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The Glasgow School of Art Design (arts) With digital objects
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Illumination/Lettering

A brief history of The Glasgow School of Art, listing directors and departments of the School.

This piece was entered by the artist into a summer competition for students. It was then chosen by Director DP Bliss to be framed and displayed in the entrance hall of the Mackintosh Building. It was removed following redecoration of the entrance hall in 2006-2010.

McInnes, Allan

Low-backed armchair for the Director's Room, Glasgow School of Art

Designed for the Director's Room, Glasgow School of Art. Twelve chairs were made in 1904 for the GSA, but William Davidson acquired a further two, with six of MC/F/58 for use as dining chairs in the hall at Windyhill. Twelve chairs reupholstered in brown horsehair 1984. One chair on loan from Glasgow University, returned 1984. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

Mackintosh, Charles Rennie

Poster for a film screening of 'You, the Living'

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Aaron McLaughlin has designed a poster for the Roy Andresson film 'You, the Living'. McLaughlin used Typeset printing techniques to create this poster.

McLaughlin, Aaron

Poster for a debate entitled 'Art School Creates No Prospects'

This poster advertised a debate which dealt with the positive and negative aspects of studying at The Glasgow School Of Art which was held in the Mackintosh Lecture Theatre on the 8th of December 1976. Speaking for the school in the debate included Roger Hoare, Mike Roschlau, Tom Lyden and Vladimir Soukoup. Speaking against were Dugald Cameron, Julian Gibb, Colin McNaught and Jim Cathcart. Harry J. Barnes was the chairperson. The poster states: "The Motion: This house believes that this art school creates no prospects, no jobs, no firm conclusions, no hopes, few aspirations, little money, nothing but nostalgia..." The poster was printed by Bob Stewart who was a senior lecturer in design at The Glasgow School Of Art at this time.

Stewart, Robert

Fragments of lampshade(s) for Library, Glasgow School of Art (Version 4)

The library was destroyed by fire on 23 May 2014, though many metal and glass fragments from the lights were subsequently salvaged. Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. This small selection of salvaged lights fragments has been retained as evidence of the fire tragedy. These fragments are also surplus to the needs of Rodney French of Lonsdale and Dutch, Edinburgh who has been tasked with reconstructing the entire set of library lights, whilst reusing as much of the surviving fragments as possible.

Mackintosh, Charles Rennie

Fragments of lampshade(s) for Library, Glasgow School of Art (Version 5)

The library was destroyed by fire on 23 May 2014, though many metal and glass fragments from the lights were subsequently salvaged. Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. This small selection of salvaged lights fragments has been retained as evidence of the fire tragedy. These fragments are also surplus to the needs of Rodney French of Lonsdale and Dutch, Edinburgh who has been tasked with reconstructing the entire set of library lights, whilst reusing as much of the surviving fragments as possible.

Mackintosh, Charles Rennie

Coat of Arms for the stairwell at Glasgow School of Art (Version 4)

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018. The bell is all that remains.

The symbols which form the Glasgow coat of arms all refer to miracles performed by St. Mungo, the patron saint of the city who is normally represented with these emblems on the coat of arms. They first appeared on the seals of bishops of Glasgow, the fish on the seal of William Wishart in 1270, the bird on the seal of Robert Wishart in 1271. They were used together for the first time on the seal of the Chapter of Glasgow in 1488. The salmon with the ring in its mouth refers to the story of the local Queen who gave her ring to a knight she was in love with, the jealous King stole the ring from the knight while he was asleep and then demanded it back from the Queen, having thrown it into the Clyde. In desperation she prayed to St. Mungo who told his followers to cast their fishing nets in the river and bring him the first fish that they caught, a salmon with the Queen's ring in its mouth. The tree represents the green hazel twig which Mungo restored to life after his companions had killed it. The bell represents the service bell used in Mungo's church and still in Glasgow until c1700. Mackintosh's tree is highly abstract in its Art Nouveau 'whiplash' spirals untypical of his work. The bird is a modern replacement of the stolen original.

