The Magazine: Volume 3 (Page 55)
- MC/A/15/3/p55
- Part
- Nov 1894
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The Magazine: Volume 3 (Page 55)
The Magazine: Volume 3 (Page 56)
The Magazine: Volume 3 (Page 57)
The Magazine: Volume 3 (Page 58)
The Magazine: Volume 3 (Page 59)
The Magazine: Volume 3 (Page 6)
The Magazine: Volume 3 (Page 60)
The Magazine: Volume 3 (Page 61)
The Magazine: Volume 3 (Page 62)
The Magazine: Volume 3 (Page 63)
The Magazine: Volume 3 (Page 64)
The Magazine: Volume 3 (Page 65)
The Magazine: Volume 3 (Page 66)
The Magazine: Volume 3 (Page 67)
The Magazine: Volume 3 (Page 68)
The Magazine: Volume 3 (Page 69)
The Magazine: Volume 3 (Page 7)
The Magazine: Volume 3 (Page 70)
The Magazine: Volume 3 (Page 8)
The Magazine: Volume 3 (Page 9)
The Monastery, Durnstein, Austria
"AE Haswell Miller, Durnstein 1922".
Miller, Archibald E Haswell
The Nativity ('And lo the star...')
Bound in the Spring 1896 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.
MacNair, Frances Macdonald
The Painters Colquhoun & McBryde (The Two Roberts)
Study of the two Roberts - Colquhoun and McBryde - in their studio. Fleming's painting was the recipient of the 1938 Guthrie Award prize.
Fleming, Ian
Study of the Parthenon.
Spiers, Richard Phené
Triptych showing countryside activities - horse riding, sailing, haymaking etc.
Christie, Fyffe
From The Magazine, Spring 1896. The shadow does not correspond with the object in front; it touches it and echoes it but is different.
Mackintosh, Charles Rennie
From The Magazine, Spring 1896. Inscribed: The Tree of Influence, The Tree of Importance, The Sun of Cowardice, Charles Rennie Mackintosh, Jan 1895.
Mackintosh, Charles Rennie
From The Magazine, Spring 1896. Inscribed: The Tree of Personal Effort, The Sun of Indifference, Charles Rennie Mackintosh, January 1895.' The exact meaning of the symbolism of this work, and its companion, 'The Tree of Influence' has eluded all commentators on Mackintosh's early water-colours. The obvious source of the symbolism is nature, and Mackintosh here reaches his most extreme distortion of organic forms.' (Roger Billcliffe).
Mackintosh, Charles Rennie
In July Mackintosh and Margaret Macdonald spent a holiday in Dorset re-visiting many of the place he had visited in 1895. 'In 'The Village' and 'The Downs' Mackintosh makes his first conscious moves towards his mature style of the Port Vendres period. He is obviously concerned with the pattern of the landscape, picking out features like the stepped hillside, the stone walls, paths and roofs of village houses. These ordinary motifs are given an eerie emphasis by being painted in an equally detailed manner whether they are in the foreground of the the distance... it was probably at this time... that he decided to concentrate more and more on painting. By 1923 he had decided to forsake architecture and design and devote the rest of his life to producing watercolours.' (Roger Billcliffe).
Mackintosh, Charles Rennie
Study of women crowded around The Well in Toledo (inscription verso).
Jackson, Alexander Logan
Study of three churches; North Wales and Wiltshire. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Study of three chickens, against a black and yellow background.
Fleming, John B
Studies of cottages and part of Caernarvon Castle, North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Study of three bridges; near Birmingham, Llanberis, (North Wales) and Arden, Warwickshire. Published in London.
Cox, David
Study of three bridges; near Knowle (Warwickshire), Leicester and North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Miller, Josephine Haswell
Miller, Josephine Haswell
Study of two men against a pastoral landscape. The subject was painted whilst the artist was a student of Gourock High School. Annotated verso.
Gorman, James
Miller, Josephine Haswell
Probably Italy.
Miller, Josephine Haswell
Line of buildings, at centre of composition trees and chimney pots in foreground.
Gray, William
Miller, Archibald E Haswell
Trees with table and chairs in foreground
Annotated notes verso.
Miller, Josephine Haswell
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Flower study.
Anderson, Daisy McGlashan
Snowdon seen across Fraeth Mawr, North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Two cottages; near Knowle, Warwickshire and Bromley, Kent. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Study of two water mills near Llanfair, North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Study of mills at Bromley, Kent and Dulwich Common, Surrey. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Abstract design.
Low, Bet