- NMC/1915
- Item
- 2017
Print of 'The Archer'
McGlashan, Archibald A
Print of 'The Archer'
McGlashan, Archibald A
Binnie, Maureen
Moffat, Alexander
Half-length study of man wearing jacket (probably a Glasgow subject).
Eardley, Joan Kathleen Harding
Study of an open market, Glasgow.
Eardley, Joan Kathleen Harding
Study of an open market, Glasgow.
Eardley, Joan Kathleen Harding
Italian farm study.
Eardley, Joan Kathleen Harding
An old, four-wheeled farm wagon.
Eardley, Joan Kathleen Harding
An old, four-wheeled farm wagon.
Eardley, Joan Kathleen Harding
Church interior, Basilica di San Marco, Venice
Study of church interior.
Eardley, Joan Kathleen Harding
Drawing of elderly, seated woman (probably from Lincolnshire).
Eardley, Joan Kathleen Harding
Church interior, Basilica di San Marco, Venice
Study of male worshippers. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Study of seated male model (possibly from Glasgow School of Art life class).
Eardley, Joan Kathleen Harding
Study of male model (possibly from Glasgow School of Art life class).
Eardley, Joan Kathleen Harding
Italian farm study. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Drawing of Venetian bridge. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Unidentified Italian hill town. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Study of San Rufino, Assisi. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Study of farmhouse set amongst trees. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Half-length study of man wearing jacket (probably a Glasgow subject).
Eardley, Joan Kathleen Harding
Study of young man (standing) and two crouching figures in background (probably a Glasgow subject).
Eardley, Joan Kathleen Harding
Drawing of young man (probably from Lincolnshire).
Eardley, Joan Kathleen Harding
Study of seated male model (from GSA life class).
Eardley, Joan Kathleen Harding
Study of male model from behind (from GSA life class).
Eardley, Joan Kathleen Harding
Study of male model (possibly from Glasgow School of Art life class).
Eardley, Joan Kathleen Harding
Little bridge over Venetian canal
Study of a Venetian canal. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Interior view of an Italian chapel, with scattered chairs. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of Catterline shoreline, looking northwards over the bay and showing the pier, boat shed, and salmon bothie, with 'the Watchie' building above.
Eardley, Joan Kathleen Harding
The sitter was a painting student at GSA.
Atherton, Barry
Plaster sculpture.
Barr, James
Landscape of low lying hills and fields. Dominant sky with clouds.
Morrison, James
Still life composition.
McCance, William
Abstract landscape.
Robertson, James Downie
Female portrait study.
Clapham, Georgina
View of harbour with moored boats.
Edgar, Norman
Francis H. Newbery's application to be Head Master of The Glasgow School of Art
Francis H. Newbery's application to the Committee of Management of The Glasgow School of Art and Haldane Academy to be Head Master of the School.
Newbery, Francis Henry
Photograph of Haswell Miller portraying a male figure
The photograph features Archibald Haswell Miller holding a palette and standing in front of nude male portrait.
*Not available / given
Card for The Glasgow Art Students Tryst
Two copies of the card for The Glasgow Art Students Tryst for Belgium and the Red Cross dating to the 29th and 30th of January.
Greiffenhagen, Maurice
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Collage design featuring many figures similar in composition to DC 089/2/3/6. A multitude of papers varying in texture, colour and density. Figures are collaged to the surface of the papers and shaded using black conte crayon and paint. The composition features blue, red and browns.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Background of design painted in blue and red acrylic paint to create a vibrant distressed effect. Left hand side of composition has collaged pieces of brown paper displaying blue linear brush marks. Central to the design is a stylised female from, collaged in blue and yellow paper and shaded using black conte crayon. Backed on conservation board.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Brown paper with abstract shapes adhered to the surface in a lighter colour. A figurative shape is collaged in green coloured paper and shaded in black conte crayon. Pieces of drawing are rendered in black paint. Backed on conservation board.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Abstract figurative mono-print in black ink on white card. Shapes rendered in pastel colours using gouache. Similar design to DC 089/1/2/4/1.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Abstract figurative mono-print in black ink on white card. Collage pieces adhered. Pink and blue dotted ink pattern applied to surface of print.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Lithographic print of factory gates and view into yard. McCall, Munro and Co Ltd sign on closed gate.
Walsh, Thomas
From The Magazine, Spring 1896. Inscribed: The Tree of Personal Effort, The Sun of Indifference, Charles Rennie Mackintosh, January 1895.' The exact meaning of the symbolism of this work, and its companion, 'The Tree of Influence' has eluded all commentators on Mackintosh's early water-colours. The obvious source of the symbolism is nature, and Mackintosh here reaches his most extreme distortion of organic forms.' (Roger Billcliffe).
Mackintosh, Charles Rennie
From The Magazine, Spring 1896. Inscribed: The Tree of Influence, The Tree of Importance, The Sun of Cowardice, Charles Rennie Mackintosh, Jan 1895.
Mackintosh, Charles Rennie
The Painters Colquhoun & McBryde (The Two Roberts)
Study of the two Roberts - Colquhoun and McBryde - in their studio. Fleming's painting was the recipient of the 1938 Guthrie Award prize.
Fleming, Ian
Poster for 'Berlin - Kulturstadt Europas 1988', Germany
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for 'Berlin - Kulturstadt Europas 1988' [Berlin European City of Culture], Berlin, Germany. Poster is titled 'Atelier Berlin' and includes information on the artists whose work is featured on posters GSAA/EPH/10/438 to 451.
Not available / given