Coat of Arms for the stairwell at Glasgow School of Art (Version 5)

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018. The bell is all that remains.

The symbols which form the Glasgow coat of arms all refer to miracles performed by St. Mungo, the patron saint of the city who is normally represented with these emblems on the coat of arms. They first appeared on the seals of bishops of Glasgow, the fish on the seal of William Wishart in 1270, the bird on the seal of Robert Wishart in 1271. They were used together for the first time on the seal of the Chapter of Glasgow in 1488. The salmon with the ring in its mouth refers to the story of the local Queen who gave her ring to a knight she was in love with, the jealous King stole the ring from the knight while he was asleep and then demanded it back from the Queen, having thrown it into the Clyde. In desperation she prayed to St. Mungo who told his followers to cast their fishing nets in the river and bring him the first fish that they caught, a salmon with the Queen's ring in its mouth. The tree represents the green hazel twig which Mungo restored to life after his companions had killed it. The bell represents the service bell used in Mungo's church and still in Glasgow until c1700. Mackintosh's tree is highly abstract in its Art Nouveau 'whiplash' spirals untypical of his work. The bird is a modern replacement of the stolen original.

Poster for Activities Week

This poster was used to advertise The Glasgow School Of Art's annual activities week. A number of events were organised including: films, lectures, poetry, jazz folk, drama, contests, disco, a bar in the Haldane building, dance art, a drag talent show and a snooker competition. Activities week ran annually from the 1970s until the mid 1980s. During this week, classes stopped and various events were organised instead. The poster is annotated on the reverse with "J.Cosgrove".

Cosgrove, James

Poster for a retirement party for Robert Begg

This poster advertised a staff party to mark the retirement of Robert Begg from his post as Chairman of Governors at The Glasgow School Of Art. The event took place on the 7th of May 1979. The poster features a caricature of Robert Begg by Dan Ferguson who produced many caricatures of staff at The Glasgow School Of Art in the 1970s. Ferguson appears to have signed the front of the poster.

Ferguson, Danny

Poster for a performance of 'Le Dieu Nusku' and 'Narcissius'

This poster advertised two dramatic performances of 'Le Dieu Nusku' and 'Narcissius' which were produced by Miss Dorothy Carleton Smyth and performed by students at The Glasgow School Of Art. The performances were in aid of raising funds for a war memorial to honour students and staff who served or were killed in action in World War One. The memorial was eventually commisioned in 1925 and was designed by former student Dorothy Doddrell. The image on the poster is a stone lithograph drawing by Maurice Greiffenhagen who was a tutor at The Glasgow School Of Art from 1906 until 1926. The reverse of the poster is annotated with the words "See Box".

Greiffenhagen, Maurice

Poster for The Glasgow School Of Art degree show

This poster advertised The Glasgow School Of Art's annual degree show in 1984. The exhibition showcased work by graduating students in drawing and painting, photography, printmaking, murals, stained glass and sculpture. The degree show was held in the Mackintosh Building at The Glasgow School Of Art and ran from the 15th to the 21st of June. The photograph used on the poster shows exhibiting students sitting on the steps of the Mackintosh Building and was taken by Vaughan Judge who previously worked as a lecturer at the school. The poster was designed at The Glasgow School Of Art and printed by David J Clark Limited.

Judge, Vaughan

Sketchbook

A sketchbook of notes and artworks by Mary Ramsay believed to have been produced during her second year at The Glasgow School of Art, around 1915-1916. This item consists of portraits and life drawings, children's illustrations, floral patterns, religious illustrations, and sketches of her lessons. It also includes transcriptions from two poems, Christina Rossetti's 'Goblin Market', and William Cowper's 'The Task', alongside notes listing reference books about art and design.

