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France Architecture
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Plaster cast of architectural fragment

  • PC/128
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Order wich combines features of the ionic and corinthian, first identified by Alberti (c1450). Bears illegible maker's stamp.

Musée de Sculpture Comparée du Trocadero, Paris

Plaster cast of panel with bambini

  • PC/179
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Bambini are shown playing with musical instruments, foliage etc. Bears "Union Centrale des Arts Décoratifs Atelier Moulage, Paris" maker's stamp. Annotated "286" and twice with "Isabella".

Union Centrale des Arts Décoratifs Atelier Moulage, Paris

Plaster cast of King

  • PC/032A
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Plaster cast copies of sculptures from the church of Notre-Dame de Corbeil, Essonne, France. The original sculptures were previously displayed in the Musée des Monuments as King Clovis I of the Franks (465 - 511) and his wife Queen Clotilde (474 – 545). However, they are now housed in the Louvre where they are catalogued as possibly the Old Testament monarchs, King Solomon and the Queen of Sheba.

Plaster cast of Queen

  • PC/032B
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Plaster cast copies of sculptures from the church of Notre-Dame de Corbeil, Essonne, France. The original sculptures were previously displayed in the Musée des Monuments as King Clovis I of the Franks (465 - 511) and his wife Queen Clotilde (474 – 545). However, they are now housed in the Louvre where they are catalogued as possibly the Old Testament monarchs, King Solomon and the Queen of Sheba.

Plaster cast of fragment with foliage

  • PC/098
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Symmetrical panel showing curling leaves. Original: Notre Dame Cathedral, Paris, France. Bears "Musée de Sculpture Comparée du Trocadero, Paris, 1910" maker's stamp. Annotated "3.88".

Musée de Sculpture Comparée du Trocadero, Paris

Eugene Bourdon photograph collection

Collection of photographs of architectural exteriors and interiors of churches and other historical buildings in Italy and France. Photographs are mounted on a supporting cardboard backing. Back of photographs have stamp "Eugene Bourdon, Architecte, Diplome par le Gouvernement". Some photographs have handwritten titles on the cardboard below the photograph.

*Not available / given

Travel Report

This travel report was produced by John Grant MacDonald when he won the Minor Traveling Scholarship in 1955. Minor travelling bursaries of £20 were presented to several students per year at this time. John Grant MacDonald attended The Glasgow School of Art between 1952 and 1959 and studied architecture. The report details MacDonald's journey beginning in Paris and travelling North to Le Harve and ending his trip in London. The report reads like a diary, documenting MacDonald's journey in an imaculate handwritten format. There are also photographs included throughout, featuring various buildings in Paris, Rouen, L'Havre and London. The report is bound in blue, white and red paper, suggesting the French flag.

MacDonald, John Grant

Photographs

Includes photographs collected by Alexander McGibbon, Charles Edward Whitelaw, and Eugene Bourdon. Also includes collection of cloud studies, copies of George Henry works, and miscellaneous photographs.

*Not available / given

Poster for an exhibition of Charles Rennie Mackintosh's work in Pyrénées-Orientales, France

The poster advertised an exhibition showcasing work by Charles Rennie Mackintosh which was held in Port Vendres in the Pyrénées-Orientales in the South of France. On the poster it says "Un Ecossais En Catalogne", which translates as "A Scottish in Catalonia". Featured on the front of the poster is an image of a landscape watercolour of La Rue du Soleil, a piece by Charles Rennie Mackintosh. Mackintosh has strong associations with the South of France as he and Margaret MacDonald lived there from 1923 to 1927. The exhibition itself was held in association with the Entente Cordiale and the Glasgow School of Art.

*Not available / given

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