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Plaster Casts Greece
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Plaster cast of Hermes of Praxiteles (Hermes and the Infant Dionysus)

Plaster cast of Hermes of Praxiteles (Hermes and the Infant Dionysus)

  • PC/012
  • Item
  • Mid 19th century-early 20th century

    • Part of Plaster Casts

Original: Greek sculpture of Hermes and the infant Dionysus discovered in 1877 in the ruins of the Temple of Hera at Olympia. It is traditionally attributed to Praxiteles and dated to the 4th century BC. 3/4 size sculpture. Original currently in the collection of the Archaeological Museum of Olympia, Greece.

Plaster cast of Laocoon and his Sons

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018. All that remains is a fragment of a hand.

Original: This statue group was found in 1506 on the Esquiline Hill in Rome and immediately identified as the Laocoon described by Pliny the Elder as a masterpiece of the sculptors of Rhodes: Agesander, Athenodoros and Polydorus around 40-30 BC. It shows the Trojan priest Laocoon and his sons Antiphantes and Thymbraeus being strangled by sea serpents. In 1587 Giovanni Battista Armenini's treatise on painting and recommended all students to draw from the casts of the finest statues in Rome- 'the Laocoon, the Hercules, the Apollo, the Great Torso....' of the Belvedere. Listed in first catalogue as Greco-Roman and that the original is located in the Vatican. Original currently in the collection of the Vatican Museums, Rome, Italy.

This item was damaged in the fire in the Mackintosh Building on 23rd May 2014. It underwent conservation and consolidation work in 2016.

Plaster cast of Medici Venus

  • PC/196
  • Item
  • Mid 19th century-early 20th century

    • Part of Plaster Casts

Venus with missing arm, supported by dolphin and cherub. Original: Roman copy of Greek statue c2 BC, of Hellenistic style. Listed in the first catalogue of casts as Greek, located in the 'Florence Gallery' and was purchased from D. Brucciani.

*Not available / given

Plaster cast of Mercury

  • PC/014
  • Item
  • Mid 19th century-early 20th century

    • Part of Plaster Casts

Original: Greco-Roman attribution, shows Mercury God of merchandise and merchants, commonly identified with the Greek Hermes, fleet-footed messenger of the gods.

This item was damaged in the fire in the Mackintosh Building on 23rd May 2014. It underwent conservation and consolidation work in 2016.

Plaster cast of Nike of Samothrace (Winged Victory)

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.

Original: A second century BC marble sculpture of the Greek goddess Nike (Victory). Discovered in 1863, on the island of Samothrace. Thought to be by a discple of Lysippus or by pupils of Scopas. It was created to not only honor the goddess, Nike, but to honor a sea battle. Original currently in the collection of the Louvre, Paris, France.

Plaster cast of Parthenon Frieze

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

Plaster cast of Parthenon Frieze

Plaster cast of Parthenon Frieze

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

Plaster cast of Parthenon Frieze

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

Plaster cast of Parthenon Frieze

Plaster cast of Parthenon Frieze

Original: Designed by Pheidias, 447-432BC. Figures bearing water jugs. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787. Original currently in the collection of the Acropolis Museum, Athens, Greece.

Plaster cast of Parthenon Frieze

Plaster cast of Parthenon Frieze

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

Plaster cast of Parthenon Frieze

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

Plaster cast of Parthenon Frieze

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

Plaster cast of Parthenon Frieze

Plaster cast of Parthenon Frieze

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

Plaster cast of Parthenon Frieze

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

Plaster cast of Parthenon Frieze

Plaster cast of Parthenon Frieze

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

Plaster cast of Parthenon Frieze

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

Plaster cast of Parthenon Frieze

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

Plaster cast of Parthenon Frieze (Block XL from the North frieze)

Plaster cast of Parthenon Frieze (Block XL from the North frieze)

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

Plaster cast of Parthenon Frieze (South Frieze XLIV)

Plaster cast of Parthenon Frieze (South Frieze XLIV)

Original: Designed by Pheidias, 447-432BC. A section of the south frieze showing men leading sacrificial animals. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

Plaster cast of Parthenon Frieze (West Frieze II)

Plaster cast of Parthenon Frieze (West Frieze II)

Original: Designed by Pheidias, 447-432BC. Horsemen. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

Plaster cast of Shy Venus

  • PC/025
  • Item
  • Mid 19th century-early 20th century

    • Part of Plaster Casts

Original: Hellenistic marble sculpture depicting the Greek goddess of love Aphrodite. One of the most copied sculptures of all time. Arms are 17th century replicas. Thought to be an Athenian copy from the first century B.C. of a bronze original derived from the type of the Cnidian Venus of Praxilities (by one of the ones of immediate followers of Cnidian). Original currently in the collection of the Uffizi, Florence, Italy.

Plaster cast of Standing Discobolus (Discophoros)

Original: Discovered in 1781 on Esquiline Hill. Considered to be a copy of an earlier Greek original. The popularity of the sculpture in antiquity was no doubt due to its representation of the athletic ideal. Discus-throwing was the first element in the pentathlon, and while pentathletes were in some ways considered inferior to those athletes who excelled at a particular sport, their physical appearance was much admired. This was because no one particular set of muscles was over-developed, with the result that their proportions were harmonious. Listed in the first catalogue of casts as Greek, located in Vatican and bought from Brucciani. Original currently in the collection of the Louvre, Paris, France.
Photographed in GSA 1915.

Plaster cast of stele

  • PC/204
  • Item
  • Mid 19th century-early 20th century

    • Part of Plaster Casts

Stele in two parts; one with point and ornamented with fluting, the second with two flowers carved in relief. Original: The Temple of Thesius, Athens, Greece. Annotated with illegible lettering.

*Not available / given

Plaster cast of Teucer

  • PC/054
  • Item
  • Mid 19th century to 20th century

    • Part of Plaster Casts

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.

Original: Sir Hamo Thornycroft, 1881. The champion Greek archer Teucer was one of the heroes of Homer's story of the Trojan War. Original currently in the collection of Tate Britain, London, UK.

Plaster cast of the Belvedere Apollo (also called Pythian Apollo)

Plaster cast of the Belvedere Apollo (also called Pythian Apollo)

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.

Original: The Apollo is thought to be a Roman copy of Hadrianic date (120 - 140 BC) of a lost bronze original made between 350 and 325 BC by the Greek sculptor Leochares. Statue depicts the Greek god Apollo, who has just overtaken the serpent Python, the cthonic serpent of Delphi. Apollo has been variously recognized as a god of light and the sun; truth and prophecy; archery; medicine, healing and plague; music, poetry, and the arts; and more. Apollo is the son of Zeus and Leto, and has a twin sister, the chaste huntress Artemis. Listed in first catalogue of casts as Greco-Roman and from the Vatican Museum, and purchased from D. Brucciani. Original currently in the collection of the Vatican Museum, Rome, italy.

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