Ramsay, Mary

Sketchbook

A sketchbook of notes and artworks by Mary Ramsay. This item does not include an official date, but is presumed to be from 1918, when Ramsay was still at The Glasgow School of Art, due to dates included in some illustrations. This sketchbook includes floral illustrations, religious illustrations, greeting card designs, portraits and life drawings, and some notes.
There is one loose drawing included in this sketchbook. Most artworks are in pencil, with a few additional pieces in ink or paint on paper.

Ramsay, Mary

Poster for a film screening of 'The Colour of Pomegranates'

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Jess Copsey has designed a poster for the Sergei Parajanov film 'The Colour of Pomegranates'. The poster has been created using screen printing techniques.

Copsey, Jess

Poster for a film screening of 'Bronco Bull Frog'

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Janine Shaw has designed a poster for the Barney Platts-Mills film 'Bronco Bull Frog'. To create the poster Shaw has used collagraph printmaking techniques.

Shaw, Jamie

Poster for exhibition 'Cyril Gerber A Personal Choice' at The Glasgow School of Art

Poster for exhibition 'Cyril Gerber A Personal Choice' at The Glasgow School of Art, 22 Apr 1986-02 May 1986. The exhibition was held to mark Cyril Gerber's 70th birthday and featured works of his choosing.

Sources: https://www.scotsman.com/news/obituaries/obituary-cyril-gerber-obe-gallery-owner-whose-contribution-visual-art-scotland-was-unique-and-enduring-1609486; https://www.heraldscotland.com/news/11943618.a-celebration-of-the-good-points-of-the-compass/

Not available / given

Poster for fashion show 'Celebrating 70 Years Fashion Show 1947-2017', Glasgow

Poster for fashion show 'Celebrating 70 Years Fashion Show 1947-2017', The Art School, Glasgow, 21 Mar 2017-22 Mar 2017. The fashion show in 2017 celebrated 70 years of fashion shows at The Glasgow School of Art, and was held whilst an exhibition of the same name was showing. The image on the poster is from the Archives & Collections.

Not available / given

Poster for a film screening of 'Nosferatu'

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Luo Tao has created a poster for Werner Herzog's film Nosferatu, using two etching plates in black and red inks, created in an edition of five.

Tao, Lua

Poster for a film screening of Vivre Sa Vie

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Mi Lin has designed a poster for the Jean Luc-Godard film Vivre Sa Vie. Lin has used screen printing techniques to create this poster.

Lin, Mi

Poster for a photography exhibition at the Victoria Cafe

This poster advertised an exhibition of photography held in the Victoria Cafe from the 9th to the 20th of October 1978. Exhibiting in this show were a number of artists including: Elizabeth Urquhart, Ray McKenzie, Douglas Bryce, Chris Webster, Denis Crossan and Jack Fordy. The Victoria Cafe, where the show was held, was part of the original student union across from the Mackintosh building on GSA campus. The name "Douglas R. Bryce Graphics '78" is handwritten on the back of the poster.

*Not available / given

Poster for a lecture by Theodore Roszak

This poster advertised a lecture given by the American scholar Theodore Roszak on his book entitled 'The Making of a Counter Culture'. The text examines 1960s counterculture in North America and Europe and is credited as one of the first examples of the term counterculture. In this lecture held in the Mackintosh Lecture Theatre at The Glasgow School Of Art, Roszak discussed the theme of "Conscience and the Consciousness in Art". The word "Villa" is written on the reverse of the poster in pencil.

*Not available / given

Poster for the printed textiles degree show

This poster advertised the work of graduating printed textile students exhibiting as part of The Glasgow School Of Art's annual degree show. The exhibition was entitled '13 Printed Textile Designers' and was held in the second floor of the Assembly building between the 7th and 18th of June. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.

*Not available / given

Poster for a lecture by David Hockney

This poster advertised a lecture by the artist David Hockney that was held on the 24th of February in the Haldane Building as part of The Glasgow School Of Art's annual Activities Week. A number of diverse events including lectures, concerts and shows took place during activities week each year and would be advertised on huge billboards on Renfrew Street. An image of this poster can be found in The Glasgow School Of Art prospectus for 1972/73 on page 19.

*Not available / given

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