow Tea Rooms, Sauchiehall Street, Glasgow. Miss Cranston and her husband Major Cochrane commissioned Mackintosh to redesign the interiors of their home Hous'hill at Nitshill. Mackintosh designed several suites of furniture in 1904 and more pieces in 1909. Stripes are the dominant motif in the decorations, in the panels over the settle and between the doors where they are carried over the ceiling as in the guest bedroom at 78 Derngate. The lampshades are also similar to those used in this bedroom. (Roger Billcliffe). The lattice work recalls the hall at Derngate, but here it is used as an open screen rather than with solid or glazed panels. The only furniture that has been traced is the chair at the writing desk and the small table.
Mackintosh, Charles Rennie
Design for The Dug-Out, Willow Tea Rooms, Glasgow
Design for the Restroom, North Elevation, Willow Tea Rooms, Sauchiehall Street, Glasgow. Stripes are the dominant motif in the decorations, in the panels over the settle and between the doors where they are carried over the ceiling as in the guest bedroom at 78 Derngate. The lampshades are also similar to those used in this bedroom. (Roger Billcliffe). The lattice work recalls the hall at Derngate, but here it is used as an open screen rather than with solid or glazed panels. The only furniture that has been traced is the chair at the writing desk and the small table.
Mackintosh, Charles Rennie
Mackintosh, Charles Rennie
Abstract design for fabric.
Mackintosh, Charles Rennie
Portrait of Charles Rennie Mackintosh
Portrait of Mackintosh as an old man, seated side-on, holding a pipe in his left hand.
Hoppé, Emil Otto
Portrait of Charles Rennie Mackintosh
Portrait of Mackintosh as an old man, hand on chin.
Hoppé, Emil Otto
Portrait of Charles Rennie Mackintosh
Portrait of Mackintosh as an old man, sitting side-on.
Ransford, William
Design for Glasgow School of Art: elevation and plan
Architectural drawing showing elevation and plan of building.
Mackintosh, Charles Rennie
Portrait of Charles Rennie Mackintosh
Portrait of Mackintosh as an old man, wearing a cape and cap.
Hoppé, Emil Otto
Portrait of Charles Rennie Mackintosh
Portrait of Mackintosh as an old man, smoking a pipe.
Hoppé, Emil Otto
Painted during their stay in Suffolk, when Mackintosh and Margaret Macdonald had left Glasgow.
Mackintosh, Charles Rennie
Menu for Miss Cranston's exhibition cafe, The White Cockade
The design lists the principal suppliers used by Miss Cranston in her exhibition cafe. The right hand side of the design features a stylised female figure holding a red rose.
Mackintosh, Margaret Macdonald
Chair for Chinese Room, Ingram Street Tea Rooms
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Designed for the Blue or Chinese Room at the Ingram Street Tea Rooms, Glasgow. The fretted back and side rails match the Chinese style motifs of the Blue Room (as called in the job books). Much of the woodwork in the Chinese Room was painted bright blue or red, but there is no trace of any finish having been applied to these chairs other than the ebonising which most of them still display. These chairs have always been associated with the Chinese Room and so must be identified with the entry for thirty-six in the job books (Roger Billcliffe). All the chairs rwere eupholstered in blue horsehair in 1985. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.
Mackintosh, Charles Rennie
Domino table for the Chinese Room, Ingram Street Tea Rooms
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Designed for the Blue or Chinese Room at the Ingram Street Tea Rooms, Glasgow. The fretted back and side rails match the Chinese style motifs of the Blue Room (as called in the job books). Much of the woodwork in the Chinese Room was painted bright blue or red, but there is no trace of any finish having been applied to these chairs other than the ebonising which most of them still display. These chairs have always been associated with the Chinese Room and so must be identified with the entry for thirty-six in the job books (Roger Billcliffe). All the chairs rwere eupholstered in blue horsehair in 1985. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plan of sub-basement floor
Architectural drawing showing sub-basement plan.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plan of basement floor
Architectural drawing showing basement plan.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plan of second floor
Architectural drawing showing second floor plan. The addition of this floor in the 1907-09 stage of building did not change the external appearance of Mackintosh's original two storey facade as the set back series of studios are not visible from street level. The plan shows how Mackintosh linked the two ends of the floor, by passing the already built Director's studio with the 'Hen-Run'.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: elevation to Renfrew Street
Architectural drawing showing north elevation of building.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: south elevation
Architectural drawing showing back elevation of building.'Even after his revisions to the first half of the building, and the proposed alterations pencilled on the 1907 elevation, Mackintosh made a few others. This drawing, from a set made in 1910 of the completed building, shows the facade as it is, including the parts that are now virtually invisible' (McLaren Young).
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plans for drainage
Architectural drawing showing drainage plans for the building.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: additions to South-East wing - lower centre
Architectural drawing showing various additions to building. The handwriting suggests that this sketch plan was not drawn by Mackintosh himself, but probably by a draughtsman in his office.
Mackintosh, Charles Rennie
Table for the Library, Glasgow School of Art (Version 2)
Mackintosh, Charles Rennie
Table for the Library, Glasgow School of Art (Version 4)
Mackintosh, Charles Rennie
Table for the Library, Glasgow School of Art (Version 5)
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plan of first floor
Architectural drawing showing first floor plan.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: additions to South-East wing - lower left
Architectural drawing showing various additions to building. The handwriting suggests that this sketch plan was not drawn by Mackintosh himself, but probably by a draughtsman in his office.
Mackintosh, Charles Rennie
Table for the Library, Glasgow School of Art (Version 1)
Mackintosh, Charles Rennie